Very well executed

A Masterpiece!

I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.

Blistering performances.

Depressed painter George Miller (Dennis Lipscomb) chucks himself off a hotel roof, his suicidal act most likely prompted by either his terrible haircut (I'd want to die too if I sported that style) or his complete lack of artistic talent. As medics bring him back from the brink of death, George is possessed by the vengeful spirit of gambler Vito Minelli (Mike Muscat), who was shot and burnt alive by the men to whom he was in debt.Retribution could have been a fairly reasonable supernatural potboiler, but George Miller is such a dour, whiney loser that it makes for seriously hard going. I found myself increasingly irritated by the man's persistent hang-dog expression, so-much-so that I began to wish that the emergency team who revived him had been held up in traffic.The film does deliver one or two reasonably well-executed scenes of violence-the brutal demise of Vito, the manager of an abattoir being cut up the middle by a circular saw, a guy having his hand removed with an acetylene torch-and there is an impressive sense of style throughout, director Guy Magar making particularly good use of colour and lighting. However, the unbearable protagonist and an overlong runtime of 107 minutes means that the film as a whole is far from great.

RETRIBUTION is a low budget and rather gruesome horror film of 1987, given a splendid DVD presentation by the team at Code Red. The story is nothing special and sees Dennis Lipscomb's mild-mannered protagonist being possessed by the spirit of a gangster which causes him to go on a supernatural killing spree. It's one of those films where you end up twiddling your thumbs in between the kill scenes, but the gory special effects are imaginatively used and there are some bizarre highlights here, which I won't go into. I did find Lipscomb to be a rather creepy character even before the supernatural stuff takes place and the budget isn't perhaps quite up to the job at times, but this is reasonable fare for horror fans.

One really good episode of TALES FROM THE DARKSIDE that I remember is "Dead Man's Shoes," where an average Joe finds a pair of shoes and decides to put them on. The shoes, however, belonged to a recently deceased mobster, who decides to possess the man and seek revenge on those who sent him to his grave. RETRIBUTION is just like that, only a lot bloodier.George is a depressed painter who's had it with life. On Halloween night, he jumps off the roof of his apartment building and dies. However, he is brought back by some paramedics, but something isn't quite right with him. Whenever he falls asleep, he has dreams of killing people in gruesome ways, and when he awakens, these people are actually dead. You see, he is now possessed by a mobster who not only shared his birthday, but he was gunned down at the same time George realized he can't fly, so now, the mobster is killing those who killed him. Can George stop him before the killing begins again? RETRIBUTION is a decent enough watch, but it could have been a whole lot better. Considering this was released in the trash-tastic year of 1987, they managed to have a really intriguing plot, great actors, and good gore effects. Unfortunately, they underplay everything except the actors.Yes, there is a lot of talking and a lot of character building, which is both a good and a bad thing. Good, because we actually begin to like and connect with the characters. Bad, because it keeps us away from the good stuff.The kills in RETRIBUTION are all gory, all inventive, and there aren't many of them. There are only four people who gunned down Vito (the mobster), and he doesn't even get his revenge on all of them. There is some great build-up and suspense with the deaths and the "possessed George" is frightening enough to work.There are a lot of scenes where George's possession takes hold, like when they go to a spiritualist, or when he paints several portraits of the charred Vito (which looks eerily similar to Freddy).Don't get me wrong; RETRIBUTION is from being a bad movie, it's just not all that great. I liked all the characters, I liked the gore, and the scares were good, it's just that each of these is either underplayed or overplayed. It's "technically" a lot better than most late-eighties direct-to-video garbage; it's just not as entertaining as it should be.Still, it's worth watching.

Surprisingly good!A plain, somewhat overweight, nerdy-looking man stands on the edge of the roof of the Don Hotel (no "tiny bubbles" jokes in the movie, though). From the masks on the people below, we can tell it's Halloween. He jumps, and the monsters below look sad. We see the tunnel of light, but a burnt or mutated face appears as emergency responders try to revive him.In the hospital, he's rehabilitated, though he now walks with a cane and limp. The people in the Don Hotel, a somewhat strange bunch, are sympathetic, as is a neighborhood hooker he's friendly with. However, he has horrible vivid nightmares involving murder. Additionally, while he paints blood appears out of nowhere, and does at other times too and isn't just a hallucination it seems.In the nightmares, he visits people and brutally kills them with some sort of telepathic abilities while his eyes glow. In the morning, the deaths are in the paper. Though there aren't a lot of murders, the scenes are pretty strong. One begins with some particularly graphic (possibly real) shots of a slaughterhouse. The way a man dies there is quite memorable.While a Catholic priest works at the hospital, and the main character visits a church, the one attempt at exorcism is done by a "Dr. Rasta"! Perhaps more surprisingly, he's a friend of the hooker.