The Worst Film Ever

So much average

Just perfect...

The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

Errol Wallace's wife, Caroline, perfectly played by Angela Punch McGregor, delivers that turning point line and sums up the plot. Bottom line focused efficiency expert finally sees the people whose lives his career of recommendations affect and unwittingly saves his own marriage in the process.Some might say "slow and plodding", but then they'd be missing the point. Layers of character development compactly delivered in 90-some minutes contradict that sentiment. No one does it better than Sir Anthony. Reminiscent of Merchant and Ivory's "Howard's End" but set in 1969 in Victoria Australia's working district of Spotswood a few kilometers from Melbourne, Hopkins again makes his measured character riveting more by acting than by dialog. For instance the look on his face is priceless while not being overplayed when, after asking Caroline to get him an "axe handle or something heavier", fearing a second labor retaliation on their home, she brings him a flimsy lady's umbrella.To paraphrase another reviewer, "Quite a little gem."

The Australians have always been great with these kind of movies, feel good comedies. Probably more so than the Americans ever have been, and in part, I think it is because any sort of conflict never really appears as such. Somehow, even when things go wrong, the effect is so neutral, or at least not so bad, that you know things are going to work out. Cosi and The Castle are two recent examples that I can think of. And, funny enough, these are movies that Toni Collette usually shows up in.This is the story of a British efficiency expert (Anthony Hopkins) hired by an Australian shoe maker (Alwyn Kurts) to assess the progress of his Mocassin factory. What initially appears to be a standard job, turns out to be a lesson in compassion and common sense as the efficiency expert befriends the people who have worked nearly thirty years in the factory.Our subtext is that of a love story when a young man named Carey (Ben Mendelsohn) is eager to date the boss's rather arrogant daughter, Cheryl (Rebecca Riggs), who is not interested, and is in fact, involved with a sleazy coworker (a very young Russel Crowe). Although, it is one of those stories where it is obvious that the fellow is overlooking the perfect girl for him (Toni Collette, who Mendelsohn also co-stars with in 'Cosi').It is a sweet comedy, and one you'll likely enjoy if you have been satisfied with other recent Australian feel-good comedies. It's quite a nice, funny little film with great performances all around.

Even thinking briefly of this film and I end up humming this tune all day just like Carey's Dad. If you love films which are truly character-driven and sublime in the details, then this film will delight you. You may even begin to see the romance in sitting looking out over an oil refinery or the expertise demanded for racing slot-cars. What a little gem.

This film shows us a slice of Australian work life as globalisation takes over. The workers in a small shoe factory, having grown up with the "job for life" paradigm, are examined by an efficiency expert called in by the boss, a man who wants to "modernise" without cutting staff.Many well-known Australian actors appear in this film. It is a gentle and sympathetic look at the effects of economic change. The film also has comic moments where adolescent boys try to ask out a good-looking girl without much success.This film is not a "must-see", but it passes the time acceptably.