Strictly average movie

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

One of the best movies of the year! Incredible from the beginning to the end.

There is something to be said for classic, scary cult films. It's an acquired taste and and can become an addiction. And, behind every memorable horror film is a fantastic leading lady. In this case, it is the beautiful actress Leesa Rowland who lights up the scream screen.Loyal fans who love these types of movies will truly enjoy Slaughter Daughter.

If you know what you are in the mood for and what you are getting, Slaughter Daughter is OK. If you're in the mood for a poorly written, poorly acted slaughter with a lot of promise of T&A and some delivery, this will do. Nicola Fiore is a beautiful woman, worth keeping your eyes on, weirdly moreso when she starts hacking into people. The only interesting acting in the film came from the man who play's Fiore's character's mentor in psychopathy, Tim Dax, who clearly felt no need to mentor anyone as an actor. Worth the time unless you were hoping for something worth the time.

With a title like "Slaughter Daughter" you'd probably expect a lot of blood, and you won't be disappointed, but this is far from your usual teen slasher flick, rather it is a disturbing tale of a young woman's madness. Farrah is seriously disturbed; she has a history of doing things to herself she shouldn't, like slicing off one of her fingers and posting it to a serial killer, a truly gruesome scene that. Obviously a bit of poetic licence is needed to visualise how the letter got to him and how she managed to meet him face to face, even if she did know one of guards. His visiting her in her bedroom is unambiguously unreal; it is clear she is delusional as well as a danger to herself, but why does she want to murder her mother, is it just because she is remarrying to a man Farrah does not particularly like, and why must so many others die?This film scores for originality, but those of a nervous disposition should not watch it. Vampires and murderous apparitions may give us a superficial fright or two, but we know they are not real. An attractive young woman you wouldn't give a second glance except for the usual reasons is a different proposition entirely.

I was positive that this was another Ulli Lommel flick, It had all of his signatures: terrible acting, terrible writing, terrible direction, billions of flashbacks,flash forwards, flash everything, obsession with a serial killer, weird actors that could only be in a Lommel flick, a little nudity, and the typical Lommel murder set-pieces. To my surprise, there is actually someone out there who seems to have modeled himself after the 'master'! I don't agree with the thousands of people who give Lommel's films one star; there is some imagination going on in all of Lommel's films, and Slaughter Daughter shows the same type of imagination. The only problem is the general incompetence that truly makes it worthy of the 'master' himself.