This is How Movies Should Be Made

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Close shines in drama with strong language, adult themes.

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Thought-provoking, emotionally soulful and extremely clever, Sunday in the Park With George is another Stephen Sondheim hit. Not his masterpiece(Sweeney Todd, though that is a subjective and very difficult choice to make) or his most accessible(Company), but it is a great show that will make you appreciate Sondheim more perhaps. Like a previous reviewer, some very close friends of mine disliked Sondheim initially but after hearing Sunday in the Park With George they converted and while not fans as such they appreciate him highly now. To get yourself acquainted or to re-visit the magic of this musical it doesn't get better than this production. Lushly produced, very intelligently staged and directed and well-photographed, this production of Sunday in the Park With George is a must see for Sondheim fans and admirers. The songs and score are wonderful, beautifully structured and highlights like Move On, Putting it on and Finishing the Hat are memorable. They are also very clever, because not only do they make an emotional impact but they interweave so well with the story and the characters' motivations and actually enhance them, often telling us what's happening within the music and lyrics. The arrangements are just beautiful and played and conducted just as much. Bernadette Peters and Mandy Patinkin don't just have great voices but they are also great actors, and put real emotion into what they're singing and acting. Patinkin's voice is in slightly better shape, Peters occasionally sounds tired but mostly her singing is fine. And while Patinkin gives one of his best and accomplished performances, Peters is a revelation playing two different characters- sometimes in very quick changes- and is incredibly heartfelt. The supporting cast that include the likes of Dana Ivey and Charles Kimbrough are also on point, Frank Kopyc and Judith Moore are hilarious as ignorant American tourists with the over-exaggerated hand gestures and such. Also look out for Brent Spiner as a German servant, he's a pleasant surprise. In conclusion, beautiful, clever and affecting, couldn't be recommended more highly enough. 10/10 Bethany Cox

Sunday IN THE PARK WITH GEORGE was the first, if memory serves, Broadway musical based on a painting. This sensitive and moving look at the artist Georges Suerat, through his most famous work, "A Sunday Afternoon on the Island of Le Grand Jatte", was unlike anything Broadway had seen up to this point. Suerat serves as sort of a narrator and Greek chorus, as well as the main character, as James Lapine's smart book takes what little was known of the artist's life and fleshes out characters from the people in the painting. Broadway's most gifted composer, Stephen Sondheim, crafted a lilting and beautiful score filled with clever lyrics and lush melodies. Sondheim is the best lyricist in the theater because he writes as people talk, not as they sing. The first act follows the relationship between Suerat, electrically portrayed by Mandy Patinkin and his model/mistress Dot, the luminous Bernadette Peters, as their on again off again relationship is constantly challenged by his obsession with his work. The second act features Patinkin as Suerat's grandson and Peters as his grandmother as we see the modern sculptor struggling with a heredity he continues to deny until a fateful trip to the island where the original painting had been done. Director Terry Hughes has lovingly captured this intimate story on video and given us close-ups and sweeping camera shots that were not possible to experience seeing the show onstage, making the show even more personal and involving. Mandy Patinkin commands the stage as George with a stylish stage presence and magnificent singing voice that fills the theater as well as the television screen and is matched note for note by Peters, who makes Dot a tragic and fragile heroine and brings a lovely touch of humanity to the ditzy grandmother, Marie. It should be noted that at the time this was filmed, Ms. Peters was vocally and physically exhausted. She had already left this show and was in rehearsals for the show that would finally win her a Tony Award, SONG & DANCE. Some vocal strain can be noted with Peters, particularly in one unmerciful close-up where her voice just gives out on her, but Peters is a pro and delivers a performance of opening night quality. Though not for all tastes, Sunday IN THE PARK WITH GEORGE is a lush and lovely musical theater experience that all those with a passion for the genre should experience.

Yep, this is just absolutely brilliant. The new DVD has great quality as well, that's the way to see this if you missed it on stage. There's a reason this musical got the Pulitzer Prize, and it's evident in this astonishing film of the play. Patinkin and Peters are perfectly cast and do brilliant work. I can't speak highly enough of this- go and rent it, you'll see. True, it's a bit thick in the beginning, but it's worth the ride.

If you or someone in your life is an artist (regardless of the art form), this is a must-see. Sondheim and Lapine have illuminated the nature of art and artists in a way I've never seen surpassed. Yes, the songs are wonderful and Bernadette Peters and Mandy Patinkin, the consummate interpreters of Sondheim, have never been better. But the insight into the often perplexing and frustrating world of the arts goes so much deeper. This is not a mere entertainment (though entertain it does) but a soul-searching treatise on what we do and why we are so compelled to do it. Watch this one and be prepared to see life a little differently after the experience.