The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

One of the worst ways to make a cult movie is to set out to make a cult movie.

Story: It's very simple but honestly that is fine.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Funny, charming and with good music. The story of two different brothers working in a restaurant. This is one of those movies that's great to catch on TV during a weekend and not knowing what to expect.It opens very comedic and lighthearted and slowly drifts and becomes more serious and dramatic as the run-time vanishes. I found it to be very touching to be honest. The older brother helping the younger and the younger having his psychological disorder. The acting is very good in this, especially in the second half, but over all it was good.The romance may put some people off thinking it's clichéd. It may seem, but it goes in different directions and it's all handled very realistically. Either way it's nice to see the troubled main character find happiness after being under treatment for so long. The scenes in the restaurant were fun and I liked the dialogue and the back and forth banter between characters. You could say it's like "Chef" but with a recovering schizophrenic being the one working with the Chef instead of John Leguizamo.It's an easy watch I'd say. If you wanna see a comedy with some heart and maybe some dramatic moments, then you can lean back and give this a watch. I thought the ending lifted the movie up even more and made the whole thing even better. Well, those are some thoughts or maybe some voices? OK, maybe I shouldn't end on a joke. Either way, check it out if you can.

Ray is a schizophrenic who has been released form care back to his brother. He is on his medication and he is fine – enjoying life but wandering a lot. He meets a girl, Laura when she and her boyfriend are having a fight in the street. At first she dislikes him but the more he tries to get to know her the more she gives in to him. The pair go off to Hastings for a while and fall for each other – despite the worries of Ray's brother Dave.I taped as it was billed as a comedy and I thought I'd give it a go. To call it a comedy is to not even tell half the story. It is funny in many places and has an enjoyable light air to most of it, but it is so much more than just another romantic `boy meets girl' British comedy. It is actually a sensitive look at mental illness through our view of Ray. He is allowed to be a person rather than a stereotype and as a result we care more about the plot but also sympathise with all the characters a lot more.It hurt me to see Ray struggling when not on his meds. He is a real person and just struggling in this way. In real life I may have been in the street bemused by him rather than interesting in finding out who was behind the illness. Also when Dave is worried about him and feels he can't trust him, we side with Ray and see Ray's point, whereas in real life many of us would have our doubts just like Dave. This doesn't mean it's perfect as the plot has weaknesses. The romance in the centre doesn't always ring true and the climax, although dramatic, is an extreme for dramatic effect, but overall it works.This is mainly due to a good strong script with real characters as well as good acting all round. Craig is really good as Ray – I never doubted him for a second and his portrayal is never lazy cliché for a second. McDonald's Dave is a less sympathetic figure but well acted and Macdonald's Laura is good once we are over the way she is very easily won over by Ray. The direction is really good and avoids being arty in it's use of images. I don't know what it's like to see things an hear things like Ray is, but here it is brought to the screen as well and as tastefully as could be expected.Overall this is a comedy and can be enjoyed as such for at least half the film. But more than this the film goes deeper and is a wonderful look at schizophrenia without going into detail but rather giving us a real character and even helping `normal' (read `ignorant') people like me understand what it's like for people like Ray.

This really is a surprisingly good film - it's only just opened, and already the reviews are mixed. To me it's a refreshingly unsentimental and non-sensationalist portrait of schizophrenia. None of the characters is perfect, but none of them are irredeemable either, and there seems to be an underlying optimism about human nature. Despite what the previous reviewer wrote, I actually laughed quite a few times, as well as being moved at other times. The three main performances are all excellent, with Kelly Mcdonald especially good (why isn't this woman more well-known, why oh why??). The other characters are well portrayed too, especially Mandy the waitress. West London looks stunning (just kidding!), the filming and acting are naturalistic, and the music on the soundtrack is effective too. I hope the film makes it to the US.

Some Voices centres on Ray (Craig) and his release from a psychiatric hospital. His rehabilation starts fairly well, with Ray working for his protective brother Pete (Morrissey) in a restaurant. However, when Ray falls head over heels in love with Laura (McDonald), a wild Scottish girl, and stops taking his medication, matters spiral out of control. Directorial debutant Simon Cellan Jones has effectively captured the colour (mostly grimy) and energy of Shepherds Bush. However, this is an actors piece and as such Craig and McDonald shine. Especially, McDonald who brings a natural warmth to a difficult role. Ultimately, both a disturbing and rewarding film, but don't expect any belly laughs or easy answers.