Wonderful character development!

Am i the only one who thinks........Average?

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

Despite slack direction from Leslie Fenton, this is a better-than-average Technicolor Western. At the time Holden was not yet a headline performer, while Carey never reached that pinnacle. Here, both contribute nicely, especially Carey whose bad-good guy with a toothy grin is just slippery enough to be convincing. The chemistry between him and Holden comes across effectively. Too bad that director Fenton doesn't do more to bring out the dramatic aspects of the friendship, though the final scene is both well-staged and appropriate. For me, the movie's highlight is the absolutely gorgeous Technicolor framing of the outdoor scenes. Somebody sure knew how to frame those scenes in an impressive way that adds greatly to the film's unusually riveting eye-appeal. The story itself is a good one. The screenplay develops Holden and Bendix's transition from outlaws to Rangers in believable fashion. What is suggested is that some outlaws can be reformed by respect and an honorable code of conduct, which strikes me as a worthwhile piece of insight and good moral to the story. On the downside, Mona Freeman as the high-spirited lass comes across as too callow and stagey for the much more mature Holden and Carey to butt heads over. Then too, Alfonso Bedoya's unlikely role looks like an effort at cashing in on his Treasure of the Sierra Madre success. In passing-- note that the classic trail song "Streets of Laredo" is not the one sung in the movie. It's a disappointing something else, probably composed for the film. I wonder if the producers had trouble getting rights to use the real song. Too bad. Anyway, the movie plays better than Leonard Maltin's rather dismal professional review, especially for those who like long views, big clouds, and a sense of open horizons.

Paramount's remake of their own 1936 western "The Texas Rangers" has three small-time stagecoach robbers separated after tangling with a sniveling extortionist and his cohorts in 1879 Texas; two of the men inadvertently join the Texas Rangers and find that working for the right side of the law really suits them, while the third man becomes a notorious outlaw. Despite some confusion in the character motivations and loyalties, this is an astute, absorbing drama with beautiful photography and solid performances. Who would've ever guessed Macdonald Carey could be a worthy opponent for William Holden? Dressed all in black, with a smug expression and heavy-lidded eyes, Carey is a surprisingly formidable villain. Holden, despite several sigh-heavy movie star close-ups, is very convincing with a gun and a horse; his character's playing both sides, while also falling for tomboyish Mona Freeman, provides the heart of the story, and Holden is never less than exciting to watch. Extremely well-directed by Leslie Fenton, with fine supporting work by William Bendix and a bouncy score by Victor Young. *** from ****

A reasonable enough entry to be included as part of AMC's Saturday morning Western lineup, the film brings together the somewhat unlikely trio of William Holden, MacDonald Carey and William Bendix in a tale of villains and Texas Rangers. The boys start out as amiable bad guys who get separated following one of their adventures, with Jim Dawkins (Holden) and Wahoo Jones (Bendix) eventually joining the Rangers, while their amigo Lorn (Carey) schemes to replace Charley Calico (Alfonso Bedoya) as the main desperado in the vicinity of Laredo. As formulaic as Westerns can be, I can't say that I've seen another quite like it before, especially when Lorn Reming does a Han Solo like bushwhack on his former ally Wahoo later in the picture. Even though Wahoo was planning to turn in his ex-buddy, the vicious turn of Carey's character was a sit up and take notice moment.The story offers a few other novelties as well. Alfonso Bedoya gets a bit more screen time here than he did as 'Gold Hat' in "The Treasure of the Sierra Madre", though he'll never have as great a line as the one about those 'steenking badges' from that movie. I was really caught off guard to see Ray Teal as Calico's henchman Cantrel, virtually any time you see him in a Western he's playing a sheriff.I don't want to forget mentioning Mona Freeman as the story's romantic interest, first intrigued with Lorn Reming, and then when his true nature reveals itself, casting an eye for Jim Dawkins. Because the story spans a couple of years, her character Rannie Carter advances from a cute teenage cowgirl to a mature frontier woman. Bendix' character had a great line when they first met - "You're mighty pretty if you're a her".Though the Texas Rangers as an entity are part of the story, the film doesn't necessarily rely on that connection to work. However it does offer a convenient way for Jim and Wahoo to go straight while their partnership with Lorn falls apart. Of course the ending does submit to a fairly standard formula, but perhaps not in the manner in which it's carried out. For that though, you'll have to keep your eyes peeled for your local cable listings, as I'm unaware of the movie's availability elsewhere.

Three happy-go-lucky Western outlaws, fresh from robbing a stage, stumble on a particularly nasty land grab and break it up, and win the heart of the young girl living on the ranch. Circumstances intervene and two of the outlaws become Texas Rangers and the other becomes a notorious outlaw. Complications ensue, when our new rangers are called upon to arrest the notorious outlaw.This is a perfectly decent Western, though the plot is extremely generic. The first half-hour or so, showing our three charming outlaws and our young heroine is thoroughly bland -- interesting only that McDonald Carey is really the lead in this portion of the movie, and he is a charming one at that. William Holden plays his role as "youthful sidekick" and Willam Bendix (!!) has the Gabby Hayes part.As the movie goes along, something fairly unusual in a genre film happens. The characters grow and change. Holden becomes the stalwart hero torn between friendship and duty. William Bendix is forced to choose which of his two friends he will support. McDonald Carey goes from charming outlaw to charming black-hearted villain. All the actors pull it off well. The heroine -- who goes from feisty youngster to babe in cowboy boots, doesn't do so well This ain't John Ford. But it is a pleasant surprise once the plot get going.