Strong and Moving!

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.

The film never slows down or bores, plunging from one harrowing sequence to the next.

The wonderfully-named Mike Justus (Singer) is "The Best". The best cop in Pittsburgh, that is. Because of his rogue ways and defiance of authority, his higher-ups decide to let him "retire early". Justus sees this as a good time to fix up and re-sell a house his aunt left him in the suburbs of Los Angeles. Upon arriving in a section of L.A. called Norwood, he finds it overrun by criminals, hoodlums, punks, ne'er-do-wells, scofflaws, loiterers, scapegraces, Sir-Lucius-O'Triggers, delinquents, ruffians, thugs, hooligans, and the like. Not getting any help from local cop Freeborn (Railsback), Justus, along with a rainbow coalition of people in the community such as restaurateur Lee (Oh), stereotypical Irish Priest Father Brophy (Cranston), stereotypical Bible-quoting tough guy Angel (Lister), and video store proprietress/love interest to Mike Justus Jenny (Lankford), form a Guardian Angels-like group called TNB, or "Take Norwood Back". This doesn't sit well with the local gangs, so a showdown ensues. Will Justus actually get STREET CORNER JUSTICE? As far as "take back the community" movies go, Street Corner Justice isn't as good as The Annihilators (1985) or Private Wars, 1993 (which also featured Steve Railsback, oddly enough). It's one of our favorite themes for DTV movies, so we could never get sick of this formula, but this one in particular is just relentlessly dumb. It's also too long, and oddly paced at that. Even though director Chuck Bail is a veteran of the movie industry, it's like he was a newbie in the production department. That aside, at least he had the raw nerve to name the main character Mike Justus. As if to drill the point home to viewers who may be even dumber than this movie, at one point Justus says, "There's no justice. There's just us." Yes, we get it. But Mike Justus smokes - because he's cool - and that's something you'd never see today. No hero would ever smoke in our ridiculously P.C. society of the 2000's. Also Singer looks a lot like David Spade in this movie. If you've ever wanted to see David Spade beat up bad guys and chase rapists that are Clint Howard, this might be your only chance.'Justice is riddled with clichés and stereotypes (there's even a fast montage of nothing but clichés early on in the movie, watch out for it) and these are fun to watch, but is it enough to support a whole (overlong) movie? There are some moments which aren't in the box of clichés, such as the fact that the main baddie and supposedly the toughest gang member in town wears a sweatervest, and the fact that this whole "citizens vs. punks" war was initiated when a fat guy couldn't play a game of Street Fighter II. All the way up until the time-honored final abandoned warehouse fight, there's plenty of unmitigated stupidity on show. But that may be your thing.There's also an "evil playground" that we haven't seen since Balance Of Power (1996) - it might even be the same one as Balance Of Power, which would be weird. That's one seriously evil playground. We can see why two movies have highlighted it. And the video store that Kim Lankford's character, Jenny, works at is called Cine-Video, and looks like a real place. Lankford gets to sing not one, but two songs on the soundtrack. But no rockin' tunes, just ballads. It's a shame, a faster song might have bumped up the energy level a bit more.Considering Mike Justus fought his whole life against red tape, it's pretty ironic that this movie comes housed in a red tape. But no amount of gimmickry or colored inks can blot out the fact that Street Corner Justice is video store shelf-filler and a waste of a nice B-movie cast.For more action insanity, please visit: www.comeuppancereviews.com

I was a Pittsburgh crew member on this film, and I want inform those in the business that the producers of this film left town without paying most of the crew including the local actors, art dept., grips, police officers, stills photographer, and locations. Chuck Bale and Jack Brown functioned as line producers and are directly responsible for this illegal, disrespectful, and shameful, production. I will let the film speak for itself, but as you watch the "rape scene" in the dumpster, Please realize that the young lady was in a real dumpster with real garbage, absolutely frozen, exposed to the crew, was asked to do multiple takes and these guys didn't have the decency to pay her what they said they would. Mr. Bale and Mr. Brown's careers seem to have ended years ago but if you do encounter a production that involves them, beware. I respectfully ask IMDb to included this on your site.

Yeah this is a bad film. Actually anything Marc Singer has done since "V: The Final Battle" has been of the lowest possible quality. Which is too bad because Marc Singer could have become a great character actor. Anyway, this is yet another film about gang violence that knows nothing of it's subject. The only high point is that it was all shot in Eagle Rock, CA (also where Tom Cruise's character from "Days Of Thunder" was from). So if you live in Eagle Rock or have ever spent any time there this film may be very fun to watch and see how the filmmakers have ghetto-ized the town. Other than that there is no good reason to see this movie.

While Steve Railsback and Marc Singer turn in decent performances, the rest of the case, especially Soon-Tek Oh and Kim Lankford, don't come up to even high school Christmas program standards. While Lankford possesses a beautiful smile and has turned out to be a very lovely mature woman, she isn't convincing in the role of Singer's love interest, and Oh, who has done good work in the past, overacts to the point of burlesque. The script is nothing to write home about, and the production values are bargain-basement. The only positive I can come up with is that Singer is at least paired with a woman that approaches his own age. Rent STREET CORNER JUSTICE only if you want to look at Kim Lankford's pretty face.