Stuff Stephanie in the Incinerator
Stuff Stephanie in the Incinerator
| 04 February 1990 (USA)
Stuff Stephanie in the Incinerator Trailers

A bored, filthy rich married couple and their hired help play sordid games of deception, kidnap, sexual intrigue, and perhaps murder when a secret alliance is formed to kill domineering husband Jared for money he's been hoarding from them. Meanwhile, he may have a secret or two up his sleeves.

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Reviews
Colibel

Terrible acting, screenplay and direction.

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Fairaher

The film makes a home in your brain and the only cure is to see it again.

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Staci Frederick

Blistering performances.

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Francene Odetta

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

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mockymur-1

Less than awful. My cat produces better viewing fare from his behind without even trying. The people who made this atrocity should compensate viewers for the time lost watching it. It's just BAD film making across the board. Pitiful acting, terrible sound quality, no perceptible direction or production qualities (they must have been drugged out porn capitalists with money to burn) it's hard to believe that there were any professionals involved in this thing at all. Perhaps the makers of this poor excuse for a movie were simply high on their own egos. That would be my best guess. It's the sort of thing I would be embarrassed to find under my name on an internet search. Not even worthy of irony.

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dallon

this movie rules more than buttheads will like to admit. It starts out being incredibly confusing, then you kind of figure out whats going on, then figure out you were toad-ally wrong. the highlight of the film was a man standing in a closet, falling on a box of spilled marbles. THIS IS AN AWESOME MOVIE! even though lame-os will whine about the name not making any sense, that's part of why it's so awesome. The name kind of makes sense anyway, i'll bet that half the people who hate this movie didn't make it through the first hour. They said, "THIS MOVIE SUCKS" and then turned it off long before it was over, and started to make any sense. besides, there's a picture of a girl with a huge butt on the cover, what more could you want?!?!?!?

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Reflux

This movie was made for a very small budget ($100,000 at a time when the average movie cost $15 million). It was meant to appear to be a psychological thriller, yet, ultimately, it's something else; the kind of "now you see it -- now you don't" that normally doesn't happen in inexpensive, quickly made movies. The film suffered from distribution problems, eventually being bought by TROMA, which purposely made it look, as in all previous TROMA films, like a trashy horror film, which it is NOT, renaming it from IN DEADLY HEAT to STUFF STEPHANIE IN THE INCINERATOR. The potential viewer then expects to see a campy grossout, but that is not what happens at all. So,if you run into this film, give it a chance. It's not great, but it does have a clever spark that is unusual for a supercheap indy.

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Access Sanctuary

What a day. Paul is knocked out by two ugly guards in trench coats. He wakes to find himself in the parlor of a strange house/mansion. As he searches the house, he stumbles upon a bland, clueless blonde who knows more about him than he's comfortable with. Then he's summoned to dinner by what is obviously a man in drag. At dinner, Roberta proposes Paul make love to Stephanie while she watches. This is just too much and Paul tries to make an escape. When he returns to the table, he is spooked to see Roberta has vanished (reason enough to be spooked in any TROMA film). Paul and Stephanie formulate a plan and try to escape from Roberta's evil clutches. Just as they think they've gotten away, they both become equally interested in each other and unknowingly Roberta's watching them. They are taken captive once again by Roberta but as it turns out Roberta just wants Paul to make love to her. Paul is not about to 'do' such an ugly 'chick' but as Roberta commands for the murder of Stephanie, she persuades Paul to see things her way. Now that Roberta finally gets what she wants, what happens but she calls out, "I don't have to go through with this do I? You said it would stop here?"And in response: the panicked Stephanie who is cramped in a maiden (the torture device used in Scotland) suddenly cocks her head back and with a devilish grin replies, "So I did. You can stop now Roberta, darling." Robert takes off his wig and all goes back to normal. So, what is normal you ask? Stephanie is Casey and Paul is Jared. A married, rich couple who engage in eccentric historical 'games' with a kinky and deadly twist, as Casey rehashes in confrontation with her husband. But normal for Casey is not waking in the night to find Robert lurking around in her house, hoping to find some more filthy money. The two come up with their own plan to kill Jared, hide his body, and split his money once he can be declared legally dead. But somebody's playing for keeps, and in this game, everyone loses. Intriguing and imaginatively written. But, unfortunately the production is poor and the cast is collectively less than motivated. Though I would have to say M. R. Murphy did turn in a stunningly captivating performance as the drag-queen, Roberta. Best scene in the movie (got me and my friends cracking up so hard): the close-up shot of Roberta at the table as he says, "Yes, my pet. I like to watch," in a very squeaky and creepy tone. I recommend this movie because it's very much unlike TROMA's gross-out flicks and because it's pretty good in it's so-bad kind of way. The '80's doesn't get any cheesier than this! 'Gag me with a spoon'.

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