Truly Dreadful Film

An absolute waste of money

Good films always raise compelling questions, whether the format is fiction or documentary fact.

A clunky actioner with a handful of cool moments.

I just watched this movie on YouTube for one reason and one reason only: To see an early Dorothy Dandridge performance. She appears in the beginning about to be married to a man named Kipsang. She has no lines but director Henry Hathway gives her a couple of close-ups so we can see how beautiful she truly was. But because of her color, she would not become a star until she eventually took the lead role in Otto Preminger's Carmen Jones some 13 years after this film. As for the film itself, it's got some good action but it's mostly many officers like those played by Bruce Cabot and George Sanders talking lots of expository lines and I really couldn't understand them so part of me was almost bored at the whole thing. Good thing an Italian prisoner-of-war named Pallini (Joseph Calleia) provides some character flavor and Gene Tierney as a friend of his some more alluring close-ups. So on that note, Sundown is at least worth a look.

On the wall of my foyer hangs a framed issue of "Life" magazine dated November 10, 1941. Its front cover features a B&W photo of an impossibly beautiful, 21-year-old Gene Tierney from her new motion picture, "Sundown." Well, needless to say, I have wanted to see this film for years, but every time it pops up on one of the local PBS stations here in NYC late at night, it always seems to be in a lousy-looking 16mm print. Thank goodness I waited for this supremely crisp-looking DVD to be released! "Sundown" turns out to be a pretty well done WW2 action movie, dealing with an English outpost in Kenya, those nasty Nazis supplying guns to the natives, and a young caravan trader (Tierney) who helps the Brits out. And what a cast we have here: Bruce Cabot, George Sanders, Harry Carey and Cedric Hardwicke are their usual fine selves, and (sneeze and you'll miss 'em) Woody Strode and Dorothy Dandridge add interesting support. But it is top-billed Tierney, here in her 5th film, who steals the show. Decked out in harem girl attire for most of the picture, she really is something to behold. In her 1979 autobiography "Self-Portrait," Tierney reveals that "Sundown"''s authentic-looking locales were actually filmed at Ship Rock Hill, New Mexico, and that she couldn't stand the hot weather and the reek of camels during the shoot. She also tells us that one of the camels tried to nip her on the derriere. Finally...a camel after my own heart!

Interesting settings and a good cast contribute significantly to this solid drama about intrigue in the desert during the Second World War. In features Gene Tierney in a role that, while perhaps slightly oddly cast, makes particularly good use of her elegant beauty, and also gives her a good variety of material to work with.The story starts with George Sanders, as a by-the-book British official, sent to take over a desert outpost previously run in a rather lax manner by Bruce Cabot's character. The two have to work out their disagreements over native policy while tracking down an Axis plot to supply arms to unfriendly natives. Tierney comes in as a half-Arab, half-English owner of an extensive trading network, bequeathed to her by her father. Both sides are naturally eager to have her work with them.It's a good setup, and in general it makes good use of it. There are some good action scenes, but there is also some substance in the character development and in the cross-cultural interactions. The pace is steady, though it might miss a couple of good opportunities to switch into high gear, since there is never a feeling of any particular urgency until quite close to the end.Sanders and Tierney are both in very good form, which is almost enough in itself to make the movie worth seeing. The story is good, and there is hardly a moment when something of interest is not going on.

The story is nonsense, and Gene Tierney couldn't act, yet this Henry Hathaway-directed a adventure picture set in North Africa is solid entertainment thanks to Hathaway's no-nonsense handling of the material, Miklos Rozsa's stirring score, and its splendidly chosen largely no-star or near-star cast: Bruce Cabot, George Sanders, Harry Carey, Cedric Hardwicke, Marc Lawrence. Cabot is especially good in the lead, and his work here makes one wonder why he didn't become a bigger name. Walter Wanger produced this one, which was a big hit, and also somewhat of a hybrid, a mix of Korda-and-Sabu style exotica with Nazi intrigue out of Fritz Lang and Hitchcock, with Tierney in the Lamarr-Lamour exotic princess role. Ersatz, and never for a minute convincing, but hard to resist.