Perfectly adorable

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

In 1974 the young anarchistic bank-robber Salvador Puig Antich is executed after spending some time in jail. His death starts a period of unrest in Spain, at that time still ruled by the dictator Franco. That unrest is the beginning of democracy in Spain.This film plays the last months in the life of Salvador. It gives a short insight into his life, his why and what and the choices he makes. It then rolls on to his time in jail and all that follows.Biographic pictures like this one stand or fall with the capability of the actors to play their real life counterparts convincingly. This film stands. It does a very good job at dramatizing the actual events and left me with a giant lump in my throat.9 out of 10 accidental heroes.

I was really caught by the story - a story which I didn't know, and which is hardly known outside Spain and even Catalogne, as the director explained in a festival here in Italy where the film was presented. The last years of life of Salvador Puig Antich, the Spanish anarchic activist, who became the last prisoner of the Franchist regime to be executed. The rhythm is fantastic, energetic and dynamic, thanks to a very suggestive photography and the use of vivid images. The music supports the high tone of the events. The last part involves the spectator in a "crescendo" of emotions, slowing down the rhythm while approaching to the inevitable end. No political claims, no moralistic lessons. A well shot, thrilling, emotional movie!

I was disappointed with this film. The first half is boring, unengaging and very poorly shot. The nervous hand-held camera and the fast editing are very irritating, and completely unnecessary. It really put me off. It might seem very cool and trendy, and you can tell the director might have shot lots of music videos and commercial spots, but it's poor storytelling. Cause it doesn't allow you to sink your heart into the film, to feel it. It might be appropriate for films like Moulin Rouge, but not for a drama like this. There's no depth in the construction of the characters, and there is nothing special about Salvador's character, there's nothing about him that makes his tragic death special save for the fact that it is horrendously brutal. We don't get to know his foibles, his weaknesses, his dreams. It's funny how the death of the protagonist of 'Dead Man Walking' -a true murderer- is far more moving and affecting than this one. And the second half is more engaging, although it has a TV movie feel to it. Leonardo Sbaraglia's character is the most interesting of them all, the only one who has some kind of evolution arc. But even the ending, which could so easily have been powerful and touching, given the extent of the tragedy, is somehow rendered bland and anticlimactic, due to the intercutting of a sentimental scene in which the youngest sister runs to the place where the execution is going to take place while we overhear in voice-over the corny words that Salvador dedicated to her the last time she saw him,and also due to poor camera-work at the moment of the execution. Again the camera can't stand still and starts going in unjustified circles in a moment where we should all be holding our breaths.

I've seen this film today, and although I wouldn't say it's great film wise, I think it's important for people to know about recent history, especially Spaniards. I'm totally against death penalty, and this film has only reassured me in the matter. But I must say the film is somehow partial, as Salvador was in fact a bank robber, no matter what he used the money for. The acting is quite impressive. I must confess I wasn't too convinced about Daniel playing Salvador, as he's German, but he's great. Tristán Ulloa is also very good, and he speaks really good Catalán, sounding native although he's actually Galician (north west Spain). And finally Leonardo Sbaraglia plays an impressive policeman. Incredibly, you forget he's an Argentinian sex symbol and does a really good Spanish accent.Also, I may be a bit impartial myself, since I know the sister of one of Salvador friends in the film and about the family suffer...