Memorable, crazy movie

Best movie ever!

Absolutely Fantastic

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Well the story is pretty simple but it is not the case, what i found the most important is that this is in my opinion the best movie about love. And not such love as in middle ages or fantasy worlds, not from the XIX century but the one the appears in present day. In this dirty and poor environment of suzhou river we are given chance to believe that true love is not one that vanish but the one that last. It is a must to seeNot everyone may like the acting, cause Asians always seem to be a little bit introvert but in the end i assure you, you will cry your eyes out"if i would disappear would you look for me?yes Would you look for me forever?yesYour whole life?yesYou are a liar..."

A deep sense of longing and unfulfillment pervades Ye Lou's Suzhou River, a longing perhaps for the perfect love that is unattainable. Originally filmed as two 37-minute episodes for the television show Supercities, Suzhou River pays a colorful homage to Westernized film noir and adds modern stylistic touches reminiscent of Wong Kar-wai to produce a satisfying if not overly deep cinematic experience. The film was banned in China for two years because it did not receive approval from the proper authorities and Lou has been prohibited from making films in China for five years because his latest work, Summer Palace, was submitted to the Cannes Film Festival without official approval.Like the Ganges in India, the polluted Suzhou River in Shanghai defines the life of the people who live and work in its dingy environment, a life of struggle for economic survival. The story is told through the eyes of the narrator, an unnamed videographer who, like a silent voyeur, travels up and down the river looking for stories to film, spray painting advertisements of his work on street-corner walls. The only bright spot in his life is his relationship with Meimei (Zhou Xun), a performer of a mermaid act at the Happy Tavern nightclub.The narrator tells us that Meimei, however, has unexpected periods of silence and often disappears for days at a time without explanation. He relates how his moments of sadness turn to joy when he sees her though his open window walking across the bridge with her arms folded across her chest. When Meimei asks him if he would look for her forever if she disappeared, he answers yes then tells the story of a motorcycle courier named Mardar (Jia Hongsheng) who was involved in an intense relationship with Moudan, a sixteen year-old girl. Moudan also played by Zhou Xun bears a striking resemblance to Meimei in the vein of Hitchcock's Vertigo.One of Mardar's odd jobs working for Shanghai gangsters was to transport Moudan to her aunt's house when her father was having an affair. He falls in love with her, however, and gives her a mermaid doll on her birthday but betrays her trust by kidnapping her at the bequest of the mobsters and holds her in an abandoned warehouse until the ransom is received. When Moudan realizes her betrayal and is upset about the sum received, clutching her mermaid doll, she jumps into the Suzhou River, telling Mardar she will return as a mermaid. After Mardar is released from prison after serving three years, he finds the look-alike Meimei at the Happy Tavern and is convinced that she is the love he tragically lost.Enigmatic to the end, the rest of the story is better left for the viewer to discover and it is open to different interpretations. Suzhou River may not be the masterpiece that some claim but it has a brooding dreamlike quality that touches a responsive chord of longing in those who have sought but not yet found the perfect love. Like Kim Novak in Vertigo, Zhou Xun's sparkling eyes and expressive features will remain in your memory.

SPOILERS!! SPOILERS!! SPOILERS!! SPOILERS!! SPOILERS!! SPOILERS!!Beautiful to look at, touching to endure. The frequently POV and semi-handheld camera work is quirky but successful. The locations portraying Shanghai are deliciously chewed up, layered, soiled and water stained Pleasantly moist so to speak. Lurid and fetching the way Cyclo is, but delivers at a far faster pace like Swallowtail Butterfly, though without the humor generally. Really a nice though sardonic love yarn. Did I mention yet that many of the visuals in this need to be taught to our young ones IMMEDIATELY? The shot of the courier Mardar perched on the ladder leering down thoughtfully at unwitting hostage Moudan, their heads on diagonally opposite intersections of the grid, static yet breathing, a masterpiece to behold and a desktop wallpaper waiting to happen with the quiet disturbed power of Leon without quite the pedophiliac undertones (although perhaps not completely without). Excellent work, and some really interesting credits if you ever want to see how the Germans and the Chinese might work together to produce a tweaked out love story. Last note, really appreciate and respect the move to anchor the tale to a narrator that is a partial, biased yet generally passive voyeur. Certainly an exploration of existentialism, at least more candid and blatantly than most flicks, as truth be told all flicks are a degree of existentialist experience, the very notion of an audience of passive voyeurs vicariously living another's life through the medium. And so on.

Set in Shanghai on the banks of the Suzhou River, the story follows a motorcycle courier who one day is asked to deliver a 16yr old girl to her aunt. from this simple yet mysterious beginning a complex and unusual story of lost love and mistaken personality grows. Refreshing and evocative.