It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Amazing worth wacthing. So good. Biased but well made with many good points.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

One of the most extraordinary films you will see this year. Take that as you want.

Enjoyable 1942 film with Bette Grable and Victor Mature in Hawaii. Son of a wealthy scion, Mature falls for Grable while he is trying to get her father, a wonderful Thomas Mitchell, to sell his father, George Barbier, land. The relationship between the two elders is terrific of one of hostility then amiability until a fast working executive tries to evict Mitchell from the land for non-payment of taxes.Jack Oakie steals the show as Mature's sidekick. Hilo Hattie, as the Hawaiian woman who has designs on Oakie, belts out those Hawaiian songs and acts as a Jewish mother by constantly feeding Oakie.The songs of Hawaiian and American style are great and it's too bad that the film was just an hour and eighteen minutes.

Apart from the fact that Victor Mature gets to act alongside of Thomas Mitchell, and the story is set in Hawaii, there is nothing to commend this film. Some of the Hawaiian characters are Americans made up to look Hawaiian. The characters are one-dimensional, and the story fails to engage the audience at any level.I'm not a Betty Grable fan, but she does look good in a straw skirt, and she has a nice back.The film is shot in beautiful Technicolor, but it is not a masterclass in colour grading.I would advise Mature fans to stay away from this film as it comes nowhere near the quality of 'Samson and Delilah'.

I'm not sure but that Song of the Islands was had been done before December 7, 1941 and definitely before US servicemen started bleeding and dying in the South Seas. There certainly is no mention of World War II at all in this escapist Betty Grable film where she's poaching on Dorothy Lamour's south sea territory.I'm sure that Darryl Zanuck must have saw the kind of money that Paramount was raking in with those Dorothy Lamour sarong pictures. So why not put the woman who had risen to be their top musical star in the tropics. They gave Betty a hula grass skirt instead of a sarong, the better to show her legs with. Zanuck was also smart enough not to pass the blond Grable as a native Hawaiian. She's come home to teach school on the island where her father, Thomas Mitchell, has a small place, but also where George Barbier is the absentee owner of a cattle ranch. Barbier's place is run by Hal Spencer, but Victor Mature and Jack Oakie sail over from America to see if they can buy out Mitchell. Mature is Barbier's son and of course when he and Grable meet, the inevitable sparks do fly.Zanuck also put an official Hawaiian imprimatur on Song of the Islands by using Harry Owens to write the music with Mack Gordon's lyrics. Owens was the musical interpreter of Hawaii to the world, his most famous song being Sweet Leilani. And a Hawaiian national treasure named Hilo Hattie also appears in the film, singing in her inimitable style and setting her marriage cap for Jack Oakie.It's all light and pleasant escapist entertainment and Song of the Islands is a good indication of why Betty Grable was the number one pin-up of GIs all over the globe. Except for Rita Hayworth.

I never thought that this was one of the better Grable pictures and as I am taking a break from re-watching it for the first time in a decade I still hold to that original opinion.The film has, if possible, too many character actors - Thomas Mitchell, George Barbier, Jack Oakie, Billy Gilbert, Hilo Hattie. And there is too much bickering.OTOH, most of the songs are very tuneful, though undistinguished and the Technicolor is, as always, eye-popping.The high points in the film are almost all Grable. If the film had been destroyed after the first reel, it likely would not have mattered because Grable's absolutely gorgeous entry into the film on a small outrigger just off shore of a tropical is breathtaking as is her brilliantly pretty face and figure.And what a figure! All curves and plenty of them, looking delicious in clingy island dresses and hula girl out-fits. What a bundle! 5'4" (As I thought when looking at her while danced barefoot) and she measured in at 34 1/2-24-36 (self-described 1940).She is singing "Sing Me a Song of the Islands" as she heads towards shore with her blonde hair blowing gently in the breeze as she softly offers the song in that vastly under-rated melodious and well modulated beguiling voice of hers. She's radiant with gleaming white teeth and big eyes as she sings the entire song in 90 seconds with the big Technicolor camera slowly zooms in from a medium shot to what becomes a near full lose up if her expressive face, never once breaking away...all in one shot.I had a customer in my video store about 15 years ago who had not seen Song of the Islands since its original release in 1942 and all he remembered all those years was that opening shot of Betty Grable, her hair blowing in the tropical breeze and singing "Sing Me a Song of the Islands". Movie magic! Victor Mature is in the film, too. He looks fine.Hilo Hattie is the Hawaiian version of Charlotte Greenwood in the film; man hungry and doing her eccentric dances and songs.As mention, it is not one of the 'great Grables' of the era, in spite of having the talented Walter Lang, who had directed some of Grable's best films in the 1940.Unfortunately, what ever momentum the film has fairly comes to a halt about 50 minutes into the picture at which time there is little question (if there was ever any) about how the film will wrap up. The pictures weakest tunes are trotted out and Grable's last dance sequence is far from memorable.Jack Oakie, playing Mature's sidekick (and only 39 years old at the time) manages to squeeze in a song and a romance for himself with a pretty island girl even younger than Grable and he and Hilo Hattie have the last laugh in the film. (Oakie frequently seems to get a special moment at the end of the films he is in. He had a big following and was extremely popular with everyone.) All in all...very lightweight stuff. Nice try by all involved. There's better Grables out there.Now I'll go back and rewind the tape and watch that opening island sequence one more time. It's a freeze-framers delight!