In truth, there is barely enough story here to make a film.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Zachary Levy is to be commended for producing and directing this very poignant reach for fame in the gentle soul of one man, Stanley Pleskun who uses the moniker 'Stainless Steel'. A man with a dream of notoriety, our character is a man strong enough to bend a penny with just his fingers. When Stainless Steel reaches middle age, career disappointments and difficult personal relationships that begin to test his strengths - aging parents, his alcoholic brother, his beautiful but timid announcer-girlfriend, and his show-biz agents and strength rivals. All the while we honor a man who simply dreams and tries to overcome the role life has dealt him. This is a film that lingers in the heart and mind long after the closing credits.

I love this type of documentary. Unlike supposed, 'reality TV', this documentary contains poignant raw moments. Similar to Grey Gardens, this film displays straightforward eccentric characters being themselves and by being themselves the base longings shared through humanity can be felt in a way that pulls at the heart. Strongman, 'Stanley Pleskun', wants to be impressive, wants to be loved, and wants to be strong. Whether it is Stanley Pleskun or Stephen Hawking these are the things that drive all humans and documentaries like this remind us that no matter how complicated we might be, or how complicated we might believe ourselves to be, we can all see ourselves in Stanley Pleskun and the people that surround him, and this is both beautiful and sad at the same time, which is no coincidence as life is comedy and tragedy, beauty and sadness at the same time, and often contain moments which are absurd in a hilarious way. If nothing else it is worth watching for the absurd hilariousness of the conversations between Barbie and Stanley.

...of the Everyman and his struggle for validation, "Strongman" will likely remain one of those films that gets ignored by the mass of IMDbers. Its arc is simple, its lessons understated. Its subject is very nearly unremarkable: a man who wants to be more than who he is, and steadfastly refuses to recognize his own self-imposed limitations. There's something intrinsically ennobling about that, and yet somehow utterly mundane and almost depressing. I was reminded of several thematically similar documentaries, "The Dungeon Masters" and "Confessions of a Superhero," which also explore the hearts and minds of common men and women who aspire to something beyond the norms of their humdrum lives. Very watchable for all students of humanity.

"Strongman" follows Stanley Pleskun (who goes by the goofy moniker "Stanless Steel") as his career as steel twister, car lifter, and penny bender stumbles and he finds his day job as scrap metal collector taking over his time and energy.He's surrounded by a girlfriend, Barbara, who had dreamed of Hollywood stardom and money and now finds herself stuck with Stan, a scruffy brother who's got a drinking problem, and a grandmother who resembles a corpse. As the turmoil of his life rises (things get tough with his girlfriend) he has to finally admit, "you can bend steel, but you can't bend people." "Strongman" isn't structured with an edge-of-your seat payoff or ticking clock (some kind of contest, or a final big stunt) and because of that it feels honest, and real. It sticks to one slice of life moving to the next resolving to its poignant end. It's shot with a traditional cinema verité aesthetic: no voice over, no title cards, no musical score.While documentarians who take their cue from Errol Morris and seek out the quirky oddballs of society can often make films that feel exploitive (hipsters getting a good laugh at some nut's expense) this wonderful film succeeds where those films fail in its respectful heartfelt look deep inside the life of a man trying to find strength.