Load of rubbish!!

Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

This movie is one of the best Spanish comedies I have seen. i have to say that I'm Spanish and I watched this in the theater and I couldn't stop laughing.The story follows Rafael (Dani Rovira), a Sevillian who has never left Andalucia, who decides to leave his homeland to follow Amaia (Clara Lago), a Basque girl he has fall in love with. The story may seem quite cliché and maybe it is but the truly important part of this movie are the four main characters. They all have a very good chemistry. Dani Rovira and Clara Lago did it very well in the roles of the wannabe couple and they provided very funny moments and Carmen Machi was also very funny but the true star in here is Karra Elejalde who plays the basque father of Amaia and he delivers some very amusing moments with Dani Rovira.The Basque Country and Andalucia are very well captured in here with some very beautiful shots of both places. The music by Fernando Velazquez is both emotional and funny with the use of many Spanish typical sounds.This movie probably is for Spanish people because if you're not familiar with all the stereotypes and jokes and problems we have in here you probably won't enjoy the movie the half as I did, but for me it was really amazing. It specially great to watch in it's original version so I recommend you to watch in Spanish to hear all the accents and so.

Utter Tosh. A highly predictable dirge of a film taking stereotypical characters (lazy but cheerful Andalusians, defensive nationalistic Basques) and then placing them in situations to which you know exactly how it is going to finish. The comedy is supposed to be slapstick and an ironic look at the two distinct areas of Spain but it quickly becomes tedious and in places offensive. It's repetitive (proud Basque father, intimidated daughter, happy go lucky Sevillian) and would be fine as a five minute sketch. Despite this being one of the highest grossing films in Spanish Cinema, many Spanish friends of mine have also commented how "simple" and childish the comedy is. A case of the "Emperor's New Clothes" as there is nothing really here. Truly truly horrible.

The fact that we can play with the most extreme topics homelands identities (Andalusian and Basque) no one should be shocked or put the outcry indicates much of our maturity as a nation (no matter who). Well, I correct: the fact that we can play and derision and mockery of the topics on the Basques and Basque nationalism, no one should be shocked or put the outcry, indicates much the degree of standardization of certain issues before open sores were always willing to bleed. And I make this correction because the Andalusians have always been a source of banter and nothing ever happened. For this reason, the approach of "Ocho apellidos vascos" is brave, is timely and is opportunistic. Surely this is one of the main reasons that the Spanish have been flocking in a mass almost unprecedented theaters to see this product sponsored by Tele 5. Along with the successful release date That (between Oscar and summer blockbusters) and the brutal and exemplary marketing campaign, which I applaud and celebrate. That's all I can conclude from this nonsense, much to my regret. I always say and I repeat that from "the dark pleasure of watching bad movies and enjoy them," and always insist that "we must not forget that the main purpose of film is to entertain." I say and I stand. The problem is that "Ocho apellidos vascos" is not bad enough, nor sufficiently geek, not crazy enough to be a "Bad Movie" (as Sharknado or Xanadu or Condemor). And unfortunately it is not entertaining enough to forgive their mediocrity (always from my point of view). That is precisely the word that best defines "Mediocrity". It is painfully mediocre. It is simple, not easy. It is impersonal and worst: it is done reluctantly. The movie works because the interest, not original (remove an element of your environment and place in a completely alien and hostile is one of the basic arguments in comedy since the cinema is cinema), but which explained at first. but all the other elements just fit, or do not at all. The entire film is a sheer drop from a promising start to a shameful end, through all the "comic" situations manual and all the hackneyed topics sitcom. But yes, I know, "all the stories are already told." You're absolutely right, but they are still have some ways, not original, but convincing. And back to the main issue of much patriotic film (and many foreign): the script. Most managers confuse the argument with the script. The argument is the approach, the script, the development. There is an interesting approach, albeit clumsily presented, and at the inability (or unwillingness) of its director to develop a convincing (or crazily convincing) way takes refuge in a tangle of beginner, which does not know how to get out, although all intuit (and fear) from the beginning how he will do it: using force without lubricant. What saves this product is the total collapse monologue speaker Dani Rovira, with his inspired monologues and brash, and Karra Elejalde giving life the only believable character in the whole story.But it hurts me to think that this is what the public is waiting to fill the Spanish cinema halls. It hurts to think that film too, as almost all spheres of power, is in the hands of the mediocre. And it hurts me to think that they are the by-products like this that are going to save the Spanish film of water that it's been submerged by itself. Stealing a quote: "It's not the same make films that make movies"inspired by piensaencines

This is indeed a very funny Spanish comedy, with good acting by all the leads, a solid script boasting plenty of amusing situations and dialogues that never become too over- the-top or superficial, and some beautiful shots of both País Vasco (Basque Country) and Andalucía (Andalusia).A word of warning, though: This film plays with local accents and stereotypes, current and past Spanish politics, and memes that you will have to be familiar with ahead of time to understand the gags. It is also heavily reliant on how Spaniards envision Basques, thus limiting its comedic effect to Spanish audiences (or at the very least, people familiar with the aforementioned themes).I, being a Spaniard, had no problem having fun with this film. As enjoyable as it was, however, I can't help but find it undeserving of being the most successful film at the Spanish Box Office of all time, considering all the great cinema and the superior films this country has created in the past. But perhaps it's not so much the quality but the timing of this film that has led to its success: This film makes you laugh and sends a message of unity and love despite our differences. This may just be what Spaniards need in such hard times.