In truth, there is barely enough story here to make a film.

The acting in this movie is really good.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

This film is so real. It treats its characters with so much care and sensitivity.

Lot of different things going on in this enjoyable civil war type western. The plot is set in motion in the opening frames when a ruthless raider named Luke Contrell (I guess he's the union version of William Quantrill) burns out the Three Bells ranch in Texas. The Three Bells is run by 3 friends, Joel McCrea, Zachary Scott and Douglas Kennedy (I hope you don't mind my convention of referring to the characters by the actor's names, it's just easier and apart from Contrell, the names don't mean much) who set of for Brownsville to get even. Contrell carries out his raiding under the protection of the union army, which prevents our hero, Joel McCrea, from doing much more than beating him up and telling him to leave town.Our three heros -- it's weird seeing Zachary Scott as a hero -- are now kind of shiftless and looking for what to do next. Kennedy decides to join the Confederation and fight in the open. This is kind of different, the movie is set during the Civil War and one of the hero's decides to join the confederation and doesn't feel the need to talk about protecting his way of life. The union army might protect Contrell, but they don't like him much, and the commander offers to buy McCrea a drink after he beats up Contrell -- but McCrea don't drink with Yankees. McCrea and Scott get mixed up in gun running and take to the trade, blockade running guns from Mexico to the confederates.The romantic sub-plot is that a saloon singer played by Alexis Smith has set her cap for McCrea and McCrea's gal, Dorothy Malone, has followed Kennedy into fighting the good fight as a nurse (the film just never really gets into the nitty gritty of the politics of the civil war). I found the romantic business, usually something of a drag in the avg McCrea feature, to be pretty interesting and not quite so ham handed as is often done.The production values are not bad, the acting is pretty good, the story interesting and a little different. If you love westerns, and I presume you do if you've read this far, you could do a lot worse that this movie. I enjoyed it quite a bit.

Not as bad as one IMDb critic found it, nor as bad as the "Time Out" review suggests. The opening shot was a bit amateurish, with the usually excellent Victor Jory emerging from behind a flaming torch, laughing manically and chucking it through a window. His character's name, Cottrell, and behaviour brings to mind Quantrell and his raiders, but Jory is mainly on the Union side, something not appreciated by one Union officer when Jory and his henchmen swagger into a saloon. Alexis Smith as the saloon girl Rouge did a lot of grimacing, and, rather more effectively, Bob Steele did a lot of glowering,.The ending was a bit contrived, and everything works out as one might have predicted, though I'm not sure that McCrea got the best girl.

This movie is filled with every cliche you can think of, and absolutely none of them work. The plot is predictable and the characters are not interesting, but boring. The acting is pretty bad, even by Joel McCrea. Even western fans should stay away from this one.

Joel McCrea, Zachary Scott and Douglas Kennedy are friends that get separated during the civil war. McCrea is going to marry Dorothy Malone, but he leaves her to find the outlaw that had destroyed his ranch.(Victor Jory). He ends up meeting Alexis Smith (great as always) who falls in love with him. Colorful and entertaining, directed by Ray Enright who was very good in this type of films.