one of my absolute favorites!

Am i the only one who thinks........Average?

It's a mild crowd pleaser for people who are exhausted by blockbusters.

This film is so real. It treats its characters with so much care and sensitivity.

Mark Schneider ('Santa Barbara') stars as Clint Morgan, a young man who wants to strike out on his own rather than follow the path that his father has set for him. He plans on entering his van in a "Freakout Competition" for vanners, with his eyes on the $5000 grand prize. However, his van gets totalled after he saves Karen (Katie Saylor, "Invasion of the Bee Girls") from being raped, and her attackers give pursuit. But good fortune comes his way: good friend Bosley (TV veteran Tom Kindle) has designed a futuristic, solar powered "super van" dubbed "Vandora" which he lets Clint use. This puts Clint at odds with Karens' arrogant fat cat father T.B. Trenton (Morgan Woodward, "Moonshine County Express"), an auto industry hot shot who's already entered his own "Trenton Trucker" into the event."Supervan" is no great shakes; it doesn't have much of a story, for one thing. But it's still pretty good fun for lovers of 1970s drive-in cinema. It's got a respectable amount of vehicular action and stunts, a healthy dose of comedy, a wonderful soundtrack, and is overall an amiable, appealing portrait of "vanner" culture in the 70s. Some of these vans are quite impressive in their designs and art. Legendary custom vehicle creator George Barris designed the title mode of transportation, and also appears in the film as himself. Director Lamar Card ("The Clones") keeps it all reasonably upbeat and never too unpleasant, while still understanding the requirements of an exploitation picture from this era. (There are several loving close-up shots of ladies in wet T-shirts.) Adding a goofy, science fiction element is the fact that this van is equipped with a laser gun (!), allowing for a few cheesy effects.Attractive couple Schneider and Saylor are engaging leads, and Kindle is likewise endearing in his key supporting role. Len "Uncle Leo" Lesser turns up as a cop, and Bruce Kimball ("Drive In Massacre") as Trentons' flunky. But the show is often stolen by excellent veteran character actor Woodward, who seems to be relishing the opportunity to chew on the scenery in some scenes.If you're into vans, or just exploitation cinema in general, you're sure to have a decent time with this one.Seven out of 10.

The movie Supervan was filmed in St Joseph, Missouri where I was living at the time. It started filming in October during the FREAK OUT truck In held at Old MacDonald's farm just North of St Joseph.Many of our Pony Express Van Club members were in the Freak Out scenes and later furnished vans owned by the members in many follow up scenes such as the Van and Car chase on the streets of St Joseph.My van was in several scenes and I also had several 'walk on' roles in the movie. It was great fun to be treated as a member of the cast and enjoying plenty of free beer and great food at the lunch breaks.The Premier of the movie was held at a theater in St Joseph with George Barris, designer of the Super Van present for the festivities.Later I made a web page of my photos and several clips from the movie.. You can check that out searching for the name Super Van the Movie online.

Well, what to say? The first time I saw it, I think I was completely speechless. And I think I still am, actually. Man, this sux! BigTime! Horrid story, crappy craftsmanship, etc.I am not eve sure that it's a good turkey. But a turkey it is, most certainly! I rated a 10 to it, because I really think people should see it to se how it's NOT supposed to be done!

Well, maybe not. I don't know because I haven't seen "Smokey..." since I was, I think, ten..? Anyway, this film is a curious document of the '70s, a real time capsule. The best parts (to me) are the semi-verite portions when the camera wanders around the fairgrounds where they're holding the big van 'freak-out' and just records the goings-on of this peculiar gathering. These segments, for me, capture something very essential about the '70s, moreso than just about any other film I've seen in a long time.