Wow! Such a good movie.

This movie was so-so. It had it's moments, but wasn't the greatest.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

It really made me laugh, but for some moments I was tearing up because I could relate so much.

This is a great pic from a very underrated director. It features an ageing hit-man who gets his jollies listening (thru a stethoscope) to the dying hearts of his victims; the film's villain, George, freebases his mother's ashes; and the film THE MASTURBATING GUNMAN, by the same director, is watched by the film's hero and his wife.Like some of Savage's earlier pics, this focuses on a character's internal struggle to be a good person while doing "bad" things.The shoot-out sequences are very well paced and executed and the performances are mostly above par. There is a strong (deviant) sexual current coursing through the narrative and black as pitch humor is employed in some scenes.

***SPOILERS*** ***SPOILERS*** This is exactly what you'd expect if you gave some thick teenage boys the money to make their own film - lots of pointless violent scenes, childish sex scenes, shallow characters and the simplest story possible. Oh yes, and there's a highly original gun battle scene near the end where the hero is alone and kills about a dozen adversaries. The original bit is that all their bullets somehow miss him completely, but he manages to shoot them all dead. Inspired, eh?

A funny tongue in cheek romp about a try-hard hit-man who is trying to organise his first big hit. Not all that bad a movie. The DVD version actually has interviews with all the cast, and a full cinematographic analysis of the movie which you can listen to instead of the soundtrack. Now admittedly this is for die-hard fans of schlock noir, or for the mums and mates of the cast and crew, but some (like me) may find the gratuitous commentary interesting.Moder and Richardson started making Super 8 movies at High School - the style of SNAK was evident in these early movies (circa 1983), which actually pre-date Tarintino's Pulp Fiction by many years, although SNAK would be regarded as derivative. I recall seeing Pulp Fiction and thinking that Moder/Richardson had been pipped at the post. I enjoyed watching their riposte, and was glad to see that all those shirts that were stained with false blood over the years actually bore fruit.

I think this is Mark Savage's fifth film, but his first that got a movie theatre release. I've been reading press on him and it reminds me of the press directors like Wes Craven got when they started making movies. Nobody got them until twenty years later. I think this will happen with Mr. Savage.This came out through Fox in NZ and got called SNAK a lot. Seems like a comedy at first, but is actually very dark and very clever. It has macabre touches everywhere (the Snake character's penchant for listening to the dying hearts of his victims, for example) and looks very slick. But it's very good exploitation and I don't mean that in a bad way.The action sections are directed with great confidence and energy. A blistering gunfight in a train carriage has a fury and chaos to it that one doesn't usually see in most pics from any country, then there's the final shootout...you have to see it to believe it.SNAK also has a great villain (Kevin Hopkins) and a policewoman character who'd rather get laid than make an arrest. There's also a great scene in a Chinese restaurant and some terrific lonmg takes without cuts.It's obvious that Savage loves movies because many are referenced...but there is a philosophy at work here, and that's what makes this one stand out. As with his THE MASTURBATING GUNMAN, this again is about people whose lives are lived in two opposing worlds and the struggle that involves.Definitely one of the best Australian movies for a long time.