Lack of good storyline.

Brilliant and touching

There is just so much movie here. For some it may be too much. But in the same secretly sarcastic way most telemarketers say the phrase, the title of this one is particularly apt.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

The Cannes Film Festival is a yearly celebration of films, from the blockbusters to the lesser known. However in the back drop of this glamour is the back room deals that make movies come to life. Alec Baldwin and director James Toback take you behind the scenes of this circus as they discuss the process and seek funding for their own project. Along the way they cross paths with players of the industry and get the nuts and bolts of what makes the movie business tick. Cannes is a glamorous film festival but it also is a hot bed of action and the nitty gritty of the unglamorous side of movie making. Movie making business is a challenge, as repeated in the film Orsen Welles shared that "I look back on my life and it's 95% running around trying to raise money to make movies and 5% actually making them. It's no way to live".

*** This review may contain spoilers ***While watching this I couldn't help but wonder if it was all just a bit of an elaborate expense claim scam being perpetrated on the viewer. Alec & James go on holidays to the Cannes film festival stay in nice hotels and have a bunch of lunches and smoke cigars with industry luminaries, interspersed with a few strange segments where they pitch a vague artistic movie premise to some rather confused looking film distribution and finance types only (despite both having been in the industry for decades) to be strangely disappointed when they discover nobody wants to put up a few million to fund their rather loose artistic movie endeavor. However, not all was lost they had a great vacation while getting you to pay it. Although, this documentary itself is a laughable contradiction of the very premise it tries to argue.

The fact that I liked "Seduced and Abandoned" should be no surprise. After all, I write about films and love films, so of course I'll like a documentary that talks about films and how they are financed. Additionally, it's a great movie for film students and young actors, writers and directors to see. However, I really am not sure if it has an audience beyond that. Are more of the regular folks out there ready to watch a film like this? I assume the answer is no, but the film is informative and entertaining and probably won't bore you.This documentary from HBO Films stars Alec Baldwin and his partner in this venture, James Tobak (a writer and director who directed and wrote this film). Most won't know who Tobak is, though he's respected in the film industry and was quite enjoyable to watch in action at Cannes. As for Baldwin, I loved him in this film as he and Tobak interviewed so many interesting people. But, I am also afraid that while his presence in the film provides a 'big name', recently this unpredictable actor has alienated just about everyone (especially gays, flight attendants and the folks at MSNBC)! Still, he does know films and he is very personable in the documentary.This film is about this team trying to convince a lot of rich financiers to invest in an upcoming project—one Baldwin jokingly refers to as "Last Tango in Tikrit" (Iraq)'! Much of the time, as they talk to the rich money-men, I felt surprised that these behind the scenes folks would allow themselves to be on camera. Less surprising were the interviews with filmmakers (such as Martin Scorsese and Bernardo Bertolucci) and actors (such as Ryan Gosling and Jessica Chastain). After all, exposure for these filmmakers and actors is usually a very good thing.The setting for all this is the Cannes film festival. While it used to be all about the movies, this festival has come to mean FINANCING—and over the last few decades the financiers are the important folks here. So what does it take to get financing? Well, according to this film, the script is apparently NOT important! What is important are the marketable stars associated with the project. This, to me might explain the bizarre casting of such films as "The Butler" (where John Cusack played, of all people, Nixon and Robin Williams played Eisenhower!). An interesting observation is how today films are really financed by committees—and committees tend to make timid films because it's practically impossible to reach consensus with risky ventures or strange ideas. It was also fascinating seeing the many, many countries that sent representatives to the festival to sell their country as a setting for the productions. All in all, this is a wonderful little film. It's also one that might best be enjoyed by total film snobs and folks in the know. So, if you don't know what "Cahiers du Cinema" is, who Henri Langois was or what the French New Wave was, then try to watch this movie with a complete film snob like myself! Interesting viewing and a totally unique little film.By the way, some folks might blanch at a couple of the film clips (particularly the one from "Last Tango in Paris"). It IS very adult on a few occasions. Plus, I felt uncomfortable when Roman Polanski was being interviewed—as will many others due to his very famous conviction for raping a 13 year-old (and the victim's testimony of what occurred was brutal). Because he was in the film, I scored it an 9 instead of a 10. Call me narrow-minded if you'd like.

There are times when this "documentary" strayed but at all levels it was quite a thing to see and to learn from. ++SPOILER ALERT HERE+++ Watching billionaires turn down Alec Baldwin's request for money is always good film fodder. Scorcese and Gosling (old and new school, respectively) brought some much needed light to how the industry works and used to work, what's "bankable" and why. The Johnny Depp example is something we're all probably aware of but to have it spelled out like that was an eye-opener. There's a lot to absorb from this little game, and I have to assume it was a game. I mean, Baldwin didn't even bring a script to market so my assumption is that it was all a bit of a hoax. At any rate, it was very educational to see so many players in the biz sit down before a camera and be so candid about what Hollywood was and what Hollywood is now.