What makes it different from others?

A story that's too fascinating to pass by...

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

"Susannah of the Mounties" begins with a group of Canadian Mounted Police (the 'Mounties') coming upon some wagons that were attacked by the Natives. All the settlers, aside from a child (Shirley Temple as the title character), have been killed and the girl is taken back to the fort to live. She is taken in by a handsome young officer (Randolph Scott) and she soon adjusts to camp life.Because of this and other attacks, the leader of the Mounties calls a meeting with the local Chief. The two swear to end the violence and as a sign of his integrity, the Chief sends his young son to live with the white folks. Soon, he and Susannah are at odds with each other. BUT, because she is so gosh-darn spunky and sweet, soon she and the boy become best friends. However, a small group of evil renegade natives are bent on stoking the fires of war. Can resourceful little Susannah bring everyone together? Considering how many times she hit the peace pipe with her new friend, it's a good bet she can.The film gets some credit for having a tribe of actual Indians play the natives....with a few obvious exceptions. The chief and the leader of the renegades are BOTH played by white guys painted up to look like natives. Why did Hollywood always insist in this era in giving all the major roles for most every ethnic group to white folks?! This is especially silly with the chief-- a guy by the name of Maurice Moscovitch! However, Shirley's acting is great (as usual) and the film is never boring. Overall, a pretty good family film--even if it isn't 100% politically correct!

As always with any movie Shirley was in, she did a brilliant job.Her lines were good, not missing any, and her dance routines were excellent as always. I have seen her perform with the best of the best, and she stands right out as being very professional. She is a child actress that never let success go to her head. She always comes off as being sweet and caring and in my opinion never once got arrogant even though she made it big. you can see the sincereness that she had when portraying Susannah and in every other roll she portrayed. There will never be another actress who will even come close to her talents and spirit. She is a once in a lifetime person.

Shirley's box-office appeal was on the wane by the time Fox put her in SUSANNAH OF THE MOUNTIES and obviously they were aware of this when they decided not to shoot this one in technicolor. Not sure, but I recall seeing a sepia tone version of this at a kiddie matinée revival years ago. However, all TV showings are in standard B&W.Once again, Shirley starts the story as an orphan when Indians kill her parents and she's rescued by none other than Randolph Scott, a handsome mountie who, with his sweetheart (Margaret Lockwood), takes Shirley under his wing. What happens next is a predictable yarn that doesn't require much from any of the participants, especially Shirley, who neither sings nor dances, except for a brief (and charming) moment when she teaches a dance step to the mountie. And naturally, when the plot calls for her to rescue Scott (captured by nasty Indians), she becomes the little diplomat who saves the day.Shirley and Scott worked together before in REBECCA OF SUNNYBROOK FARM and it's nice to see them paired again.But the story is strictly formula for the "little orphan girl" theme that writers always came up with for Temple, and the feeble attempts at comedy relief are so obvious as to be unfunny. The script is a tedious thing and thankfully the weak romantic angle between Scott and Lockwood is kept to a minimum to let Temple have the spotlight.At eleven or so, and just a bit chubby, she still has the dimpled charm that made her famous but has no opportunity to shine the way she did in her earlier films. Victor Jory shows some menace as an Indian, but none of the skirmishes seem very authentic. The humorous moments are no more than sad attempts at humor at the expense of native American Indians.Summing up: One of Shirley's weaker vehicles, enjoyable only for die-hard Temple fans. Fortunately for Shirley, she still had THE LITTLE PRINCESS in release that same year.

SUSANNAH OF THE MOUNTIES (20th Century-Fox, 1939), directed by William A. Seiter, stars Shirley Temple, now 11-years-old, trying new ground so not to repeat herself. No songs or dance numbers here, just plain outdoors adventure between white men and Indians.Temple plays Susannah Sheldon who is orphaned after her family is killed in an Indian massacre, thus, becoming the sole survivor found and taken in by a Canadian Mountie, Angus Montagu (Randolph Scott). She soon bonds with the Mountie and later rescues him from being sacrificed by Indians, who believe him to be a traitor. Susannah later exposes the one who is. Not as memorable as some of her earlier outings, but watchable. Temple has her moments with Scott in a scene in which she tries to teach him how to dance in order to impress an attractive visitor, Vicky Standing (Margaret Lockwood). Margaret Lockwood, an English actress, is best known for her performance in the Alfred Hitchcock's suspenser, THE LADY VANISHES (1938). She also worked in another Hollywood produced feature, RULERS OF THE SEA (Paramount, 1939) before returning to England where her roles surpassed those made in Hollywood. As for Shirley, she is even given some screen time opposite an Indian boy, Little Chief (Martin Good Rider), who calls her "papoose," which is Indian for "baby." Also featured in the cast are J. Farrell MacDonald, Moroni Olson and Victor Jory. As mentioned during the opening credits, scenes were filmed on location in the Canadian mounties. With plenty of background scenery, one wonders why it wasn't done in Technicolor. Otherwise, it's convincing actioner.SUSANNAH OF THE MOUNTIES, which can be found on video cassette from Playhouse Video, formerly played in the colorized context on the Disney Channel in the early 1990s, later on American Movie Classics from 1996 to 2001, and afterwards on the Fox Movie Channel, where it's presented either in its original black and white format or colorization. (***)