Touches You

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

I'm always amazed to consider how much culture and worldview the Chinese have stored in them and how little of it has been tapped yet. Compare with American films, how many we get on our screens all across the world and what trivial philosophy supports them. The Chinese are still in a process of committing their vast narrative to first images. So with these two films, it seems at this point that getting down the chronicle in a simple way and make it boisterous entertainment was enough. We get history that flattens and oversimplifies, good lords against cruel despot, freedom against oppression, and swathes of conflict without nuance. We get a lot of chintz and scale. The first movie was without worth, but they tap into something else with this second one.Most of it is taken up by the machinations of the two rival sides for control over the narrative; ways to tip on their side the fateful battle before it begins the next day across the Yangtze. Some of it simple, rafts with infected bodies sailed into the opposite side. A spy manipulated to spread a false story. It's the main stratagem however that elevates it to something more, gathering up a different view than just opera.The stratagem is that the direction of the wind on the fateful night when navies meet is going to be crucial, wind having the power to decide the course of empire depending on which way it blows, north or south. The Way of Heaven (as Chinese viewers will know it) central in how fates dispense worldly order.This is what's being set up in an earlier sequence where one of the protagonists (who we have registered before as a kind of Confucian adviser to a lord) is able to stage and manipulate illusion (the barges with straw soldiers to gather up arrows) by having the knowledge of observing the structures of Nature - warm morning wind after a cold night means a fog that day.And yet it still could have gone either way that night, the balance as fickle as a candleflame in the wind. It's the loving wife who has changed sides hoping to avert the war who tips the balance that night; seducing the tyrant with a tea ceremony that is just buying her husband time, another staged illusion that comes from knowing how to observe the weather of Man, fickle desire tricked by beauty.The ensuing battle is a rip-roaring wind that blows north and rolls up an entire landscape of boats, men, and fortifications. This is the part with the spectacle most viewers will want to see.I'd rather keep with me all the other stuff and how it suggests a vantage point rooted beyond appearances. They come from the far center of Chinese soul. Spontaneous nature carrying the way (the Chinese character for "heaven" also invokes "nature", "sky" and "spontaneous"). Letting yourself bend to the way of the wind, timing the pull. Weather in and out. I can imagine it coming from the hands of a tea master like Wong Kar Wai, who can make the camera bend to the way of things, permitting us to take our own place within them; love, regret, memory. Woo just forces things in his way like a warlord. The scene where the spy woman (the most spirited being here) returns from the enemy camp and she lets the fabric with the map unfold from her body - that's Kar Wai.

The battle of the Red Cliff, which is the climax from the first half of "Romance of the Three Kingdom" by Luo Guanzhong is perhaps the most spectacular war story in all of Asia. Until the outbreak of Russo-Japanese war, it certainly was one of the biggest battle of the region, and perhaps the biggest in terms of numbers of people involved.Director John Woo assembled an international talent of actors to create this one of a kind epic movie. He's described it as 50% fictional, but he must have put lot of thoughts into the fiction part, because all the filling that he puts in works to enhance the story, and brings excitement to each scene.The story is somewhat long, and for ones who are not familiar with the historic saga of this battle, may feel that it's overly protracted, but the movie was geared mainly for the Chinese audience (China bankrolled the film), who are intimately familiar with the characters described in this story. I'm sure many went to the theaters to see their favorite heroes come to life.The casting is done exceptionally well, as they convey the authority of the characters they are playing. Clever casting from different countries around Asia (China, Korea, Japan, and Taiwan) ensured that people of those countries will not see it as foreign film, but one of their own.This certainly is the best warrior based movie to come out of China, and even for the jaded director John Woo, the greatest masterpiece. Superbly crafted movie, and equally superb story telling, captures all the highlights of the Battle of the Red Cliff.Part 1 was good, but this blows the doors off of Part 1. One of the greatest movie to come out of Asia.

I guess i do not need to explain this part in detail. Part I has already explain much of the style and depiction of the movie. And all i could tell you is that its great. Part II starts where the 1st one left off. The 1st defeat of Cao Cao's army didn't make the PM any less confident as he is about to commence his second army to take the charge. The Navy. He's determine that he will take down Red Cliff like an iron fist. Meanwhile, Zhou Yu and company are finding ways to cripple the large naval fleet that Cao Cao has already settle in opposite side of their fort. With characters already introduced in the 1st part, the movie didn't seem to lose the magic as it keeps surprise audience in it's story. This part starts off with the latter half focusing entirely on character development. The final half goes in for the battle. Just like part I, the battle scene still packs a huge punch at your guts with many brilliantly choreographed movements and kinetic action. The ending ends up in a very fair manner but that's up to you to decide.Anyways, it's still as good as the 1st part. One of the best film adaptation from novels. Many should know it's basically the same thing because it was shot back to back. So what really determines how good is part 2, you'll have to watch part 1 first.8.8 out of 10 rating.

********** THE COMMENTS MAY CONTAIN SPOILER **************** ********** BE WARNED. READ AT YOUR OWN RISK ****************IMHO, this show is watchable if you like big scenes and some of the lead actors & actresses...Best part of the show, I think, is the "borrow arrow" portion. Second best to me, would be the battle scene.Worst parts: 1) The Red Cliff battle was supposed to be one of the most important battles in the history of the three kingdoms. It involved a large number of generals and advisers; tactics, tricks and skills. Unfortunately, this show does not display sufficiently. 2) Zhou Yu knowing Zhuge being as smart/smarter than him, and serving Liu Bei, would definitely be great threat to Sun Quan; would definitely find ways to either kill him or withhold him. 3) After so much effort to trap Cao Cao, how would Zhou and gang so easily let him go (Zhou even wanted to locate Cao before his own wife)?!! "Return the tiger to his mountain"