Disappointment for a huge fan!

Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

The movie runs out of plot and jokes well before the end of a two-hour running time, long for a light comedy.

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

Six Black Horses is a film I don't want to over analyze, because I just enjoy it for what it is, an entertaining western. The film begins with Duryea saving Murphy from a lynching after being accused of being a horse thief. Next they arrive to a town where Joan O'Brien, an alluring blonde pays the two, to escort her across some dangerous territory to be with her husband. Into the journey Murphy begins to have suspicions about the woman, but Duryea wants the money. But it seems Murphy's suspicions were right, O'Brien is setting Duryea up to kill him because he killed her husband in a shootout. Audie Murphy and Dan Duryea worked great together in this story, Duryea doing what Duryea does best, playing the perfect sleazy, greedy character, with Murphy the conscientious one. The journey isn't a smooth one, as they encounter hostile Indians, and Murphy begins to fall in love with O'Brien. Finally at the end a showdown takes place between Murphy and Duryea. Murphy rides off with the girl and Duryea gets his wish as his coffin is carried away in a fine coach being drawn by six black horses with fancy plumes. Burt Kennedy's screenplay is well directed by Harry Keller, and this 80 minute film is perfectly paced and also nicely filmed on enhancing locations. I also thought the stray dog who takes a loyal liking to Murphy's character and joins him throughout the story, added an interesting touch. I enjoyed this Western and encourage the reader to watch and decide for themselves.

The film had me curious about the title for a while since Audie Murphy's character tries to lasso a wild bronco in the opening minutes and it's one of six that's roaming across the scrub desert where Ben Lane lost his. I didn't see how that event was going to work it's way into the picture, but later on, Dan Duryea comes up with the line in my summary quote describing how he'd like to be buried when his time comes - drawn in a carriage with six black horses.Now that I've had some time to think about the story, I'm left puzzled by a number of things. The main one is why Miss Kelly (Joan O'Brien) went to the trouble of hiring the pair of saddle tramps to escort her across Indian territory after the initial failed attempt to kill Frank Jesse (Duryea) in Perdido. She exposed herself to an awful lot of danger just to get revenge on the man who killed her husband. In fact, didn't it look like she pulled up her own horse during the chase scene with the Coyoteros? She would have been a goner except that it was too early to end the picture just yet.And what's with the pampered pooch? I'm sorry, but seeing the nameless mutt riding his own horse throughout the picture just seemed comical to me, especially during that same chase scene. He must have been strapped in pretty well not to get bumped off, but why not let the dog run around on his own? That one really left me baffled.So I guess if you don't think about these things too much, the film is passable enough with decent action and surprisingly good cinematography. In his late thirties, Audie Murphy looks like he outgrew the baby face look he had in pictures of a decade earlier when casting him as a villain didn't quite seem to work. Dan Duryea creates enough empathy for his character that you kind of wish the two wouldn't have to draw down on each other once the end game is revealed. The way in which Ben Lane and Miss Kelly come together seemed like a bit of stretch for me as well, but if the hero was going to ride off into the sunset with his girl, they had to work it out somehow. As for Frank Jesse, he got those six black horses after all.

Great western, I enjoyed Audie Murphy's performance.At 38 minutes into the movie there is a story told by Frank about a past love in Bisbee who he later discovered was married to another man. He says it taught him a lesson, "Always check the brand to make sure you are not driving another man's stock". That same story is told 50 minutes into Fort Dobbs (1958) by Clett (Brian Keith) and he says "Always check the brand first and that way you'll know if you are running somebody else's' stock".Burt Kennedy (story)was a writer in both movies so he got a lot of use of this tale!

Audie Murphy said of his film career that he himself remained the same throughout, and the scripts didn't vary much - it was only the horses that changed. This rather ordinary western fits neatly into the Murphy catalogue.A cowpoke befriends a fellow drifter who rescues him from a lynch mob. In the town of Perdido the two pals are hired by a beautiful woman to escort her across indian territory. It turns out that Kelly (Joan O'Brien) has an ulterior motive.Dan Duryea and Murphy combine well enough as the chalk-and-cheese buddies. The film contains a good mariachi funeral, and the dialogue-free opening sequence is well done, telling the story in visual language. The picturesque setting of sandstone outcrops and flat scrubland (filmed in Utah, of all places) provides an attractive backdrop for the action.When all is said and done, however, "Six Black Horses" is a fairly brainless oater from the early 1960's. You know the sort of thing - the latina dancing-girl in the saloon has a red flower in her cleavage, and in the shoot-out at the old mission, the indians' bullets keep pinging off the same spot on the parapet, while the indians themselves obligingly mass in the open, allowing Audie to get a good shot at them.Verdict - Always check the brand, lest you end up with a Murphy turkey.