Just what I expected

Absolutely the worst movie.

The film may be flawed, but its message is not.

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

Anyone expecting a detailed police procedural might be disappointed. Ian Brady (Harris) and his girl friend, Myra Hindley (Peake), picked up and killed a number of children in the vicinity of Manchester and buried the bodies on the nearby moors. You have never seen such desolate places as the moors -- occasional rocky outcroppings, black and muddy lowlands, and hill after hill of chill windswept grass. The only thing missing is Baskerville Hall. Manchester is a grimy old city of brick, residue of the industrial revolution.The dialect isn't easy to interpret, not for me anyway. "What about her?" becomes "Wha a Bow Wow?" There's not even a helpful glottal stop after "Wha". But the film at least spares us the pleas and screams of the murdered children. These two maniacs taped their killings. The tapes are mentioned in passing but not heard, as if they were just another minor piece of a jigsaw puzzle.And, when you come right down to it, it isn't so much the story of the two murderers, Brady and Hindley, but rather the tale of Hindley's anguished sister Maureen (Froggatt) and her not-too-bright husband David Smith (McNulty). The two killers try to involve David in some scheme to rob a bank and, evidently to show him they mean business, Brady slaughters an innocent captive with an axe, while David gapes.The two Smiths run to the police. Brady blames Smith; Hindley has nothing to say. Some of the bodies are discovered, Brady is sent up for life and so is Hindley. But all of that is almost beside the point, as we watch the Smith family suffer the outrage of the community, spat on, their apartment vandalized. Mostly we follow the entirely innocent Maureen, uncertain about her husband's involvement, grieving over the recent loss of her baby.There are multiple shots of cute newborn babies, inserts of toddlers, weeping of adults, arguments, split-ups, and reconciliations. It begins to resemble the story of Maureen and David, already down on their heels, having their lives irreparably damaged by two interfering nuts.The photography is splendid and the direction competent, except for all those baby shots, which threaten to turn the story into a a family movie of a kid's literal birthday. And the doubts and spats between Maureen and David echo those found on afternoon domestic dramas.But the acting can't be faulted. There's no weakness in the casting either. As Ian Brady, the philosophical brains behind the affair, a devoté of Nietzsche and de Sade, Sean Harris delivers the goods. He's all nose and no chin, and has the personality of a glacier. Peake, as Hindley, wears the tarty make up and peroxided do of the early 1960s. She's actually an attractive woman under all that plaster but has the ability to transform her features into a mask of hatred when the situation demands it.It's a nice job but it's also slow and spends too much time on peripheral figures. The Smiths' problems could have been sketched in less time. What many of us would like to know is what impelled Brady and Hindley to murder young children they'd never met before. We can put ourselves in the place of someone who murders a spouse or a friend. Those victims are people whose opinions we care about. They can hurt us. But serial murders are preposterous. The causes don't lie in Neitzsche or de Sade. Those only serve as justifications for things Brady already wanted to do. But we get no insight into his character, and scant insight into Hindley's.

This film was portrayed in a very strong and parsonage way. The cast played daunting characters with tremendous effort. This movie is chilling in the fact that it is still on the mind of many people. I only rated it a 6 as I thought maybe more could have been put across about how these two absolute animals lived their horrific murderous life's. There may have been some restraints on what could be told.I lived local as a child to these areas and today the mention of Brady and Hindley runs chills through peoples bones.Great film - Great CastA must on the TO WATCH list !

I assumed this drama would be just another glorification of the moors murders,however i was wrong. This was portrayed in a sensitive and yet compelling way.The acting from all concerned was faultless. Maxine Peake was amazing,so different from her usual acting in shameless etc.Her portrayal of Myra Hindley was chilling. Sean Harris (creep) was fantastic as Ian Brady.His accent was rather poor,but he deserves an award for his portrayal of Brady. Joanne Frogatt (formerly in Coronation Street,Bad Girls,and most recently The Street.)simply shone as Maureen Smith (Myra's tragic innocent,and somewhat naive sister) Newcomer Michael McNulty was amazing as David Smith.He really made this role his own.He was very convincing in the part. In fact all the other actors,including George Costigan (Rita,Sue,and Bob, The Hawk) were outstanding. Thankfully we were spared the gory details of the horrific murders,but the photographs of the victims were bad enough. There will be some who will argue that this should never have been made,let alone shown,but it was made with the families' backing. This poignant,sensitive,thought provoking and well made drama truly deserves a Bafta award.A gem of a drama,in a schedule full of reality shows and rubbish.

Sean Harris and Maxine Peake really bring the monsters that were the Moors Murderers to life. Harris is fantastically disturbing,chilling and creepy as the ultimate manipulator and chief instigator of the most infamous series of murders in the last century. George Costigan as the policeman is also seen performing at the top of his game. I was worried about the way this extremely sensitive subject was going to be handled but it was perfectly done. Still shocking but not graphic apart from one scene of the murder of Eric Evans. That shocked me and I thought I was unshockable after a lifetime of watching all genres of movie. I never imagined that anyone would tackle this gruesome story for many more years but it is a story crying out to be dramatised. We never learn about why the couple did what they did but we do see the devastating effect it had on the people surrounding them. I do not think I will see anything which will stay with me for so long as this will.