Ride Out for Revenge
Ride Out for Revenge
NR | 31 October 1957 (USA)
Ride Out for Revenge Trailers

When an Indian chief is murdered in a hateful town, a sympathizing ex marshal tries to stop the Indians from attacking for revenge.

Reviews
SunnyHello

Nice effects though.

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Usamah Harvey

The film's masterful storytelling did its job. The message was clear. No need to overdo.

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Frances Chung

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

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Mandeep Tyson

The acting in this movie is really good.

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MartinHafer

Some westerns portrayed the American Indians as unthinking, one- dimensional idiots--riding around in circles waiting to be picked off by folks in the wagon train or by the cavalry. Others, like this one, are more sympathetic and show these same people as multidimensional and decent.When the film begins, the local chief is murdered. This is a serious problem, as the chief was a man of peace--and the new, younger chief is more headstrong and ready for revenge. Fortunately, there is a local guy (Rory Calhoun) who understands these Indians and treats them decently--and he can diffuse the situation. But the town is a hellish place that wants no part of peace and the local cavalry commander (Lloyd Bridges) is a cowardly jerk-face. With the Indians on the warpath and Calhoun's character the only person with any common sense, things look pretty awful for this stupid town.The Indians are generally portrayed well. However, a complaint I often have is that the main Indians are played by white folks--such as Vince Edwards! So, it's like two steps forward and one step back. Overall, however, the film is interesting and presents a more balanced view of the west. The only problem is that, at times, the characters are a bit more like caricatures--a bit too one- dimensional to be believable.

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Scott LeBrun

More sensitive to the feelings of the Indian people than other films of the time, the watchable B Western "Ride Out for Revenge" has some good performances and a decent story to recommend it, even if it's heavy handed in pushing its message home and ultimately forgettable. It does take the viewer out of the movie to see obviously white people playing Indian characters, but then Hollywood still wasn't ready in 1957 to be truly politically correct.The stolid Rory Calhoun plays Tate, a marshal from the small town of Sand Creek who's sympathetic towards the local Cheyenne tribe. Of course, helping him to form that opinion is his love for Pretty Willow (Joanne Gilbert), the daughter of the tribes' chief Yellow Wolf (Frank DeKova). When the chief is cold bloodedly murdered by a gunman, it angers the chiefs' son Little Wolf (Vince Edwards) who leads his people in a raid. Even after suffering a personal loss during the raid, Tate finds that taking care of business is still a tough proposition.Calhoun is fine, Edwards amusing even in light of his miscasting, and Gloria Grahame makes the most of her not terribly important role. But the movie really belongs to a wonderful Lloyd Bridges, who's perfectly slimy as a racist, greedy, cowardly Cavalry officer. It's Bridges who keeps things interesting for the duration; surely a member of the Cavalry had never been portrayed in this negative a light before. Otherwise, nothing about this is anything special - not the direction (by Bernard Girard) nor the script (by producer Norman Retchin, based on a novel by Burt Arthur), although the music (by Leith Stevens) and cinematography (by Floyd Crosby) are nice.Overall, not a bad way to spend 78 minutes.Six out of 10.

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doug-balch

You might be tempted to watch this movie when you see that Gloria Graham is the female lead and that Lloyd Bridges costars. Don't make that mistake.This thing looks like a high school play. It's a "civil rights" Western, where the Indians are a metaphor for blacks in the South.OK message, but there is no art to this movie. Graham's part is nothing. Bridges has just a little more to work with, playing a sleazy, cowardly cavalry captain.This is a good opportunity though to categorize three types of Westerns:The "Cold War" Western, where the cowboys represent freedom and individuality, while the Indians are a foreign menace trying to take their freedom away. All that stands between freedom and destruction is the bravery of the U.S. cavalry.The "Civil Rights" Western, where the whites are the bad guys oppressing a racial minority.The "Vietnam" western, where the oppression of the Indians becomes a much wider metaphor for global Western imperialism and colonization.

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William Giesin

Lloyd Bridges shines as a cowardly calvary captain while actor, Vince Edwards, looks terribly miscast as an Indian in this Bryna Film Production. Bryna Productions was the company that was formed by actor, Kirk Douglas, that produced such films as "Spartacus", "Last Train From Gun Hill", "Paths of Glory", etc. I suspect this film was shot around the time that "Last Train From Gun Hill" was shot as some of the scenery where Rory Calhoun (Tate) has a confrontation with Vince Edwards (Chief Little Wolf) appears to be the same area where Earl Holliman rapes and kills Kirk Douglas wife in "Last Train From Gun Hill". What "Last Train From Gun Hill" has that this film doesn't have is a good script, a solid plot and beautiful Technicolor. "Ride Out For Revenge" is an interesting and entertaining film in so far as it points out the many wrongs that the "white man" has inflicted on the Indians as well as the hatred that has been sowed over the years through the losses of life from both sides. The plot puts Tate (Rory Calhoun) who loves an Indian princess (Joanne Gilbert) in the middle of an Indian vs "white man" confrontation. Now add the fact, that gold is found on the Indians land. Throw in a cowardly captain (Bridges) who hates Indians but would love to have their land and their gold. Sprinkle a widow (Gloria Graham) and a child (Michael Winkleman) that have both lost spouse and father by Indian massacre. Add a touch of vengeful Indian (Vince Edwards) whose father has been murdered by the town's people .... and you have all the ingredients for what is to come. The film, in my opinion, is at best a mediocre western with a very important but "preachy" message. What I found most interesting and important was the morale of the film which can be found is some of the final dialog of the film. Pretty Willow (Joanne Gilbert) says "If everything changes ... what will happen when someone comes to take the land from the "white man" and Tate (Rory Calhoun) responds "I don't know I never gave it much thought."

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