I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Overrated

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Worth seeing just to witness how winsome it is.

Ann Miller did get to MGM but unfortunately at a time when musicals were on their way out. She started out at RKO, where her tap specialities were usually the standout scenes from the so-so films she was given. When "Too Many Girls" was filmed, Ann did her famous "Mexiconga" dance. The producers wanted to take her back to Broadway but Ann was set on Hollywood stardom - she then signed with Columbia. "Reveille With Beverly" was an extremely popular musical featuring some of the biggest swing bands of the era and was typical of the type of film that Ann was making at the time.The film starts with the wonderful Mills Brothers singing "Cielito Lindo" (Mexican Hat Dance) - beautiful Beverly dreams of having her own radio show - she would fill it with plenty of boogie woogie. Vernon Lewis (Franklyn Pangborn) is the early morning broadcaster who has the "Classics at Dawn" show. After convincing Vernon that he needs a vacation Beverly takes his place and the first record is Count Basie's "One O'Clock Jump" - "hotter than your morning coffee"!!!Eddie Ross (Larry Parks) gets a lift to the barracks and hears his sister on the radio - a debate breaks out about her looks or lack of them. Eddie neglects to tell them she is his sister but does invite them to his house for the weekend. Of course they find out that she is young and pretty but just to confuse matters, the boys swap names. Barry Lang is sick of being only liked for his money, but as plain old Andy Adams, Beverly takes a shine to him. The inevitable mix-up occurs throughout the film.She christens her show "Reveille With Beverly" and starts it off with "Big Noise" by Bob Crosby (singers include Lyn and Lee Wilde). Before she gets going Beverly is sacked and gets her old job back at the record store!!! That's before her boss realises what a gold mine he has. Suddenly she is back on air - with Duke Ellington's "Take the A Train". All good things must come to an end and Vernon returns - like a bad penny!!! Beverly can now only dream of presenting Frank Sinatra singing "Night and Day" to her "boys". All things end well and with a "Cow Cow Boogie" sung by Ella Mae Morse, she is back on deck.The end of the film features a great concert with the Mills Brothers singing "Sweet Lucy Brown", and The Radio Rogues, who do spot on imitations of Morton Downey, Amos and Andy, Kate Smith, among others. The story is only an excuse for presenting some of the finest swing musicians of the day but Ann Miller is beautiful, bubbly and talented and her tap solo to "Thumbs Up and V for Victory" must be the fastest on film!!! Although I can't find her credited, I think that must be Irene Ryan (Granny from "The Beverly Hillbillies") playing a sassy secretaries who fills the film with cornball humour.Recommended.

Just took another trip down memory lane by watching the 1943 movie, "Reveille With Beverly". A few of the details had been forgotten over the 64 years since the original viewing but the music was remembered! The reprise of the records which were so popular at that time and which kept wearing out turntable needles was a joy to the ears. The Mills Bros. (with John Sr instead of the original John Jr) were a soothing sound. Count Basie was a must with his 'One O'Clock Jump'. Bob Crosby with bassist Bob Haggart and drummer Ray Bauduc gave us "Big Noise From Winnetka". Then Duke Ellington and his great organization gave us his theme song, 'Take the A Train'. Frank Sinatra gave us a production staged rendition of ' Night and Day'. That is to say, it featured many violinists and pianists of gowned femininity. But the arrangement was the record which was so popular on a 78. Ella Mae Morse with the backing of Freddie Slack and his orchestra gave us the 'Cow Cow Boogie' in her own inimitable way. Finally the Radio Rogues were brought in to give us a smorgasbord of various popular radio performers of the time and of the past. There were the usual imitations of 'Lum and Abner'; 'Amos and Andy'; Kate Smith; Ben Bernie; Red Skelton; etc. Ann Miller finished up with a production number which was strapped by budget. If you like swing and remember WWII, this is a delight.

This is a truly awful "B" movie. It is witless and often embarrassing. The plot, the basic "making into show business" routine, is almost nonexistent. In fact, the film is merely an excuse to push the war effort and highlight some popular music groups of 1942, including the Mills Brothers, Count Basie, Duke Ellington, Bob Crosby, and Freddy Slack. Each group gets about the standard three minutes, the exception being the Mills Brothers, who for some reason warranted two numbers. Ann Miller doesn't get to dance until the last couple of minutes of the film, and she has little to do but strut her stuff amid a barrage of patriotic propaganda.The most interesting moment in the film, in my view, occurred in the Duke Ellington segment. The band appears to be playing in a train, standing in awkward positions. (In the deep South at the time, the band was segregated in railroad cars when traveling.) Johnny Hodges is seen next to Duke, and Harry Carney may also be identified. In the last moments of the film, trumpeter/violinist Ray Nance rushes down the aisle to the camera and does an "uncle Tom," bugging his eyes and wiggling his head the way Willy Best did in many films. For modern viewers, especially jazz fans, this homage to segregation is sad indeed. Some movies go best unseen.

Looking luscious at the age the ripe old age of 20, Ann Miller stars in this 1940s equivalent of today's music videos on MTV or VH1. The flimsy plot is just an excuse to string together musical performances of recording artists of that era.The musical performance by Frank Sinatra of Cole Porter's "Night And Day" is a noteworthy highlight. His stage is set with six lady pianists at grand pianos and six lady violinists.Although flimsy, the plot has some merit. Comic relief is provided by veteran character actors, Tim Ryan and Irene Ryan, along with perpetually persnickety Franklin Pangborn. You'll also recognize other character actors in this film.The film wraps up with a splendid tap dancing production number by Miller, to a patriotic World War II-era song.It's 78 minutes of nostalgia and worth watching just to see Miller at her loveliest. The print recently broadcast by Turner Classic Movies was in very good condition.