A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

One of the worst ways to make a cult movie is to set out to make a cult movie.

In the dysfunctional Italian middle-class family Ristuccia, the middle-aged executive Carlo (Fabrizio Bentivoglio) has a stalled life without passion, bored in his work and having a monotonous life with his wife Giulia (Laura Morante). Giulia is a frustrated and hysterical woman because she gave up of being an actress in her youth to dedicate to the family. Their needy son Paolo (Silvio Muccino) feels lost and rejected, trying to find who he is and flirting with a schoolmate. Their seventeen years old daughter Valentina (Nicoletta Romanoff) is decided to work in a television show, and is fighting to have an audition. When Carlo meets his former sweetheart Alessia (Monica Bellucci) in a class reunion, they confess to each other that their marriages are in crisis and both feel passion arising again. Meanwhile Giulia is invited to an audition in a stage production and to participate of a play. Paolo tries to make friends using marijuana in his birthday party, and Valentina has sex with different guys trying to be a dancer of the famous TV show 'Ali Babbi'. Their relationships change when Carlo has an accident.Two years ago, I saw "L'Ultimo Bacio" on DVD, a beautiful and delightful movie about relationship in different phases of life directed by Gabriele Muccino. I was impressed with this director, and recently it was released "Recordati di me" on DVD in Brazil. I have just watched and it is amazing the sensibility of this director with the dynamics and feelings of a family, presenting a tale of passion, frustration and dreams. The realistic relationships between the members of this common middle-class family is disclosed though the lost dreams and passions of the parents, and the dreams and aspirations of their son and daughter. The cast is amazing, with a sensational Laura Morante, the stunning Monica Bellucci, the sexy Nicoletta Romanoff and the impressive Fabrizio Bentivoglio and Silvio Muccino, all of them perfect in their respective roles. This movie is recommended for those viewers that want to see a realistic, full of sentiments and never corny dramatic tale. My vote is nine.Title (Brazil): "No Limite das Emoções" ("In the Limit of the Emotions")

"Remember my Name", directed by Gabriele Muccino, kept reminding this viewer about his previous film, "The Last Kiss", because in both, the main characters at the center of each story are named Carlo and Giulia. Could this 2003 has anything to do with the other one? Or was it just a coincidence? We don't get any actual fact to tie both movies together, but in a way, the two movies deal with an inner crisis that the two Carlos must face and come to terms with.This new film has a frenetic pace in the first hour. It seems as though Giulia and Carlo's relationship is strained, despite the somehow normal family life they lead. This is a film that asks a lot from its viewers, as they try to keep pace with the quick tempo Mr. Muccino gives the picture.It's clear to see that things aren't exactly the best between husband and wife. Carlo is at a point in his life where he can't deal with a job he doesn't care about and Giulia wants to go back to an acting career that didn't materialize when she married Carlo. Valentina, the young daughter, wants to pursue a career in television where beauty and a fast friends view her as a desired commodity. Paolo, the son, is an uncool youth who wants to belong in a world he is not cut out for.When the gorgeous Alissia enters the picture, Carlo can't resist seeing her again; they have been lovers before, but have lost track of each other in the succeeding years. Their relationship has a negative effect on both households, as Alissia is by now married, and Carlo loses his head when he decides to quit his job and renew his relationship with Alissia. When Carlo suffers a freak accident that sends him to the hospital for a long time, Giulia and the children rally to support him. In fact, this should be something to change Carlo's attitude in forgetting Alissia, but is it? We realize the accident and his gratitude to his wife and kids will be questioned again when we see him in the final moments of the film in the supermarket where he sees Alissia with her two young children as they make last minute Christmas preparations.Fabrizio Bentivoglio makes us care for the complex Carlo, a man whose passion has been dormant for a long time. Laura Morante, plays Giulia, the woman who has to make choices and wants to keep everyone together. Monica Belucci is seen as Alissia, the one that never stopped loving Carlo.The movie has a great look thanks to the camera work of Marcello Montarsi. The music by Paolo Buonvino is also an asset in the film. Gabriele Muccino, with this new movie proves to be an important voice in the Italian cinema today and we await for his new film with interest.

This movie is hard to absorb, partly because the dialogue is difficult in translation and partly because of the fading and mixing of scenes that introduce the 4 character stories within. Four people in a family so plausibly like middle class families everywhere, except here in Italy the members are more likely to be beautiful, handsome, suave, and worth staring at for some feature or another. Muccino shows us that the happiness we work for within a family is easily thrown away (no wonder there is so much divorce), but that the common need to have one place where we think we can be recognized and loved for who we are can bind even the most dysfunctional family unit. Each character here is struggling with ego. Carlo (the handsome Fabrizio Bentivoglio whose hair belongs on marble statues) wants romantic love and an escape from boredom of his job and family -- he ought to have had something different, but he doesn't, and honestly he is the middle of middle class personified -- a salesman working on number 8 sale. Guilia (Larua Morante -- among the most beautiful of Italian actresses currently) is hopelessly insecure but pictures herself as a great stage actress, which is might possibly be -- if it really was her obsession -- the real obsession being to retain the normality of her marriage facade. Valentina (Nicoletta Romanoff) is the a self absorbed teen age bod beautiful with the hips and hair of her generation -- so anxious for a bit role in a dreadful television programme to recognize her beauty. And finally Paolo (A Muccino relative surely) desperate for recognition of his specialness. All want recognition for the specialness and at the same time the security of the familiar. Every moment of this movie shows the tension between the desire for a self-perceived "fame" or "happiness" based on selfishness and the pull that conventional family love provides. These characters recognize true happiness when the routine is threatened and Fabrizio faces possible paraplegia. The other three cannot (although they do) contemplate anything but return to the beginning. Scene after scene develops the characters -- and portrays their dilemma of self versus family -- something many of us continually face when lucky enough to have a unit that is at the same time crushing of self and supportive of "love". The ending is perfect -- smile, Fabrizio-- One was left knowing that nothing had really changed for this family or the individuals involved although 3 of them appeared to get what they wanted -- and even Fabrizio got his "break" from routine. Maybe he was the unluckiest and had to smile the hardest as he built his selfish love on a dream that had no apparent fulfillment (NO BRIEF ENCOUNTER THIS -- just a desire for a Brief Encounter). I imagine this movie was very disappointing to many -- it was a treat to one who scoured the video store for something different and found a depiction of every day life that was hopeful and helpless and maybe the description of a happiness that is never fully satisfactory but we are required in the end to accept -- and to live without ever being fully aware.

The plot it's not so original. If someone saw "L'ultimo Bacio" there's nothing new. A wealthy family in Rome living everyday life that's is boring and false, with everyone asking to others what they think about them. Really boring after an half of hour because it's simple to understand where the story is going to finish. This because it's simple to see the moralistic view of Muccino in this movie, so even the hardest parts seem normal. To summarise in the first 2 minutes of the movie it would be enough and the aim of the movie were already said. the family saw from a 30 years old, i don't like to see movie that want to show the reality but for be coherent to his thoughts has to push more than the normal the situations. Really good how Muccino put the camera in the right place moving with the carathers and it's the only reason that bring me not sleeping in the cinema though always in the movie scream from the begining. Perhaps it could be good to see the family how they are in reality and not put the blame to something out of it. Morante was intense and great as usual but unfortunatly on a bad movie!