I like the storyline of this show,it attract me so much

Fresh and Exciting

Better Late Then Never

I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.

"Santee" is a decent enough film, but it's "Jody" song that comes and goes throughout the movie is reason enough to deduct a point!The film begins with a really BAD family reunion. Jody, a 19 year- old guy, comes upon his father and three of his 'friends'. It seems that Jody barely knows his dad and was raised by his divorced mother. Well, wouldn't you know that the father and his men are on the run from the law! Soon, a bounty hunter, Santee (Glenn Ford), shows and quickly dispatches the guilty four men--leaving Jody a bit shocked to say the least! Jody is angry enough at Santee to kill...but inexplicably, Santee is nice to him and realizes he was not involved with his father's gang and their crimes. What follows is a bonding between Jody and Santee, as Santee takes him home with him and treats him decently. All this bromance, however, is short- lived, as the men who wronged Santee so long ago and set him on a life as a bounty hunter arrive in town--and they are really bad dudes!The film has a rather original plot and I enjoyed it. But 1970s god-awful music took away, somewhat, from my enjoyment. Still, despite this, it's worth your time. Plus, you get to see Jay Silverheels in a role much more interesting than playing Tonto to the Lone Ranger.

Nothing spectacular about this movie. An aging Glenn Ford carried it as well as any other he's done.Michael Burns did very well in his role. Just a shame that he gave it all away a few years later.An older Jay Silverheels was good to see, after starring in the Lone Ranger, a few decades before this movie was made. Not sure I've ever heard him speak so many lines. :-)The ending was nonsensical and unnecessary. Life could have gone on just as Santee and his wife wished, however, for some reason, the screenwriter and/or director decided to disappoint the viewer.Worth a look, if you enjoy Ford's work, but that's about it.

I spoke to Ed Platt in early 1974, not long before his death. If he was troubled by the financial failure of "Santee," he didn't show it; he was warm and unpretentious. We had a common interest in video production, which probably helped him open up. In any event, I didn't see "Santee" for more than 35 years; I must say, Ed's innovative use of video to film hurt the movie; and, as a relatively novice producer, Ed should have played it safe and stayed with film. The interior shots appear horribly lit, and the initial scenes are cluttered and almost tedious. However, after Glenn Ford shows up, the movie loosens up, and we get a pretty well written, expertly acted movie. The casting, particularly of Ford, Michael Burns, Harry Townes and Jay Silverheels is especially inspired. Dana Wynter seems an odd choice, especially since the reddish lighting makes her look Native American, and she can't completely disguise her British accent. However, Wynter's chemistry with Ford and Burns is downright terrific, and she dominates every scene."Santee" needs more fleshing out, and the money spent on the flashback could have been been spent building Ford's relationship with Burns. The ending comes too soon and too abruptly. Nonetheless, "Santee" is one of Ford's better westerns, certainly better than "A Time for Killing," "Day of the Evil Gun" and "The Last Challenge." As Ford's last starring western it is a flawed, if fitting tribute to one of the great cowboy actors.I give "Santee" a "6".

Glenn Ford who was associated with some of the best westerns ever made has his last starring role in the genre in Santee. Although he would do more westerns up to almost the end of his career, he would no longer be the leading man/action hero in any of them.Ford was 57 when he made Santee and even in this one he's transitioning to be a father figure, much the same way John Wayne was in films like Big Jake, Rio Lobo, and The Cowboys. Unfortunately Santee takes it's plot from a combination of Henry Fonda's The Tin Star and Robert Mitchum's Young Billy Young. Ford is a former lawman, turned bounty hunter who decides that marshaling doesn't give him quite the latitude he needs to deal with bad guys. It also doesn't pay as well. But having his son shot down by John Larch and his gang was enough to turn him bitter.He's also forced to kill Robert J. Wilkie another outlaw who has a son in Michael Burns. But he takes Burns into his home. Truth be told there wasn't much attachment there anyway, Burns hardly knew him.Jay Silverheels has the best part in the film as Ford's loquacious ranch foreman. I do believe he had more dialog here than in over 200 episodes of The Lone Ranger. Dana Wynter has a few scenes as Ford's wife and makes them count.But Santee is just a tired rehash of a pair of better films. Glenn Ford fans will like it though.