I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

This story has more twists and turns than a second-rate soap opera.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

This picture is OK, but not great, detached, unsentimental, unpsychological and even impersonal, as often these days, mysterious without reason ; Shultes, the main character, is not only solitary and impenetrable, but suffers from amnesia (an easy symbol of the way Russia today forgets itself, I suppose, but making little difference to the picture itself...) ; he lives with his old and sick mother, but they just watch TV together in the evening, not exchanging one single word ; he does a bit of running, a bit of stealing, and he's quite good at picking pockets (maybe the picture tries to be "Bressonian"... but here stealing is not prideful self-assertion, nor anything else... it's just a meaningless way of survival...The only really great part is when we see actress Cecile Piege, in a little film she shot of herself on her portable camera, making a passionate declaration to an unseen (and to everybody else unknown) man, then singing (or miming ?) a punkish song for him ; and I'd like very much to know what the title of this song is, and who sings it in reality...