Simply A Masterpiece

It's entirely possible that sending the audience out feeling lousy was intentional

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

One of the most extraordinary films you will see this year. Take that as you want.

Elvis Presley was a hugely influential performer with one of the most distinctive singing voices of anybody. He embarked on a film career consisting of 33 films from 1956 to 1969, films that did well at the box-office but mostly panned critically (especially his later films) and while he was a highly charismatic performer he was never considered a great actor.'Roustabout' is not one of Elvis' better overall films, not being as good as the likes of 'King Creole', 'Flaming Star', 'Jailhouse Rock', 'Viva Las Vegas' and 'Loving You'. This said as far as his mid- 60s onwards efforts go, 'Roustabout' generally is one of his better faring ones.Very rarely were the script and story strong suits in Elvis' films, quite often being weak links even. 'Roustabout' is not an exception. The story is paper thin and formulaic, with neither the friction between Charlie and Joe or the romance between Charlie and Cathy ever igniting and structurally it's all too pat and obvious. The former due to too much immature silliness and not enough grit, which one kind of expected when you have the rebellious sort of character that Elvis played in the 50s in films that did have tension and grit, and the latter due to the chemistry not being there and Joan Freeman being somewhat bland.The songs generally are less than stellar and mostly very forgettable. A few do work, and they will be mentioned later, but most suffer from lacking sound mixing that give them a cheapness, sloppy lip-synching, fitting awkwardly and from being too short. "Carny Town" and "It's Carnival Time" especially apply here. The script has its fun and good-natured moments, as well as its tragic ones, but over-silliness and corn run all over it as well.However, 'Roustabout' is a good-looking film, it's beautifully shot with a great atmosphere and the rural scenery is colourful and evocative. A few of the songs are good, the title song and "Little Egypt" being knockouts. The tender "Big Love, Big Heartache", the acid "Poison Ivy League" and the energetic "One Track Shot" also stand out. The choreography has a good deal of energy, the carnival atmosphere is just magical and the Wall of Death scene hits hard.A good cast helps and 'Roustabout' has that (Freeman excepted), John Rich also directing more than capably. Elvis is not at his very best and has been in better shape, but there is still an easy-going charisma and vigour to his performance. Barbara Stanwyk provides compelling realism and effortless command to her role, while Sue Anne Langdon adds a good deal of lustre and Leif Eriksson relishes his unsympathetic character. Familiar faces such as Pat Buttram, Steve Brodie and Jack Albertson are fun to see, and the film also boasts short appearances from Racquel Welch, Richard Kiel, Teri Garr and Billy Barty.Overall, not great but decent likable fun. 6/10 Bethany Cox

Most people don't think too much of this Elvis romp compared to any other, but for me it stands out as one of the better "formula" movies the man made in the '60s. As club singer Charlie Rogers, Elvis is a little different from his usual stock characters from this period because the young man has a chip on his shoulder. He's a reckless person who never had a family and is prone to being self-centered and dismissive. After getting fired from a gig one day, he and his motorcycle are smacked up by a threesome of small-time carnival owners driving in their car, so they invite him to stick around their modest fairgrounds and work as a "roustabout" for a little cash while waiting for his bike to get back from the repair shop. Rogers is able to boost business with his singing to lure customers to the Fair.Barbara Stanwyck plays the strong-willed carnival chief who breathes the carny lifestyle, but she's saddled with a crotchety and hard-headed partner (Leif Erickson) who once caused a tragedy to a customer by not safely securing one of the rides at the fair, and who tries to keep Charlie away from his daughter Cathy (Joan Freeman). It's refreshing to see a leading girl who can hold her own and not easily succumb to Elvis' whims. There are a few decent songs here and there, if no great ones. Raquel Welch can be spotted in the beginning of the film as one of a group of young folks going to see Charlie Rogers perform at the club. *** out of ****

It has Victoria Barkley (Barbara Stanwyck) from The Big Valley, Big John Cannon (Leif Erickson) from The High Chaparral, Wilbur Jonas (Dabbs Greer), the general store owner from Gunsmoke, Pat Buttram who was Gene Autry's sidekick from his western TV series, and Joan Freeman who played Cathy Lean did a guest role on Gunsmoke as a kidnapped girl named Annie Shields. Sue Ane Langdon who played Madame Mijanou, Fortune Teller was in one western movie that I can name, "The Cheyenne Social Club". Elvis of course was quite a western actor himself in such movies as "Love Me Tender", "Flaming Star" and "Charro". This is all just a point that I'm making. Elvis was born to be a cowboy actor as well as a singer. He wasn't only King of Rock and Roll, he was also another King of the Cowboys, as was Roy Rogers, and Gene Autry.

In this movie, Elvis plays Charlie Rogers who has a really bad attitude. This character has quite a chip on his shoulder. It took some time until this character grew on me. This was his last very strong movie until Charro! Once again the plot was great as was the supporting cast which featured the late Leif Erickson the late Barbara Stanwick to name a few. I give this movie five stars