Some Velvet Morning
Some Velvet Morning
| 13 December 2013 (USA)
Some Velvet Morning Trailers

Fred arrives at the doorstep of his beautiful young mistress Velvet after four years apart, claiming to have finally left his wife. But when she rejects his attempts to rekindle their romance, his persistence evolves into obsession — and a dark history between the former lovers comes into focus.

Reviews
Stevecorp

Don't listen to the negative reviews

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Lightdeossk

Captivating movie !

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PiraBit

if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

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Billy Ollie

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

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zif ofoz

Tell them to skip this flick altogether!The give away that this movie is a set-up for the viewer is throughout the entire story. Velvet is constantly saying she must leave to meet a friend. But she never leaves the house! Plus she has every reason to leave because her relationship and conversation with Fred is 'rocky' at best. Fred is a most unpleasant fellow! But she stays to continue the conversation that she is clearly disturbed by. Something is surely afoot!I had never heard of this flick and because Stanley Tucci is a name in the actor world I decided to watch. Not such a good idea. The story drags on and on and you keep wondering why doesn't she just leave? By movies end you are ready to smack yourself for sticking with it! It's a trick! Hint, Hint!

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Allguns Allguns

Well... I mean, F*CK! And I'm just talking about the plot twist! I'm still pretty much speechless about it...About the acting... Both Alice Eve and Stanley Tucci were pretty intense in their role... Alice was... Alice... I mean the Alice interviewed in a Talk Show... She was totally believable, lovely and authentic... Stanley Tucci felt like his stressed out version! Non less authentic, I have to say! His character is not very likable, but Stanley is sympathetic, so of course at some point you cheer for him... The characters suit perfectly the actors, as if the parts were written for the actors...At first, I thought that the movie would be a little, or maybe a lot, more comic... Not much of the heavy drama it is... I probably thought that 'cause both actors would pull-off the comedic characters easily... But they were great in this dark piece of art... Some Velvet Morning was my first of Neil LaBute's movies... And won't be the last! This movie is very well made, surprising, not as fun as the trailer makes it looks like... The lack of a score can be felt... Maybe the absence means to make the movie a little claustrophobic... I think that Some Velvet Morning is really underrated... It worth a couple prizes...Call me for a discussion of the plot twist... Specially if it made you feel cheated, angry or confused! Will I answer your questions? Probably not... But this movie deserve to be more discussed!

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jdesando

"Some velvet mornin' when I'm straight I'm gonna open up your gate And maybe tell you 'bout Phaedra And how she gave me life And how she made it end." Lee Hazlewood.Writer/director Neil LaBute acknowledges Swedish playwright August Strindberg after the credits of Some Velvet Morning. And well he should, for his Some Velvet Morning has naturalism with touches of Ibsen in an entertaining two hander that barely covers the violent potential of its male, Fred (Stanley Tucci) and female (Alice Eve). The film is contemporary-dialogue driven, and that works swell for me, a word guy.Lee Hazelwood's lyrics, above, sung by Hazelwood and Nancy Sinatra in the '70's, suggest that the mythical Phaedra, whom Hippolytus spurned, holds questions to be unanswered about the ballet between the sexes. LaBute's modern romance, albeit she is a prostitute, suggests few answers for lovers are yet to be found even over thousands of years. As in Strindberg's Miss Julia, the sexual play is masked by a restraint that is in check only part way through the film. Fred returns to Velvet after four years expecting her to drop everything for him. The dialogue dance grows intense as it's clear she does not want to resume the relationship. She repeats, "You need to leave, before I get..." as he demands she finish the thought. Hers is largely a reactive role that harks back to times when women were barely heard or seen.Although the intense sexual battle in the film might lead to violence, as it did in the Phaedra legend, restraint holds sway, just as you might expect from attorney Fred and classy call girl Velvet. The verbal violence does not have the high class intonations of, say, Tracey Letts' August: Osage County or the middle class rudeness of Who's Afraid of Virginia Woolf; it does deftly display the hidden horror of relationships gone bad. LaBute lets his actors suggest the bad blood between former lovers and by extension the dangers of any male-female contests.I hope the film's success does not rest on the surprise ending, which may trivialize an eternal contest between males and females. The hooker- with-a heart of gold motif doesn't apply. This Adam and Eve are in charge of their fates, and it's not pretty.

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Pamela Powell

This cutting edge and sometimes controversial director/writer Neil LaBute has stayed true to form with his intermittently cruel and quite realistic new film "Some Velvet Morning."  The realistic conversation with the cynical and chauvinistic male lead and the submissive female is almost reminiscent of a David Mamet play in style. It was not always pretty or comfortable to watch, but this seems to be LaBute's signature.  Fred (Tucci) arrived unexpectedly at the home of his former lover/prostitute, Velvet, after a 4 year hiatus.  It appeared that Fred had the notion of moving back into Velvet's home.  The two had a sordid past as they struggled to find a place of comfort within their relationship.  Can a love once gone wrong be turned around?From the moment Tucci's character, Fred, is on the scene, tension and apprehension are in the air.  Fred, with suitcases in hand, waits impatiently at the door of his former lover/hired prostitute.  As Velvet opens the door, more than the look of surprise crosses her face.  Is it fear?  Trepidation?  Excitement?  Fred is then reluctantly let in with Velvet expressing her desire to leave for an appointment soon.  The two move from room to room, as Fred shares more from his life and what has happened in the last four years. The push and pull these two have on each other is from a very unhealthy past relationship. It was difficult and stressful to watch this rather fast-paced and rigorous verbal workout.  The intensity with each and every scene was continually amplified until I truly wanted to leave.  But I didn't and I'm so glad that I didn't!  This 2-person film  could have been a play on a stage.  The film took place in a few different rooms of a beautiful townhouse in NYC.  The entire film was a conversation between Tucci and Eve's characters.  It felt as if you were following them from room to room and sitting in a corner chair as the scene unfolded before you.  Stanley Tucci showed that he can be quite brilliant as the egotistical, control freak who forces his views and opinions onto those around him.  He also seemed like a lost soul at one moment and then an uncaring bastard in the next.  Alice Eve was equally extraordinary.  She pulled you into her character and situation.  Even though you couldn't relate to her chosen profession, you still cared about her.  You identified with her as a female.  She, too, was simply brilliant in her role."Some Velvet Morning" was about an unbalanced relationship that tipped way too far in one direction.  It took a harsh look at one of the oldest professions in the world: prostitution.  No matter if it's a street corner or a penthouse apartment, it's still prostitution.  It was also a relentless examination into how women value themselves and allow others to dictate their worth.  This movie kept me glued to the screen, but it also made me incensed.  The emotional roller coaster ride was almost more than this merry-go-round rider could handle.  But with every roller coaster ride, it does eventually end (but you better hold on tight)!

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