not horrible nor great

Awesome Movie

Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

By the time the dramatic fireworks start popping off, each one feels earned.

A young blond woman, Diane Downs, shoots her three children in her car on a country road at night. One dies. One survives, paralyzed. And the older girl recovers with some loss of mobility. Downs claims "a bushy haired man" did it. After an investigation, the police arrest Downs and she is convicted of murder and sentenced to life. Evidently the latest love of her life, a married man devoted to his own wife, didn't want to be a father to her children. So she tried to get rid of them.Just for the heck of it, I'll add that there was an almost identical case, involving a woman named Susan Smith, in 1995. Smith drowned her two sons, claiming a black man did it, because her boyfriend had told her he didn't want a "ready-made family." I'm developing a theory that attributes cases like these to a consumer mentality in which one buys, say, a vacuum cleaner and uses it for a while before discovering that it no longer works the way it's supposed to. The store won't take it back, so you throw it out. The moral lesson is that we need a Goodwill Industry for children.I'm not being serious about that, but it is a puzzle. How does a woman murder her own children? The bonding between a mother and a newborn infant is a biological reflex, with about a 48-hour launch window. In other words, there is some hard wiring involve. It takes a special kind of mother to kill her children in order to acquire a new lover.This is Farrah Fawcett's movie and she's pretty good, with her wildly sexy looks and debauched Texas voice. I only saw her in two other films, both junk, and don't remember her performances well. Her opposite number, on the side of the law, is DA John Shea, who isn't given much to do except look prim and determined. Ryan O'Neal has little screen time. The photography and location shooting are colorful and evocative.The story is based on a book by Ann Rule, who is a first-rate writer of true-crime books. She's not an artist but, man, does she know how to put a story together without boring or insulting the reader. Some of the more curious parts of the book are not covered in the film. The murder weapon, a Ruger .22 pistol, was never found. But the film never describes the police search for it, whereas Rule followed that dead-end path to the end and turned it into a masterpiece of folly. The cops finally identified a man living in Mexico who they thought might now own the gun. They sought to interview him on the phone, but were advised that they were babes in the woods on questions of this sort. "First of all, you don't pick up the phone and directly call somebody living in Mexico. You have to figure out someone you can try to reach in Mexico who HAS a telephone." Some time ago, a team of German scientists studied the extent to which women wiggled their rear end when they walked. (I'm not making this up.) Being German, the experiment was all very precise. The young woman walked at a given speed on a treadmill and were videoed from behind, the arc of their hip movements measured in millimeters, and so forth. One finding was that women who were ovulating swayed their hips more. Not that they necessarily knew they were doing it, but it was a fact. They radiated more sexual heat as their fertile periods approached.Diane Downs seems to have been like that -- all over. She had not only given birth to her own three children. She'd been paid as a substitute mother, and was pregnant again at the time of her incarceration. Rule's book has a photo of Downs at the time of her arrest. She's pretty, in an ordinary way, and her default expression is a kind of helpless grin. She probably smiles in her sleep. The court's shrink diagnosed her as "hystrionic personality disorder." It's a fuzzy category, but okay. They're the kind of people who attract attention by a kind of constant self display. They may be flirtatious, as Downs was, exchanging google eyes with a juror. They may talk to themselves in public, as in supermarket, "Now, where did they put the pork and beans?" They over dramatize their lives as if on a stage and become flamboyant lovers or victims of some hideous incident, as Downs not only played for sympathy before the TV cameras but accused her father of abusing her, which wasn't true.But in court, Shea calls her "a deviant psychopath" and he's wrong. She's a murderer but not at all crazy, just too impulsive. She carried on long-distance love affairs while she was locked up. I forget whether that was before or after her temporary escape -- or both.

Farrah Fawcett's Emmy-nominated performance is the centerpiece of SMALL SACRIFICES, a riveting, ABC mini-series based on the true story of Diane Downs, a cold-blooded woman who was sent to jail for murdering two of her three children. This teleplay presents Downs as the lonely, divorced working mother of three who appears on the outside to be a devoted and loving mother but as no qualms about putting her own needs first when the opportunity presents itself. While working at a post office, Diane begins a romance with one of her co-workers, Lew Lewiston (Ryan O'Neal)and things are going well until Diane learns that Lew doesn't like kids and has no desire to be a stepfather so Diane decides to kill her children. Fortunately, her daughter, somehow survives the brutal shooting and is taken into protective custody not only to protect her from further harm by her mother but to use her to help build a case to convict her mother. Fawcett gives the performance of her career...an icy, heartless bitch who shouts of her innocence throughout the proceedings, even though all evidence points to her and has the nerve to be baffled by the fact that her daughter wants nothing to do with her. O'Neal's role here is more in the way of stunt casting as he was Fawcett's real life romance at the time and is wasted in a thankless role, but there are two solid performances from John Shea and Gordon Clapp as the two police detectives caught in the deadly cat and mouse game of trying to slip Diane up in order to nail her for this horrendous crime. Despite it's almost three-hour length, I found this movie fascinating from start to finish, thanks primarily to a powerhouse performance from Farrah Fawcett who got the role of her career and ran with it.

Two thumbs up to Farah Fawcett, Ryan O'Neal and the ever talented John Shea.So much for being a dumb blonde - Farah rocked. She took being "unfit" to a whole new level. I thought I had seen the best in her in "Extremities" but she once again showed the "acting world" that she is a force to be reckoned with. Ryan has still got the good looks and the acting to go with it.John Shea's portrayal of the Prosecutor was RIGHT ON! He exhibited a determination that wasn't his job . . . . it simply was the right thing to do for the protection of the children. A must have for a movie collector (it needs to be in DVD form also)!

I was drawn to watching this TV film as seeing the main actors were Farrah Fawcett and Ryan O'Neal, I was misguided into thinking it would be a good evening's viewing.I say that, not because either of these actors played their parts badly; indeed, O'Neal only has a rather small part. Having such good actors, and John Shea was rather good, it would have been befitting if the film had moulded itself to a different architecture: the so predictable style for television films made all acting concepts be limited to the same formula. Thus, frequently, Ms. Fawcett tended to overact rather than interpret the complicated characteriology of Diane Downs. The unfolding of the story, the telling of it, and the directing was so glued to preset standardised TV formulas, that there was very little any of the actors or anybody else could have done to add more depth and realism to the job. The end result, therefore, is as disappointing as the predictability: unadventurous and trite and no surprises anywhere to help it along.