This movie was so-so. It had it's moments, but wasn't the greatest.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

This is a dark and sometimes deeply uncomfortable drama

Amazing worth wacthing. So good. Biased but well made with many good points.

This film takes the word "quirky" to a whole new level. While it is a little dated now, due to advances in computers (and the fact that Rosalie's computer crimes would not likely happen today), it is such a monumentally freakish film that you just can't miss it.How can you miss seeing the late Brad Davis in one of his most unlikely roles? And how can you miss seeing Judge Reinhold as a priest who keeps having to listen to Rosalie teling him of all her crimes? The mere spetacle of Germans in rural Arkansas is reason enough to see this fun little film. It has no big message, really, except poking fun of 1980's American consumerism, but the sheer wackiness of the family in this movie makes it a worthwhile diversion for a night when you could use a laugh.

This movie is one-of-a-kind.Overall it's not outstanding, but it's a definite "must-see" for anyone who enjoys torturing themselves with cult-classic bizarre behavior and humor.It's more of a wacky-bizarre than a psycho-bizarre. We've groaned our way through it several times and the title has become the enigma of "Oh no, don't make us watch that again!" However, it's painfully humorous and worth the time!

Germans think smirking is funny (just like Americans think mumbling is sexy and that women with English accents are acting). I had to cross my eyes whenever the screen was filled yet again with a giant close-up of a smirking face. One of those 'housewife hacks corporate mainframe' tales where she defrauds a bank by tapping a few random keys on her home PC which is connected only to a power socket. The director obviously loves the rather large leading lady. Can't say I share his feelings. There's quite a funny bit when the entire family sit in front of the television chanting tonelessly along with the adverts. Apparently this review needs to be one line longer so here it is.

Basically, the point of this movie is that everyone worships Marianne Sagebrecht, both the director and her fans. She's got enough charisma and personality to carry the movie on her own. Otherwise, all it's got is a thin plot with some very funny scenes; the direction inclines to pointlessly flashy camerawork. But who cares about inessentials?