If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

For a mainstream 1970's flick, SKATEBOARD sticks firmly to the exploitation style of spontaneous direction, freestyle dialog, and capricious plot line. And although billed as a Leif Garret vehicle, the bulk belongs to character-actor Allen Garfield as a tubby, struggling talent agent who owes big bucks to a dangerous bookie so, after discovering a group of wayward teenage skateboarders, Manny starts a hopeful team that travels in a decapitated bus doing borderline minstrel shows disguised as freestyle competitions.While Garrett meanders in the background as one of the younger skaters, too shy to really take chances, the true hotshots are real life rollers Richard Van der Wyk, Tony Alva and Ellen O'Neal. And while the trio skate better than act, there's something genuine in the deadpan deliveries: after all, it's their territory more than Garfield who, with a constantly frantic bicker, seems more part of a low-rent gangster flick than skateboarding propaganda: which this needed more action shots of.But Manny's a likable antihero, especially after Kathleen Lloyd joins the ranks as the chaperon/nurse. Although scenes where Manny attempts talking ingénue Pam Kenneally from sleeping with Van der Wyk seem a bit creepy, he eventually becomes the endearing sloppy uncle as the team climbs to the final competition where – after the star skater drops out – it's up to underdog Garrett to win a do-or-die downhill race, providing more suspense in the buildup than the real thing.For More Reviews: www.cultfilmfreaks.com

I have a weird history with this movie. When I was a kid, I came across the book adaptation of the movie in a used book store. As a young skateboarder in the early 80s, I enjoyed the book quite a bit. Then to my amazement I caught the movie played on Saturday afternoon television and also enjoyed it quite a bit.Then about 20 years pass and I've long outgrown skateboarding, and what do I come across being played on late night TV? Skateboard! I settle in for a nostalgic return to my youth.It's obvious that this film had to be mostly improvised by the cast, but to me that's part of the charm. It definitely feels more like a documentary than feature.Yeah, the skateboarding is completely archaic, but sheesh, this movie is 30 years old. Vert ramps hadn't been invented yet.If you get a chance to catch it on late-night TV, I definitely suggest a look.

"Skateboard" is a late-70's exploitation movie so bad it cannot be saved. The film centers on an unkempt schlub, a beefy deadbeat named Manny (bald on top but shaggy on the sides) who is attacked by a random troupe of street youths on skateboards. (Isn't that always the way?) Manny scolds the punks and then gets a phone call from his bookie, to whom he owes mucho dinero. Manny, the brain-lame slob, as played by Allen (Goorwitz) Garfield, has to think of a quick lie to stall his threatening shylock."I'm going after the youth market," he says, at which point the bookie parrots the sentence back in question form."Yeah, the youth market," says Manny, bluffing, "I'm going to start a skateboard team." You've just heard the movie's most memorable dialogue. Manny's understanding bookie gives him an extension... a new due date for the debt which happens to coincide with the "Skateboarding Championships," an event which Manny, at this point in the film, has no idea exists. Ain't it a small world? Manny then recruits (or maybe kidnaps, as these children don't seem to have parents) the dead-end street kids who are so prevalent in films of this era. Like the bastard children of "The Bad News Bears" or the crude campers from "Meatballs," these early-adolescents drink, smoke, and curse from furry heads of hair and heavy-lidded eyes. Professional skateboarding was in its infancy at the time of the film, and the "stunts" that the kids do are so lame you'll be humiliated FOR them. Handstands on skateboards? A traffic-cone slalom in a high school gymnasium? Stepping the board end-over-end for the "Walking The Dog" trick? Skateboard Downhill Racing?!? We're asked to believe that people will pay good money to see such inanity, because the fans come out in droves, cheering on these semi-determined hobbyists with a fervor found only at the seventh game of the World Series and, maybe sometimes, the Superbowl.The film is not as exciting as I've described it, shot in a care-less documentary style in which the director does not even bother to set up shots. Characters wander in and out of the frame at random... everything is shot in a long master and there is zero coverage- no intercutting or close-ups... and the camera does not move at all. But where the film is truly awful is the lead performance of Allen Garfield. I considered myself a fan of this overlooked actor before I saw this film. His unmistakable apathy disgusted me... he just didn't care. I also don't believe that there was ever a finished script for this film, since most of the dialogue is clearly improvised; it is not only repetitive and overlapping, it is too astoundingly stupid to have been planned beforehand. Bad enough but Mr. Garfield takes it to the next level.The Manny character does most of the talking in the film, which in Garfield's hands becomes neurotic, ineffectual, repetitive, stream-of-conscious babble. I wish I could describe it better but it defies organized thought. He yells at the children constantly, who ignore him as if he weren't there, and he responds to all exchanges by muttering under his breath and bitching like an old crank. He is also so self-indulgent in his grousing that you'd think he was unaware he was being filmed. By the predictable finale I didn't sympathize with him- I hated him. One of the characters- in what I had to believe was an unscripted, improv'd exchange- actually tells Allen to shut his mouth so that someone else can get a word in. Are you starting to imagine how bad this really is?In conclusion "Skateboard" is a movie so bad it's bewildering, and there is nothing here for anyone to enjoy. You can either trust a man who is able to find good in almost *every* bad movie or you can experience it for yourself; please remember you've been warned. If you really want to be depressed just consider the fact that I spent more time and effort on reviewing this film than anyone involved did making the actual movie. Goodnight, folks. GRADE: F

Skateboarding is a pretty ancient depiction of both skateboarding culture and technology as manufacturers somehow hit upon the new, revived fad that was gaining more interest than it had when skateboards first made an appearance in the late 50s and early 60s. The movie itself is rather stupid, especially when you have Dogtown's Z-boy Tony Alva only playing a supporting role while a wiener like Lief Garret got something of a starring role as a burgeoning member of the skate team. With Alva, they wouldn't have needed stunt men.Manny Bloom is a washed up promoter of many failed opportunities. Owing a large debt to a bookie, he surmises that his only shot at squaring his arears is to promote a skate team. Now, being that this is the early days of skateboarding, Manny seemed like a fellow out of his mind for taking such a big risk on a sport that was still developing, never having had the extreme commercial following it does today. But Manny finds a bunch of misfit skateboarders (boys and girls) that he convinces to join a team with him as manager. As the story rolls along, Manny looks pretty pathetic, and fails to earn any respect from his team, which likewise have their own assorted problems. So, in that Mighty Ducks kind of tradition, he has to work hard with the team, so that they may win the championship that Manny has bet everything on.Though terribly corny, the movie is a rather good look at the early days of skateboarding. More like when the sport modeled gymnastics as competitors in their goofy uniforms and flimsy protective gear rolled around on shiny maple floors with their twenty-four inch boards doing nose wheelies and hand stands. To think, Tony Alva, was part of the skating team (the Z-Boys of Dogtown) that competed against fool skateboarding like that and helped turn the entire skateboarding culture upside down (see the documentary, Dogtown and Z-Boys).