I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

This is a must-see and one of the best documentaries - and films - of this year.

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

I will concentrate on the wonderful cast of actors in this warm witty family comedy-drama. Sabine Azema plays a 42 year old woman who sings at a Russian restaurant/club - she's pregnant with her married lover's child. She's the eldest city and the most flamboyant. Emmanuelle Beart is the middle child, with the most money, a husband and children. She's the one who organizes events. The youngest sister is Charlotte Gainsbourg, who won a Cesar for her role in this movie - she's tough, neurotic, selfish, and fascinating. They learn they have a half-brother, played by co-screenwriter and son of the female director, Christopher Thompson. He's a wonderful actor as well as a terrific writer. he plays a sullen depressed man coping with the end of his marriage to the neurotic Annabelle, played by an unrecognizable Isabelle Carre. Claude Rich plays their father in a flamboyant dashing performance. Francoise Fabian plays the girl's mother. I just love french movie stars, because they take risks, and will play both leads and supporting roles in their long and varied careers.The music is wonderful. The direction - by Daniele Thompson - one of my favorite under-rated French directors (Avenue Montaigne is probably my favorite of her films)is first-rate. Just saw it again for a third time on TV5MONDE! (: Wonderful!

My favorite holiday movie for modern times!, February 1, 2005 Reviewer:   Glutton for books - See all my reviews The first time I watched "La Buche," was a few days before Christmas in 2000, when I was not able to visit the family for Christmas. I saw it with a French friend who was not able to go home either. It is an absolutely delightful French movie about the pressures associated with the holiday season, with thought -provoking characters. Much of it will make you laugh, but I hesitate to define it as a comedy, because the term implies a simplicity which the film exceeds by including many dramatic aspects of life; chief of these are questions of identity, what makes us happy in life, and who are family and what are they for. The core of the plot is members of a family spending the Christmas together, who have not shared a Christams celebration in many years. La Buche refers to a type of Christmas cake often eaten in France during Christmas. For the uninitiated, the French please excuse my description, it resembles a large Liitle Debbie Swiss roll. The characters of the film, like family life, are full of unexpected surprises. Yvette, mother of the family is grieving from the loss of her second husband, and the film opens at a funeral. Her deceased husband was a musician, as was her first husband. The person may have died but it seems that the jealousy lives on. The father of the family, Stanislas, is the mother's first husband. He usually spends the Christmas alone with his favorite daughter, Milla, believing that it should not be an stressful time for him because he is Jewish, trying unsuccessfully each year to avoid the pressure associated with the holiday and its memories of its painful past, such as when he left his life in Russia behind as an child immigrant with no possessions. This year he takes a different approach to Christmas, due to a near death experience, the recent widowhood of Yvette, and determination to make amends for mistakes from his past. Neither parent was a perfect spouse, but the children (who are grown adults) have varying perceptions of who is the better person. There are three daughters: Milla views her mother with contempt, Sonia faults the father, and Louba seems equally devoted to both. Sonia and Milla seem the epitome of success; one with an apparently ideal marriage and family, one with a thriving career. The other daughter, Louba, appears to be the least ambitious and successful in life. But what really constitutes ideas like ambition, success, and happiness? How should these values to be qualified? What guarantees do we have for stability in life in our pursuit or implementation of such qualities? Apparently, one of Stanislas' most cherished Christmas memories was when as a poor child he received one simple toy, and the gift of a safe place to spend the night. In addition to the traditional family, there is Joseph a boarder to whom Stanislas rents his former music studio, and who has a young child from a previous marriage and desperately wants to spend Christmas with her. Joseph rushes Stanislas to the hospital and saves his life; a service which makes the daughters curious to learn more about him and his life. To delve too much into explaining the characters of the film, gives away much of the film's surprises that make it so enjoyable. In true form to good characterization, no one is exactly whom they first appear to be, and learning who they really are is the best part of the viewing experience. There is much stress during the holiday season to pretend that life is working out according to plans and that you are happy, because it is a time for celebration. Even those who are not formally religious experience this pressure during the holiday season. This movie examines that phenomena and makes you feel that you are not an anomaly for feeling tension associated with encountering family during that time of the year. By the end of the film, you feel it is okay to admit the problems that pretension of perfection exerts on your life, even if it is Christmas. In fact, the film teaches that the ability to share your imperfections and sorrows, as well as your hidden aspirations is part of what constitutes a family, and exercising this ability cements your familial relations for the better. Despite the gravity of the characters' problems and conflicts, this is ultimately a great feel-good film, that can be enjoyed at any time of the year.

unfortunate that Beart lends her name to this made for television soap opera a l'americaine. weak writing, a cliche script, provokes competent but always facile acting. one thinks of face-lifts.

I was just reading other comments made about this movie, and they were so negative that made me want to try and say a couple of words to say that the movie is great, entertaining, interesting, funny, original. A perfect plot, mastered with capacity and played at perfection. If you want to see a movie that shows how the magic of life beats the magic of christmas, go to see the movie, and be ready to face entangled plots of lives humoristically interwined.