Salaam Bombay!
Salaam Bombay!
PG-13 | 07 October 1988 (USA)
Salaam Bombay! Trailers

After destroying his older brother's motorbike in retaliation for his constant bullying, 11-year-old Krishna is sent to a traveling circus to earn money to pay for the bike's repairs, but soon winds up in the streets of Bombay's poorest slums. There, he befriends the drug dealer Chillum and young prostitute Sola Saal, while trying to make enough money at a neighborhood tea stall to repay his debt to his family.

Reviews
ManiakJiggy

This is How Movies Should Be Made

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SpunkySelfTwitter

It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

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SanEat

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

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Ginger

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

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ashrafamodd

Salaam Bombay is not easy to watch because it leaves me emotionally spent, but that tells you just how good this film is. Mira Nair has therefore succeeded in creating an authentic experience, highlighting the ugly side of life in Mumbai (previously called Bombay). You can tell that Slumdog Millionaire borrowed many of the interesting elements of Salaam Bombay, but added extra spice with a British flavour mixed with Bollywood. However Salaam Bombay keeps everything real and this is why it's the strongest film I've seen set in India. The story line revolves around Indians in poverty, where older men exploit children to work on the streets, and Salaam Bombay takes us into this horror filled underworld. Where Nair wins is that she makes you care for these young characters and it turns into quite an emotional ride. There are moments which reminded me of the best of the French New Wave, such as 500 Blows and Salaam Bombay is certainly a film at that level. Eventually, you need to be ready to through this feature length film, enduring some of the worst experiences in India. Perhaps if Nair contrasted this with some of the more beautiful aspects of Mumbai, it would've been more rounded.

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Abby_qadir

The story revolves around a boy named Krishna who was abandoned by her mother and swears to return when he gathered Rs 500 for his brother's bicycle which he trashed. He visit Bombay and worked as a tea servant and he known as Chai pau in his circle.Watching 80's 90's movie in this era is a bliss and we can't even compare the cinema which have made in those era which remain a golden era for Bollywood with movies like DDLJ, Andaz Apna Apna, Angoor to name few. This was on my list since 1 year and never got time to watch it.Every applaud, every award is small for a movie like this. It shows the darkest side of Mumbai in a most perfect way and the performances made it a brilliant watch altogether. The cinematography is so impressive that you actually feel the movie while watching. It is a very brave attempt for the director and writer to show such dark and witty side of the city.No one can ever imagine that the child character (Krishna) played by Shafiq Syed was his debut movie. His expressions are so real with full of emotions that it will keep you hooked with the film soul. Nana Patekar and Irfan Khan (Cameo) are a compelling watch as well. Some of the child in the movie are actual street children who has been given special training to prepare for the roles. The movie was a second nomination for an Oscar after Mother India in a best foreign film category.Salaam Bombay is witty, Dark, Gloomy which may appeal negative to some audiences, but then its an art of cinema which comes with a disclaimer 'All characters and events depicted in this film are entirely fictitious'.

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Michael Neumann

The debut feature by Indian filmmaker Mira Nair is a near-seamless blend of social documentary and coming-of-age dramatics, with the uncompromising honesty of the former combined to all the creative emotion of the latter. In this case the end of innocence doesn't present an easy rite of passage for Nair's young protagonist: a resourceful, homeless adolescent forced to grow old before his time in the mean streets and back alleys of modern Bombay. Every scene was shot on location, and the children in the film are actual homeless kids, all of them coached into remarkably natural performances alongside the few professional actors. The result is an unsentimental look at the bitter cycle of poverty and crime in a city where life is given a rare vitality by its dubious worth. Within the community of thieves, junkies, prostitutes, and pimps is a measure of compassion equal to their misery, and Nair is able to convey the stubborn spark of hope clinging to even the most tragic victims of circumstance. Expect an honest ending, not a happy one.

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himanshu shekhar

This movie is by far the best movie that I've seen ever in my life. Complete in every sense, it makes quite a heavy impact. I wan only 2 when this was released, and after looking at it's quality of cinematography still beats the best of new age cinemas. The amount of dedication by the actors, and the entire team is so huge that it reflects in every second as the movie passes by. Especially the acting by 'Chillam' and 'Chaipaao' is mind blowing. It's nearly impossible to explain in words to explain this movie. So go ahead and watch it. I made at least 20 people to watch this, and everyone had the same attachment with this one as i have.Love.

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