What a beautiful movie!

Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

'Red Cliff II" is a true epic - especially when combined with 'Red Cliff' - it's epic in length, scope, battle scenes, score, visual effects, storyline, you name it! Even though the plot is relatively simple - the Shu and Wu fight to save their Southern Chinese kingdoms against the deceitful Cao Cao (Zhang), even though they only have about 5% of the soldiers he has.The time spent introducing the characters in the first part pays off here, with about six key characters all getting time to shine - General Zhou Yu (Leung) & his wife, Qiao (Lin), Prince Quan (Chang) and his sister, Shangxiang (Zhao), Liu Bei (You) and Liang (Kaneshiro), who keeps their alliance together. They devise a plan to fight and possibly defeat Cao Cao, culminating in a huge battle that seems to last for 35min on screen! There's nothing too over-the-top and it all seems possible, even though it's amazing it happened 2000 years ago!Expertly made, great to look at and listen to, with a satisfying ending - if only all historical epics were this good!

Red Cliff 2 is a good action pic. Even though we already know the result the movie still manages to keep it exciting and suspenseful. Granted artistic license were probably taken with the story but who cares, its a movie not a historical documentary.That being said there were a few parts of the movie that defied belief. The shu princess as a spy and how easily she manages to accomplish her mission. The final battle was also some what disappointing, too much CG explosions.But the biggest thing for me is ........... its NOT a propaganda movie. Thank you John Woo for that. I was expecting a "we must stand together and sacrifices must be made for the country to be united and prosperous" message that we have been getting from most of the Chinese "historical" epics. There wasn't any :) Good movie, good visuals, good acting.

I saw the original two-part five-hour Chinese release version of RED CLIFF on DVD earlier this year. I was eager to see the shortened two-and-a-half-hour North American theatrical release version for two reasons: 1) to see it on the big screen and 2) because I thought that shorter would be better. The five-hour original was simply way too long; there was plenty of material that could have been removed without sacrificing anything.Magnet Pictures released this film quietly in only two theaters in Manhattan and no theaters in my home borough. By the time I could devote an evening to see it, some three weeks after it opened, it was down to playing at one out-of-the-way theater on the Lower East Side and only at times that were impossible for working people, so I had to make a trip into Manhattan on the weekend for a morning show on Sunday, December 13, 2009. The good news is that I was quite pleased with the final result. I thought it played beautifully at two-and-a-half-hours and found it far more gripping, suspenseful and exciting than the longer version. There are plenty of moments that would have elicited applause, laughter and cheers had this played to a full multiplex crowd on a Friday night at a centrally located theater, say, in Times Square. Unfortunately, it did not have that opportunity. And because it's so inconvenient for most people to see, I can't go around recommending this to the people I think would enjoy it.I wish that John Woo and his producers had made more of an effort to find a suitable North American distributor for RED CLIFF, the most expensive film yet made in China. From what I've heard, Woo asserted that he made this film for his Chinese audience, to which I respond, what about your American fans? We championed your Hong Kong films for years and ensured a growing reputation here that enabled you to come over in 1993 and begin directing films in Hollywood—the start of a ten-year stretch that made you a wealthy man and a respected auteur the world over. You belong to the world, now, Mr. Woo. Aren't the rest of us entitled to see one of your best films in a proper theatrical setting? After all, five years ago Zhang Yimou's Chinese epic, HERO, was released by Miramax to multiplex theaters across the U.S. and even hit #1 at the box office for its opening weekend. I saw HERO on opening night in a sold-out house at a 42nd Street multiplex in Manhattan with a very respectful audience that seemed to appreciate its stylized tone, fanciful fight scenes, and all-star cast. While not as star-heavy, RED CLIFF is much more of a genuine crowd-pleaser, with a more engaging plot and far more action, and would certainly have sent exhilarated fans out to eagerly spread the word among their friends. Woo's American fanbase deserved the opportunity to do that. RED CLIFF offers narrative film-making in a classical style that used to be quite common in Hollywood. Among today's American filmmakers, only Quentin Tarantino comes close and only in select films like this year's INGLOURIOUS BASTERDS. RED CLIFF reminds me of the epics that filled me with awe in neighborhood theaters as a child, most notably Anthony Mann's two spectacles, EL CID (1961) and FALL OF THE ROMAN EMPIRE (1964). The failure of RED CLIFF to reach its audience in the U.S. is emblematic of everything that's wrong with movie distribution in this country today.I've placed this review in the IMDb entry for RED CLIFF Part II, because that's the part that comprises the bulk of the North American release version.

If the first part of the series was the set up, here is the pay off. I was disappointed at the end of the first part when big To Be Continued words filled the screen. But it was worth the wait. When it comes to Chinese epics, it gets no better than this. Mostly an incredibly long, epic battle, this second part pays off in spades. It's more exciting, smarter, and more edge of your seat. Every minute leaves you anticipating the next and the conclusion is very fitting. You almost don't want it to end, despite the huge running time. John Woo has succeeded in creating one of the grandest Asian epics ever made, and this series of films should cement him as one of the finest Asian filmmakers of all time.