Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

Great movie. Not sure what people expected but I found it highly entertaining.

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Horror movie about a frustrated housewife who begins having nightly trysts with a tall, dark stranger who turns out to be a ghost from the other side. Thus begins her descent into dementia, as she begins to distance herself even further from her husband and kids while painting portraits of her enigmatic new lover. OK so this movie stars an extraordinarily hot Lana Wood and Brit Ekland before either hit the wall. Sex starved Lana Wood cuts quite the figure and is naked from frame one. So what could go wrong?Well, turns out, plenty.Even tho Lana is the hottest MILF on the planet, and it's actually hard to believe she plays a mother in this movie, the story sort of sucks. It's hard to believe her husband turns her down sexually when she is so willing and so perfectly do-able. He's gotta be gay.The special effect were better in George Meles Trip to the moon, but jeepers Lana nudity keeps you watching as she has demon orgasm after demon orgasm.

Bickering couple Lisa (Lana Wood, sister of Natalie) and Carl (Don Galloway) move to an isolated beach house in an attempt to save their marriage. This doesn't work and lonely Lisa soon finds herself attracting a horny spirit (Kabir Bedi) that frequently seduces her and tries to possess the couple's daughter Michelle (Sherry Scott). Psychic best friend Ann-Marie (Britt Ekland) senses something is wrong and tries to stop it. This reminds me of the similar MAUSOLEUM but without the cool green lighting and effects. There isn't really much to this standard horror from director James Polakof as the first hour consists mostly of Lisa moaning and groaning as the General Zod looking spirit gives her the sexy eyes. There is a rather nice decapitation in here, but I had to deduct cool points since no one questions why there is a guillotine in the basement of their new home. The beach location is nice though and offers some early 80s location eye-porn. John Carradine has 4 minute bit as a priest who mutters some nonsense about "the devil attacking us when we are at our weakest."

Anyone who had not seen this film, but had heard about its various titles, may expect something interesting and worthwhile. The reality is that this is a turgid, slow moving, load of nonsense! First of all, the soundtrack is quite abysmal, and the background sounds tend to drown out the dialogue, which is no great shakes anyway. The editing is quite appalling, and the film lurches from scene to scene without any great pattern to it. The ending is quite ludicrous, although after sitting through 90 minutes of dross, it is a welcome relief to the viewer. In all in, a sad effort which only merits two points courtesy of the lead, Lana Wood!!

Plenty O'Toole... I mean Lana Wood, younger, bustier sister of the late Natalie Wood, plays a woman in an unhappy marriage who starts having a perverse love affair with a tall, dark, handsome stranger who happens to be a minion of hell. Well, at first the Hell-bound minion rapes her, but she later decides she likes it and they start getting it on regularly. After that, some occasionally stylish touches show up in this low budget sexploitation horror film. Film is really nothing more than excuse to show Lana's breasts (probably to distract from the sight of her horribly big hair). What's really disturbing is that this might have actually been based on a true story. Another Bond girl, Britt Eckland, also appears.