Simply A Masterpiece

Pretty Good

Excellent, Without a doubt!!

Absolutely the worst movie.

Hannah Maynard (Kerry Fox) is a prosecutor at Hague's Tribunal for war crimes. She's given the trial against a Serbian commander 3 years after his arrest. The prosecution goes into a tail spin when the main witness's testimony is found to be factually wrong. She's under pressure and has to restart the investigation. She finds the witness's sister Mira Arendt (Anamaria Marinca) to be the real witness. Everybody is under threat. Mira had tried to start a new life in Germany. Entrenched powers, political expediency and brutal thuggery threatens to derail the truth.Parts of this movie have great intensity but other parts get dragged down by the mechanics of the investigation and minutia of the trial. Kerry Fox is solidly in the lead while Anamaria Marinca provides the power. Other movies of its kind would provide constant flashbacks to inject the horror of war. This is a smaller undertaking but I think that the climax would be better served with a more powerful flashback reveal.

The movie has won two awards at the Berlin International Festival, one at the Munich and the London Film Festivals and one at the Chicago International Film Festival; Amnesty International award at the Berlin International Festival was another it won at that festival, for its probing subject depiction. A glance at the brief storyline gives you an idea of the context of the story. The cast were complete unknowns to me but clearly that is because I have a poor knowledge of rising European actors (a work in progress); the actors delivered most convincing performances.This movie brings you inside the International Criminal Tribunal where you will discover the enormous challenges this organization has to overcome to fulfill its mandate, the utter frustrating obstacles the prosecutors, administrator, researchers, minders and others have to contend with on a regular basis and realize that the more passionate and dedicated prosecutors are, the more likely they are to find justice is an elusive ideal and a practically unrealistic hope they are best not to invest to much in. You will feel the same sad resignation to reality as that which the movie "The Whistleblower" mad me feel (see my review of same).The main character in this movie, Hannah Maynard, played by Kerry Fox, is undermined at each of her attempts to make progress in the case of genocidal murderer, rapist and most despicable military commander she has been assigned to prosecute. A desperate victim of that commander's atrocities resorts to false testimony in a futile attempt to help the case before the tribunal and as a result, makes it all but impossible for Maynard to proceed when the defense attorney debunks the perjurer. Riddled with shame and despair the false witness kills himself. Maynard strong-minded sense of purpose manages to find a related real but reluctant witness (a rape victim herself); engaging that new witness to help, but too late to satisfy the court's protocols has now to deal with a new situation. She has placed that new witness and her family in harm's way and that family is 'revictimized '.In the end Maynard is betrayed by her husband, by the system she tried to serve and risks her career and future prospects by breaking the courts ordonnances just to allow the victim a chance to voice what the tribunal's process had denied her: telling the whole truth. The criminal walks away, the victim/witness' spirit is broken and so is Maynard.I enjoyed the experience but the spoiler I just blurted above will not likely make you want to see the movie; sorry. If you still plan on watching it, you are a true movie enthusiast and just a bit of a masochist I think.

Storm (2009)It is hard for people outside of the United Nations crimes courts to know quite how that world feels from the inside. I think it's too foreign, in every way, to know. And Hollywood tends to approach this kind of situation with heightened drama, exaggerated flair, darker darks and more romantic romances. I'm not a U.N. insider, but this isn't Hollywood and "Storm" feels as close to getting to the reality of that world as you can get in a fictional milieu. That's the brilliance of the filmmakers, withholding and avoiding undue drama but also making the characters complex and interesting.Of course, restraint isn't always the way to engross your audience, and "Storm" tends to be interesting all along. It feels important and principled, a lot like its characters. This might help it last as a classic of some sort, gaining over time some of the shine it doesn't quite have now. But there is also the issue of why, exactly, the victims of war atrocities in the Bosnian conflict were forgotten by most of the world in the years after the war ended. From an American point of view, Yugoslavia had always seemed far away, not quite Europe, not quite Asia, becoming a mix of newly minted countries from the dissolution of a big one that had always remained isolated internationally. But the Europeans understand one of their own, and if this movie is right, it seems that Bosnia (and Serbia et al) were largely forgotten once the actual war was over. "Storm" is a particularly European approach to the issue, a Danish film overall, but a multi-culti multi-country production that fits its subject perfectly.This movie is about a kind of dogged heroism that is part of the glory, really (no joke) of the United Nations. You come to appreciate the struggling, idealist foreign service and civil rights work that goes on at the lower levels of the U.N. completely out of sight, but critically important. Here the fight is led by a discouraged mid-career lawyer played by Kerry Fox with something approaching perfection. Her character is so everyday (for a high powered lawyer), you sometimes forget that the actress is pulling it off so well. The second lead comes in only halfway through, the equally brilliant Romanian actress Anamaria Marinca, who is a victim being coaxed into testifying, even though it is putting her life and her family in mortal danger.Not many movies get made about this world in part because it's a little dry. There are no shootouts or bombs, just suspicious glares, sudden backroom decisions. But it's an important movie, at least it was for me, giving me just a small insight into that world, and into the social wreckage of the Bosnian war. If it had been given more drama, it would have acquired more hype, and director Hans-Christian Schmid deserves a bow for his steadfastness.In researching a little, I found this review which I thought was really well written, you might also enjoy: http://www.filmcritic.com/reviews/2009/storm/Or just see the darned movie.

The inner workings of the European Union appear centre stage as Hans- Christian Schmid (director and co-writer) shines his critical spotlight upon an ostensibly expanding crevice of stark reality wedged between true justice and political expediency.The dialogue is well structured, while the script, which is occasionally laboured, gains credence by dealing with topical issues with an obvious knowledgeable insight. Yet, ironically, this is also the movies Achilles heel. Events and procedures are so close to the inner workings of a legal system governed by technicalities that Schmid occasionally abandons entertainment for frustrating boring reality. Points against the European Union are often well made, but, at times, lack balance, and his criticism is unconstructive in nature, yet he does soften slightly as the film approaches the credits, and so, in so doing, leaves his audience with the slimmest slither of hope.Storm is a dark, thought provoking drama that, having the courage of its convictions, aims high only to fall short at the final hurdle. MG