Who payed the critics

Fantastic!

Better than most people think

Absolutely amazing

This movie is not your typical Bollywood mas-ala film. Maybe that's why I liked it so much. Revolving around the life of a couple celebrating their anniversary comes this uniquely told story.You will feel confused at the Start, wondering where it will all lead to. Worry not, all will start to make sense from around the middle of the story and you will given clues to understand the puzzle that is this film. It has a beautiful hidden message that will be unraveled near the end. And I think this is a much watch for all the youngsters in India. Never mind that,everyone should watch this wonderfully directed thriller, with a very important message. I enjoyed watching it and I hope you will/did too.

The movie pleasantly shocked me, I saw the movie to see Paresh Rawals' Performance but had no idea that I would like the movie so much, the movie had good cinematography and the leads put in decent performances as well, It was kind of Ironical to see the Rajeev Khandelwal on the other end of Sach Ka Saamna.It was great to see Paresh Rawal at his villainous best after a long time he is clearly setting the bar high after Oh my God last year and now this one ,hope he continues to deliver in the future.The movie can be disturbing to watch for a family audience but such movies need to be made.The message in the movie leaves a deep impact , all college students must see this movie at least once.

Aditya Datt's mysterious thriller opens with the explanation of its title on the screen which refers to the Article No. 21of the Indian Constitution talking about the "Right To Live and Personal Liberty". But since the film deals with a secret to be revealed in the end, therefore I would not like to talk about its story details here which may ruin your experience of watching this above average thriller, with thankfully something different to offer.TABLE No.21 begins with some picturesque romantic moments lived in Fiji by the lead couple who are there on a trip won in some undisclosed contest. Once these initial routine 15 minutes are over, the film actually begins as soon as Paresh Rawal enters the scene with his exciting game of few questions (with a board reminding me of JUMANJI) and a prize money of 21 crores. Finding it interesting enough the couple readily agrees to the deal and start answering the questions truthfully to win the big prize. Performing new challenging tasks associated with every question asked, they start facing some unusual & surprising situations which in turn make the film quite engrossing and entertaining.But post intermission, as the narration begins to go into the repetitive zone and the actual secret behind the game is exposed, it somehow reduces the overall impact of the build-up made by its first half. The social angle prominently there in its final moments doesn't turn out to be that explosive as one expects it to be. Therefore the moment you know it all, the game doesn't seem to be convincing enough and the whole set- up looks like quite weird and over the top. However the plus point of TABLE NO. 21 remains that, it at least tries to give you something fresh and unique moving ahead than the usual Bollywood stuff and its fixed formulas.Having said that, this is not the first time such concept of a game has been used for an intense suspense thriller in Bollywood. In 2011, there was a small budget and not so well publicized film called CHITKABREY, which also had exactly the same plot with the socially relevant angle revealed in the end. Now the only difference here is that where CHITKABREY featured a game similar to the famous BIG BOSS format, the present TABLE No. 21 revolves around a game reminding you of the controversial SACH KA SAAMNA program. Probably Rajeev Khandelwal also got this film due to the reason that he was only the anchor of SACH KA SAAMNA show in reality too.So in one way, it can also be called an unofficial remake of that unknown film of 2011 which was comparatively a pretty weak project with an amateurish cast. Honestly, its quite possible that the similarity being discussed here is purely unintentional or coincidental. And in case it really is then surely the culprit here is the trend wherein film-makers normally don't watch the new films released in the Hindi Film Industry itself due to their own distinctive reasons.Progressing on an engaging track before its final 30 minutes, TABLE No. 21 tries to win over the audience through its well written narrative and surprises thrown in every 10-15 minutes of the film which only work in its first half. Musically you don't mind watching the few forgettable songs while enjoying the scenic beauty of Fiji captured well but Background Score could have been better as per the requirement of its theme. In other words, I strongly feel that if you are ready to gamble with a new subject then why not try giving it another edge with an innovative background music too. The film completely relies on its 3 key characters, who perfectly suit their respective roles like 'T'. But I really didn't find anything new in the character portrayal by Paresh Rawal. He is good no doubt but there is nothing novel in his act which went against my own expectations from the veteran having a wide range. Rajeev Khandelwal on the other hand plays it well and one must praise the kind of projects he is choosing since his AAMIR. He has got the star-presence and looks quite natural playing the game with Paresh across the table. May be because he has already been through many similar sequences in his own TV show mentioned above. Tena Desae, as his wife, gives a fine performance and the girl does have some talent waiting to be exploited. Though she doesn't look stunning in all her outfits, but with some careful choices made she certainly can prove both her talent and confidence for sure.Overall, TABLE NO. 21 makes a good impact till its intermission, drops towards the mid and then turns out to be less explosive than expected with a preachy kind of climax. It may disappoint you in the end too as one doesn't like to suddenly go into a 'Social mode' while watching an exciting mystery thriller. Moreover once you know the real truth, all that website business and cameras seem to be added deliberately into its narrative without any reason. Hence it can be seen once if you wish to try something fresh attempted in Hindi Films. But to say the truth, it's nothing more than a better version of CHITKABREY (released in 2011) with a finer vision, superior production values and a talented cast.

