The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Worth seeing just to witness how winsome it is.

This movie feels like it was made purely to piss off people who want good shows

There's a more than satisfactory amount of boom-boom in the movie's trim running time.

This is a powerful film with many scenes that stir the emotions.Edna McCauley (Ellen Burstyn) receives seemingly supernatural or maybe even divine powers after an accident. Unlike the powers that Sissy Spacek received in "Carrie", and that many others have received – mainly in horror movies – Edna uses them to heal. In fact, the only person her unique gift hurts is herself; her life is overwhelmed by the effect her power has on others.The film hasn't really dated, I remember seeing it on TV in the early 80's and I have never really forgotten it. It is gripping from start to finish and has more than one scene that will leave a lump in your throat.This brilliantly original story explores Edna's relationship with her father and those closest to her. However, all her relationships become influenced by her mysterious and unasked for power. In fact, it seems as though the only person who keeps their balance as the story unfolds is Edna herself.Set in a farming community in Kansas, her family, friends and neighbours are fairly religious by nature, but Edna attracts just as many sceptics as believers. Eventually, after things spiral out of control, she is forced to make a difficult decision about her future.The production values of the film are functional more than inspired, however Maurice Jarre contributed a very good score; a return to form really, which along with "The Man Who Would Be King", "Witness" and "Moon Over Parador", is a step above his typical by-the-numbers scores of the 70's and 80's.But the performances make this film. Ellyn Burstyn is brilliant – her performance allows Edna to be a woman first, a fact which is lost on nearly everyone who only see her great power as she lays her hands upon the afflicted to heal them. The other standout in the cast is Eva Le Gallienne as the wise and loving Grandma Pearl – the first to realise Edna's special gift. Sam Shepard adds an edgy element as Edna's unlikely lover, Cal, who can't come to terms with her power.This film stays with you, and has an ending that is a choke-back-the-emotions moment if ever there was one, capping a unique movie experience.

The acting, script, and cinematic techniques were superb (for 1980). From Ellen Burstyn through the whole cast, everyone was believable.True healers are quite rare, and it would be very tempting indeed to sensationalize this theme. Instead, the story was beautifully written, and quietly realistic, which made it quite stirring - even haunting. Ellen Burston's performance is absolutely one of her very best. Eva Le Gallienne is magnificent as Grandma Pearl. For some reason Resurrection is passing into obscurity, and I hope it will be rediscovered by more people, especially the younger generation. Consequently, I often tell others about it, and I hope everyone will try to see it.

And that's saying a lot since I adore Ellen Burstyn and her work but I was deeply moved by her extraordinary performance in 1981's Resurrection, based on the true story of Edna Mae McCauley, a woman who gets into a horrific car accident which she barely survives (a journey which includes an out of body experience to the white light), but upon her return to the living, she is shocked to discover she has the ability to heal people with terminal illnesses and handicaps. Burstyn manages to imbue Edna with this lovely humanity which never allows her to exploit or take advantage of her special gift. Burstyn is so special in this film, she gives the character so much heart and makes her achingly real, despite her special gift. There is one amazing scene, which is burned in my memory forever, where she heals someone of a disfiguring illness and allows the illness to enter her own body and temporarily inhabit her own body. Burstyn commits so completely to this scene and it's harrowing to watch. Resurrection is a very special movie experience.

Ordinary woman, recently paralyzed in a car accident that left her husband dead, drives with her father through the California desert and meets a wily, warm old coot running a service station; he introduces her to his two-headed snake and then, without provocation, touches the top of her head affectionately. Soon thereafter, she finds she can heal the ailing--including herself--which frightens her distant father as well as the new man in her love-life. Occasionally overwrought or slow, "Resurrection" has a solid screenplay to fall back on, and a terrific actress in the leading role. Ellen Burstyn, feisty, flawed and fed up, creates a three-dimensional character here who often makes bad choices but never loses our respect. Fighting with her father for the last time, she tells him, "I am sick...to...death...of trying to get you to love me." Fine supporting performances by Eva Le Gallienne, Richard Farnsworth and Lois Smith, but Sam Shepherd isn't well cast as the new love-interest (he's supposed to be a sexy bad boy, but instead he just seems villainous, in a perpetual foul mood). The movie lays on the hick-charm a bit heavily (our heroine is Edna Mae, her grandmother is Grandma Pearl), but it has a great deal of heart and some very moving, sensitive moments. *** from ****