Good story, Not enough for a whole film

An absolute waste of money

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

OK, I am not Japanese. I do know a little about Japanese culture, and a little less about Japanese pop culture. Other than that, I am Spanish, I eat paella and I like black humor.Good, with that point set, I can comment on the movie: I have no idea on how it is enjoyable to the Japanese audiences, Mamoru Oshii is quite a good director- despite the overly pedantic postmodern stuff in the style of Talking Head, and even that was curious and somehow interesting- and I am surprised he came up with this. It may just be one of those lost-in-translation cases, I am afraid it is, but as a European viewer watching the film with subtext overloaded English subtitles I just thought it was horrible. The jokes seemed bad, the script was overcooked- I mean, give the audience a break, and shut up a little you damn narrator- to the point of almost making my head explode over an overkill of fast-paced speaking and absurd action.However, I thought the animation was really cool. The idea is great, and it is well exploited in those animated scenes. However, the eye-candy finishes as soon as the characters are left aside to start with an endless not funny at all mumbo-jumbo speech over still pictures. It just makes you want to fast forward to the next cut-out hysterical characters scene.I read Mamoru Oshii is actually planning on a sequel for this. The idea was good but horribly exploited. Maybe the second part will bring up the good parts of this first one and actually make an interesting movie, or maybe it will be more and more over-narrated scenes. But hell, if you thought Talking Head was dense, Amazing Lifes of Fast Food Gifters will give cause you a stroke.Of course, all this comment is based on the experiences of someone who is European. Probably this is totally useless to Japanese people, maybe it was a really funny film lost in cultural frontiers and translation. Maybe.

All anime contains some material that doesn't translate well to other cultures but sometimes you find something that is so completely enmeshed in the home culture that only a miracle could make it understandable to a foreigner. An example sitting on the edge would be the limited anime series, "Fooly Coolly". Only by using the DVD extras can anyone outside Japan get a real understanding of the goings-on. Along comes Mamoru Oshii's new endeavor, you thought "Innocence: Ghost in the Shell 2" was tough?A "biography" of the post-war noodle stand freeloader seen through the eyes of a mysterious scholar who ascribes a monk-like aura to the most notorious freeloaders. The freeloader comes in, orders a bowl of noodles, eats them and then insults the noodles expecting to get them for free. Much of the action (for lack of a better word) revolves around a single noodle house as different famous freeloaders come in over the decades trying to get a bowl of noodles. The film has almost non-stop narration as it parodies a documentary. Lots of talk, lots of still artwork.The esoteric subject matter aside, the animation is done in a very unusual modified cut-out animation style as emulated thru CGI. Sometimes the characters are constructed as if they are cardboard stick puppets but it's all computer generated. Sometimes the camera swings around the scene and the characters briefly disappear as if you were looking at paper from the edge. The art is excellent overall but this experimental style seems better suited for a short instead of a feature length film. The story creates a distance from the characters and the animation style actually make the distance worse. Unfortunately, the available English subtitles don't help at all. Perhaps someone will undertake the effort to translate this film for English speakers but I'm afraid that this film will scare most distributors away.An experiment for experimental viewers only.

A documentary without a loss for words... ever...Let us assume that the narration is more than a spoof, let us assume it is a commentary on Japanese society. And as this film is as fast paced an absurdist documentary as they come, the constant wordplay, as fast is it goes, and as poorly translated as it is-- in its current festival screener version as seen tonight at the Copenhagen Cinematek-- It is still quite enjoyable. But for the patient, and ONLY the truly patient and open-minded, I'm talking to you Jim Jarmusch fans with ADD relapses, I believe this is a film for you. It's an intelligent film if you allow it to win you over.Quite beautiful, and quite kitsch, and quite Japanese sub-culture. And quite experimental. Static 2D in a 3D world. All in all, Fun for those that want to see a Japanese film that spoofs Japanese food culture. A thumbs up if you're in the mood for something completely different.

I don't want to go too far into detail, because I can't really justify wasting much time on reviewing this film, but I had to give an alternate opinion to hopefully help people avoid the movie. The animation is crud and the story alternates between boring/pointless to extremely irritating. The humor was completely lost on the audience, and yes - Ghost in the Shell fans, this is NOT an action sci-fi or anything like that - its an attempt at slapstick comedy, and the humor just did not work after being translated. It was a total chore to watch this movie, and horrible way for me to kick off the film fest, especially considering how excited I was and how open I was for anything - I wasn't expecting a Ghost in the Shell sequel, but I was expecting something entertaining, and it simply didn't achieve this. Yaaawwnnn... Rent Kino's Journey instead.