Sweet Movie
Sweet Movie
R | 12 June 1974 (USA)
Sweet Movie Trailers

The winner of the Miss World Virginity contest marries, escapes from her masochistic husband and ends up involved in a world of debauchery.

Reviews
Stometer

Save your money for something good and enjoyable

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Bereamic

Awesome Movie

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Ariella Broughton

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

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Anoushka Slater

While it doesn't offer any answers, it both thrills and makes you think.

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Dalbert Pringle

After I patiently endured having Sweet Movie's sexual carnage (that included cruelty, hatefulness, and humiliation) repeatedly ground into my face for 100 minutes - I am now completely convinced that its director/writer, Dusan Makavejev was nothing but an absolute peasant of the lowest calibre.And the degrading, white-trash, gutter-level attitude that prevails throughout this film's storyline proves my accusation against Makavejev to be 100% correct, over and over again.I mean - It really figures that this picture is so vile and sick-minded in nature that one of its most triumphant "highlights" is for the viewer to witness the exuberant celebration of the depiction of multiple bowel movements at close range. (Spare me!)C'mon - Let's face it - Because 1974's "Sweet Movie" is a foreign film - The snobs-of-cinema gloat all over it and self-righteously christen it as being "Art House".But - You can be sure - Had "Sweet Movie" been an American release it would have promptly been reduced to the level of pure "Trash-House" of the trashiest kind.*Note* - I think it's really disturbing to find out that the National Film Board of Canada was actually involved in partially financing this despicable production.

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tedg

I'm not the ideal audience for this, and you are likely not as well. It is a collage of images where each image in the small has universal connection, but the two great narrative strokes are situated in the time and place. You'll have to not only be aware of the great European repressive disasters of the 20th century, but be personally damaged by them as well.Those two threads are entertaining to report at least. A Russian woman — with an invisible crew — moves a large boat down the Danube, she aloft at the bow as conquering Viking, a huge face of Lenin on the front. It is filled with candy and as she floats downriver Huck Finn- wise, she seduces and kills men and boys, adding the bodies to the cargo. This includes two indelible scenes. One is her seducing the candy-hypnotized boys. A second is wonderfully cinematic. She picks up a revolutionary deserter. In the boat is a deep hold of granular sugar, in which she likely buries her victims. She and the man make love in that sugar, sometimes completely burying them. She controls him completely, then he gets stabbed laughing, sated.The other story has Canada's entry winning the contest for most beautifully formed hymen, winning marriage to the demented son of the world's richest woman. Her adventures are a sort of sexual perils of Pauline, with completely unusual situations. This includes getting publicly stuck in coitus with a movie star and being placed on a table in an active restaurant kitchen a la "Cook Thief, Lover."At the end our virgin has a scene much like the sugar orgasm, but in her case she is nude, drenched in chocolate and drowns in orgasm.Both of these women, communism and capitalism encapsulated in sexual bodies, end up in the same surreal asylum where we are exposed to one of the most negative surveys of societal bonding I have seen. This is the disgusting section you likely have heard about with the group celebrating rituals that seem depraved but that fit well within the political threads we have previously seen. These include historical footage about Nazis that are similar in tone.Its close to the ideal that Greenaway espouses: pure image with no "story;" narrative made in the mind, the way vision is made in radio plays. And there is real effectiveness and some beauty in these lives, sugar in their deaths.And at the very, very end, the children are reborn.Ted's Evaluation -- 3 of 3: Worth watching.

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SurWilliam

Forgive the title. I saw someone had a similar title for their review and I thought it was hilarious. I really don't think spoilers are relevant in a film like this...I never became sexually aroused while watching this film.I'm still not sure if that's a good thing or a bad thing....Furthermore, I was neither disturbed nor disgusted, which also makes me wonder whether I've seen too many things in my life that I shouldn't have. I think I grasp the director's intended message and that which other reviewers here are trying to express, but I rather wonder when it's all said done what it was all for. Now I've seen someone defecate on camera. (actually, I had already seen someone defecate on camera prior to watching this film- maybe that's why I found it rather anti-climactic)I think this film may have been much more relevant when it was made, but today it's little more than a curious relic. All in all, it's an interesting art flick. Finish any meals before watching.A great primer for Salo.

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PaulyC

Wow, this movie may not be the greatest surreal movie put to film but the director, Dusan Makavejev, sure didn't pull any punches. As I talk about the story, keep in mind that I'm not making this up. An oil millionaire is holding a beauty contest to find himself a virgin bride. It can't be just any virgin bride. She has to be willing to be urinated on by the millionaires golden penis which he proudly shows off in the film many times. No, folks, it's not a statue or anything, he just happens to have a gold penis. He finds the seemingly perfect bride but she doesn't take well to this lifestyle after awhile and runs away. She ends up in a large suitcase which ends up being shipped to France. Once there she still finds a life of weirdness and nothing but strange people. She eventually comes across a commune where a large number of people urinate all over each other and eat their own feces and rub it all over each others bodies. The story, if you can call it that, also involves a sailer and a girl named Capt. Ann who can't get enough sex. Eventually there is a love scene which takes place in a large tub of sugar which turns to a sticky red batter after being bloodied up by Ann stabbing her partner. Keep in mind this is all surrealism and perhaps a little of the directors sick self-indulgence. I only understood a little of what I saw after seeing one of the special features on the DVD. You really need to know a little about foreign politics of the 60's to understand the film which I don't. I get the feeling however that even with that education you will be scratching your head for a lot of the movie. Surprisingly, there is actually a decent soundtrack to the film as one of the songs heard was actually a hit in Europe and is quite nice. Keep in mind, this is not a sex film but uses it to attack us in an unsettling way. I promise you won't be turned on by any of those scenes. Although I can't say I really liked this film since I didn't find the entire thing interesting, I can say that it's a hard movie to be passive about because of the symbolism I actually did understand. Watch at your own risk!

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