Yawn. Poorly Filmed Snooze Fest.

The greatest movie ever made..!

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

The best films of this genre always show a path and provide a takeaway for being a better person.

I spoke to Ed Platt in early 1974, not long before his death. If he was troubled by the financial failure of "Santee," he didn't show it; he was warm and unpretentious. We had a common interest in video production, which probably helped him open up. In any event, I didn't see "Santee" for more than 35 years; I must say, Ed's innovative use of video to film hurt the movie; and, as a relatively novice producer, Ed should have played it safe and stayed with film. The interior shots appear horribly lit, and the initial scenes are cluttered and almost tedious. However, after Glenn Ford shows up, the movie loosens up, and we get a pretty well written, expertly acted movie. The casting, particularly of Ford, Michael Burns, Harry Townes and Jay Silverheels is especially inspired. Dana Wynter seems an odd choice, especially since the reddish lighting makes her look Native American, and she can't completely disguise her British accent. However, Wynter's chemistry with Ford and Burns is downright terrific, and she dominates every scene."Santee" needs more fleshing out, and the money spent on the flashback could have been been spent building Ford's relationship with Burns. The ending comes too soon and too abruptly. Nonetheless, "Santee" is one of Ford's better westerns, certainly better than "A Time for Killing," "Day of the Evil Gun" and "The Last Challenge." As Ford's last starring western it is a flawed, if fitting tribute to one of the great cowboy actors.I give "Santee" a "6".

Glenn Ford who was associated with some of the best westerns ever made has his last starring role in the genre in Santee. Although he would do more westerns up to almost the end of his career, he would no longer be the leading man/action hero in any of them.Ford was 57 when he made Santee and even in this one he's transitioning to be a father figure, much the same way John Wayne was in films like Big Jake, Rio Lobo, and The Cowboys. Unfortunately Santee takes it's plot from a combination of Henry Fonda's The Tin Star and Robert Mitchum's Young Billy Young. Ford is a former lawman, turned bounty hunter who decides that marshaling doesn't give him quite the latitude he needs to deal with bad guys. It also doesn't pay as well. But having his son shot down by John Larch and his gang was enough to turn him bitter.He's also forced to kill Robert J. Wilkie another outlaw who has a son in Michael Burns. But he takes Burns into his home. Truth be told there wasn't much attachment there anyway, Burns hardly knew him.Jay Silverheels has the best part in the film as Ford's loquacious ranch foreman. I do believe he had more dialog here than in over 200 episodes of The Lone Ranger. Dana Wynter has a few scenes as Ford's wife and makes them count.But Santee is just a tired rehash of a pair of better films. Glenn Ford fans will like it though.

Yesterday in local DVD-store I saw let's say an attractive poster with Glenn Ford. Now when I saw the film I am totally disappointed. There are many weak parts of the script and casting was bad to say the least. For example-first: the part of the tough bounty hunter definitely doesn't fit to old Glenn Ford. Second: he lets the son of the guy he just killed follow him around, then eventually gives him a job and home.Finally Jody accepts Santee as his own father(OMG!). And one of the most "tragic" and funniest things is that Jody was practicing to become bounty hunter and he couldn't hit target from couple of meters , but in the one of the final scenes he kills three members of the Banner's gang. Now you probably think there is no need to see this film. But actually there is a few bright things: Jody's father (Robert J. Wilke) and John Crow (Jay Silverheels). And that's all I'm afraid. If you are not western fan there is no reason to watch this film.4\10 totally deserved

Thoroughly mediocre Ford vehicle has him as the West's toughest bounty hunter (?!?). He lets the son of the guy he just killed follow him around, then eventually gives him a job. The son gives up his plans for revenge, opting to become a bounty hunter himself instead. Wynter is given a role that is thankless window dressing, and Silverheels is the only person in the movie who looks in shape for the West. Some good action, and it was good to see Silverheels in a movie again (though his part was fairly small), but bare plot goes on too long for its own good.