Springfield Rifle
Springfield Rifle
NR | 22 October 1952 (USA)
Springfield Rifle Trailers

Major Lex Kearney, dishonourably discharged from the army for cowardice in battle, volunteers to go undercover to try to prevent raids against shipments of horses desperately needed for the Union war effort. Falling in with the gang of jayhawkers and Confederate soldiers who have been conducting the raids, he gradually gains their trust and is put in a position where he can discover who has been giving them secret information revealing the routes of the horse shipments.

Reviews
Diagonaldi

Very well executed

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SunnyHello

Nice effects though.

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Fairaher

The film makes a home in your brain and the only cure is to see it again.

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Yazmin

Close shines in drama with strong language, adult themes.

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ma-cortes

Good Western with frantic action , thrills , fights , crossfire , wonderful outdoors , all of them keep things lively . Major Lex Kearny (Gary Cooper) is degraded and consequently considered a treacherous , as he becomes the North's first counterespionage agent , as he attempts to discover who's behind the theft of Union cavalry horses in Colorado during the Civil War . Falling in with the band of Jayhawkers (Lon Chaney Jr. , Guinn 'Big Boy' Williams , among others) and Confederate soldiers who have been leading the raids , he gradually gains their trust to uncover their plans and reveal the routes of the horse shipments . But then , it appears his wife , Erin Kearney , (Phyllis Thaxter) and things go awry . At the end the good boys take the Springfield Rifles , ¨The Gun That Made One Man The Equal Of Five¨. Based on the real-life of Major Les Kearney who joined forces with outlaws to catch the thieves stealing Union horses . This exciting picture tells the story of an upright officer wrongly degraded , dishonorably discharged from the army for cowardice , being finely played by the great Gary Cooper who gives a perfect acting in his usual stoic style . And being released the same year as Gary Cooper's most famous Western , High Noon (1952), which also starred Lon Chaney Jr. in a secondary role . It contains noisy action , shootouts , a climatic confrontation on the final , twists and turns ; being breathtakingly photographed in WarnerColor . Interesting as well as stirring screenplay Charles Marquis Warren and Frank Davis , based on a story by Sloan Nibley . This undemanding western is plenty of suspense as the dreaded final attack approaches and the protagonist realizes he must stand alone against impossible odds and nobody is willing to help him but he is accused as a traitor , while he attempts to clear his name as a wrongfully accused soldier . This enjoyable tale is almost rudimentary though full of clichés , a good guy comes to narration is almost adjusted in real time from the starring is degraded , subsequently detained , imprisoned , escaped , until the ending take on , when he is besieged by the bad boys . Nice supporting actors largely hang around waiting for something to do , and with plenty of familiar faces , such as : Paul Kelly , David Brian , Philip Carey , Fess Parker , Guinn 'Big Boy' Williams , Lon Chaney Jr., Alan Hale Jr. , Richard Hale , Martin Milner and James Brown . Colorful cinematography by Edwin DuPair , being shot on location at attitudes of up 9500 feet on the slopes of California's Mount Whitney . Furthermore , a moving and agreeable musical score by the classical composer Max Steiner . This typical Western was professionally directed by Andre De Toth . At his beginnings De Toth entered the Hungarian film industry, obtaining work as a writer, editor , second unit director and actor before finally becoming a director. He directed a few films just before the outbreak of WW II, when he fled to England . Alexander Korda gave him a job there, and when De Toth emigrated to the US in 1942 , Korda got him a job as a second unit director on Jungle Book (1942) . Andre De Toth was a classical director , Western usual (Indian fighter, Man in the saddle , Ramrod , Last of Comanches , The stranger wore a gun), but also made Peplum (Gold for the Caesar) and adventure (The Mongols , Morgan the pirate , Tanganyika) . Probably his best known film is House of wax (1953), a Vincent Price horror film shot in 3D . Springfield Rifle rating : 6.5/10 , decent and acceptable Western , well worth watching .

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TheLittleSongbird

I saw this film as I like films like this and I admire the cast. In most aspects this film delivered. The title is misleading I agree and I personally would've liked Springfield Rifle to have been 5 or so minutes longer. However, while it is not an exceptional movie it is a very good and enjoyable one, and I also think underrated.Springfield Rifle is a very well made film, I loved the scenery and the cinematography is beautiful. It also has strong direction, a rousing music score from Max Steiner that compliments the film perfectly, a good story with an interesting structure and themes and sharp dialogue.Good pacing is also at hand, and the cast are great. Gary Cooper has done better work perhaps, but still gives an engaging performance. Lon Chaney Jnr likewise, and Phyllis Thaxter and Paul Kelly are excellent. Overall, a very enjoyable movie. 8/10 Bethany Cox

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polynikes-969-125073

I had a problem with the film's contention that the Springfield rifle was such an effective and awesome weapon. Eleven years after the end of the Civil War, a later-model Springfield was issued to Custer's 7th Cavalry, a weapon that, when fired continually, overheated, causing the soft copper cartridges of that era to expand, thus jamming the ejection mechanism. As may be imagined, this manifestation was not a desirable one. Having to claw and dig out jammed cartridge cases from hot rifle breeches in the face of overwhelming hordes of hostile Lakota and Cheyenne tribesmen, armed with better and more reliable rifles, was a major contributing reason that Custer's command was wiped out.

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dbdumonteil

"Springfield rifle" is a western but it's not your usual average western.Its screenplay could be that of a spy thriller ,for it is primarily a story of spies ,of undercover agents.First thing you have got to bear in mind ,if you want to appreciate De Toth's movie ,is "don't rely too much on appearances ".Things are not what they seem indeed and the audience ,till the last third ,does not know who they can trust.De Toth was not apparently interested in the female character relegated to a position of secondary importance ,even with the moments of the plot which deal with her (and Cooper's ) son:this boy is expected to appear but all his adventures are verbally told (he only appears in the last scene).Just as the director does not tell us the story of two officers' hatred (which was what the audience expected ).Just as in De Toth's 1959 "Day of the outlaw" the "violent " dance and the chase in the snow were completely unexpected.

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