Anything that seem to be too much for it own good doesn't always have good motives behind it. Like when your neighbour is being extra nice towards you when he needs some favour to be done or when you professor has the that tacky smile on his face when handing out booklets. Something inside tells you that you don't deserve this and the equation of karma doesn't fit in. But nobody takes a cue and thus refuting their guts they continue to go deeper until they realise the cost.When the Vivaan And Siya, married for 5 years decide to spend their 5th anniversary in the islands of Figi on a lucky draw prize they won, they are in for a surprise. On the last day of their stay, the jobless Vivaan and his affable wife are lured into a game called Table No. 21 hosted by Abdul Razzaq Khan in a bid to win $10million FJ which is approximately Rs 21 crores. But it is not all rosy as it looks, to get to the prize money the couples has to answer correct 8 questions put by the host and correspondingly do the given tasks after each. This all goes well with the moto or the catch line of the game(also the movie) 'If you lie, you die'.Touted as thriller, this movie starts rather slow, not rushing into the mystery of the plot. The first few minutes into the game for me were silly with protagonists laughing at the plausibility of earning 21 crores which may be rational in real life but seems very boring and uninteresting on screen. Also as the movie gives us rare thrilling aspects it hardly leaves us spellbound. To be more precise the movie fails in the main area i.e. the part where the audience should be enthralled. Most of the questions and tasks in the movie were bland and could have been more innovative to hold up the attention.But to it's credit the movie does starts to kick in with all cylinders just after the start of second half. This is the part when the protagonist start getting more aware and the antagonist more villainy. Although most of the movie is shot in plush 5 star hotels, getting the feel of the place might have helped the movie. It's very difficult to avert ones eyes from the screen at this part of the movie filled with new mysteries and awaiting twists. The music is also a plus point for the movie with some good tunes to hum about. By the time climax arrives the story is splayed with open can of worms and new revelations about the past as a result of the game being played and thus the reason of the initialisation of such a deathplay comes to fore. Some lines in this movie are really good and need very loud applause for the dialogue writer.Rajeev Khandelwal as Vivaan plays his part like he does in every other movie, with honesty and putting 100% to his portrayal. Although the start is slightly scratchy but he rarely falters as he makes his character hapless infront of audience. Tena Desae does more than giving us that wide drooling smile or the alluring bikini walk. She has great dialogue delivery and her acting is quite good (after her recent stint in The Best Exotic Marigold Hotel). Paresh Rawal shifts the movie into another higher gear in the second half. He kind of holds it in the first half but his second half is really symbolic of his acting prowess. That menacing smile and those witty dialogues gives his villainous personality a new high. He need to do more of this kind villain projects.When Siya says Money can buy everything in this world, Mr. Khan respond immediately saying not the past, ponder over this because around this very line the whole movie revolves. It's laudable attempt by Aditya Dutt one that just manages to push the envelop and stand out in the most template driven movies. Must watch.