A very feeble attempt at affirmatie action

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

This is a dark and sometimes deeply uncomfortable drama

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

Avanim - Stones in English.. This film is like stones, Kidney stones! I can't spoil this film for you, the makers made a better job of it than I could ever do.The previous reviews lead to wonder if we watched the same movie..This is the story of Michale (Assi Levy), an incredibly dour, selfish woman who sets about ruining the lives of everyone around her, including her own.From its opening it is almost impossible to empathise with her or he circumstances. She seems to care little for her young son Nathi (Metanel Ziv), who she is constantly late for. She is contemptuous towards her seemingly innocent husband Shmoulik (Danny Steg) and is generally unhappy for the sake of being unhappy. Whilst her life is unremarkable, even boring, it never lends itself to the level of selfish destruction she imposes on those around her. We are never treated to any insight as to why she would be so callous, just that she is having an affair with some man to whom she hardly communicates and we never get to know. As a result she is always late to collect her poor cherub of a son from kinder garden.. Oh and the lover, after we see him once, gets blown up by a terrorist.. Well for once, I think that bomber did us all a favour! I didn't care, not for him, not for her. I was more concerned about the other people that may or may not have been killed or injured, such was my lack of interest for these characters.She works with her father (Uri Gavriel), who is for me a likable man. Her mother died apparently, but again we're not treated to any insight into this misfortune. It's just laid out before us as fact. It's hard to sum up a plot here as frankly there isn't one, we just get to follow people around like lost voyeurs.Michale is not the heroine of this film, she is just the catalyst of events. My sympathies lay with all the poor folk that had to deal with this excuse for a Mother/Wife/Daughter..On the plus side, and this is a cloud that requires extreme excavation, the scenes of Shabbat and the lengthy excursions into middle religious Jewish life are very interesting and manage to make this film almost watchable. I love anything to do with Israel, I could watch paint dry on a Jerusalem wall, but this film is a penance..The one progressive character in this film gets killed by a lucky strike from a stone throwing Talmudic man, which makes it sound like a more interesting film than it is..To summarise, I'm a non Jewish Englishman married to an Adeni Israeli, so I get the whole culture thing. Sadly, this film is just bad and my wife agrees..

Yes ladies and gentlemen, hot rocks just like the Stones album... Avanim (stones) infiltrates every pore of your body as you start to understand the life of women in Israel. The characters (especially the mysteriously feisty Assi Levy) unravel, the stones heat up, and you can just soak it all up. This is a slow movie which is NOT commercial mish mash - you have to work at it, and you will certainly feel uneasy during a major part of the film, but boy is it worth it...PS The israelo-palestinian conflict is not ignored in the film, and is brilliantly portrayed (and no I am not Muslim nor Jewish).My oh my, more from director Nadjari please !!

Avanim is a powerful movie. At first glance it's about a married Israeli woman (Michale) living in a Yemeni religious environment who has a furtive affair with a man and is at odds with her father-and-boss and his unlawful activities that favor the financial interests of this religious community. Her lover dies in a suicide attack (we happen to know furtively too), but tears, grief and mourning is impossible. Nonetheless she'll manage to make something of that impossibility and the brewing family crisis: leave her husband eat the shabbat jachnun on his own, take her son, and change her life (we can imagine). At second glance it's the universal tragedy of a woman who tries to liberate from male coercion and a stringent religious community that has difficulties playing by the laws governing a democratic country. Also it's an optimistic story as it shows a multi-layered suffering fueling, not depression, but a dramatic change in destiny. The tempo and sound-track make us quasi insiders of all characters: prolonged shots of religious rituals and cooking alternate with brisk and allusive scenes.

A profound, subtle movie, Avanim (Stones in Hebrew) follows the coming of age of an Israeli woman today. Locked into a bland marriage, a stifling relationship with her father and a relentless daily routine - as much as she is locked into herself - she makes a U-turn when faced with death and corruption. A loving, intelligent and uncompromising account, which doesn't let you generalize or over simplify on anything, be it Israel, religion, tradition, Sephardi Jews or modern women. The heroin's stubborn silence and hurried pace in the city, the kindergarten teacher's womanly empathy, the old rabbi's gentleness and humbleness all make for unforgettable characters. Stunning performances at all level inlaid with haunting sober cello music, Nadjari's stone is a dark gem!