Very best movie i ever watch

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

"Scary or Die" turned out to be much better than expected, especially given Comcast's misguiding description, which failed even to identify the anthology format. The five varied segments were not at all scary, for this jaded adult, but they kept me watching and dragged out first revulsion and later empathy. There were some decent plot-twists as well, especially the end of first segment. I wondered if the two rednecks were the only ones using their bloody brand of de-immigration policy. Southern horror fans should stick together, so I second the spot-on review by SouthernHorrorFan - well-earned praise for these interesting offerings, "Scary or Die" proves that filmmakers don't need a big budget to succeed in generating some decent horror.

SCARY OR DIE is a low budget horror anthology with a few nods here and there to the likes of CREEPSHOW and its ilk. This one ploughs the same territory but is hardly on the same level as the older films, appearing very cheap and amateurish in places, but at least it's watchable and the old standby still works: if there's one story you particularly hate, you can rest assured that another one will replace it soon enough.The first tale is about Mexican zombies, and I think it's the strongest here: certainly it's the only one that manages a few genuine scares in the Romero mould. The second effort is about a Korean vampire, and it's weaker all round, with a very light story barely sustaining the scant running time and a too obvious twist in the tale. The third story is about a serial killer who dismembers his victims, and is probably the weakest here; there's so little story that a key scene ends up being repeated. The fourth story is about an evil clown who bites a man who finds himself also turning into a clown. It has a neat premise but goes on too long. The wraparound segment isn't worth mentioning.SCARY OR DIE knows that it isn't up to much in the scare department, so it throws in plenty of gore to make up to it. The acting ranges from poor to adequate, while the technical values are acceptable for what is a low budget genre production. Hardly the worst I've seen then but far from the best; this sits somewhere in the middle of the road.

Oh an anthology horror movie ! Just like those one Amicus used to make in the 1970s . If nothing else if you don't like one story then there might be the chance that you may like the next story coming up in five minutes . However these films from yesteryear were made with a feeling of camp affection and were best viewed when you were about 12 years old on ITV one Friday night when Britain only had a grand total of three television stations . Nowadays if you like any story from a horror anthology then you're very fortunate Let's just say I wasn't fortunate in watching this . The title alone is an atrocity against grammar and warns you that you're going to be watching literate drama . But even in horror terms this is fairly vapid stuff of rednecks vs zombies , lonely man meets woman with a secret etc etc . Some people who think clowns are scary might find at least one of the stories creepy but the rest of the film is unimpressive for those not addicted to the horror genre

Lured by the cover art to think I was in for a killer clown movie, the Creepshow-esque hand that clicked on the scaryordie website in search of a good horror clip made me realize that this was an anthology.I haven't bothered to check if all segments were directed by different directors, but what they lack in a unifying theme, they make up with style. The general vibe is old-school, with enough blood to keep the viewer happy but no outright gore or torture. The set-ups are also classic : zombies, vampires, devil cults and the aforementioned killer clown. Segments range from 10 to 30 minutes, with no twists. The story lines are straightforward to a point and do not try to add to any mythos. But they all deliver with elegance and a lot of promise.Because none of the sketches tries hard to surprise you, they're better left at their short running time, which is enough to be impressed by the directorial styles displayed. This explains why the Clown segment, the longest in the anthology, is also the weakest. It outstayed its weak set-up. The first and last segments, both tales from the undead, are also the slickest and nicely round up this hodgepodge of atmospheric, but almost too respectful quickies.