Memorable, crazy movie

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Do not watch this garbage. It has no redeeming features. Not a single one. Bad acting, crap dialogue, rubbish dubbing, no atmosphere, terrible music, dire 'special' effects, painful story, dreadful direction etc. Even being drunk wouldn't save this one. Even brain trauma wouldn't save this. Ugh.

A truly remarkable film, some of the other killer animal movies have a setting that isn't far from our own, normal places like a cabin, the beach, a forest, a small town, a city, but this movie goes beyond that, its a Bruno Mattei movie, he wouldn't settle for anything less, this is probably the best killer rat movie and the best post apocalyptic movie too, its fun, the characters are great, very likable with their own unique personality, its every graphic movie, also I would like so say something that not many people talks about, it has to do with a scene were one of the characters gets burned, it was very revolutionary for Italy at the time, before all they would do its just to light someone on fire and that's it, but Mattei decided to improve it, he shot it on a special suit for the actor and shot the scene putting the fire on and off and edited it so it would look like one sequence, for the time in Italy that was great, overall the movie its great fun, go and watch it.

This film is so bad, that its just laughable. It is absolutely terrible compared to most 80s films, but it should definitely not be avoided by 80s horror fans. Its impossible to take film like this seriously. I mean, its obvious someone off camera is throwing rats at the actors. And those shots of fake ones on a conveyor belt? Priceless! The scenes of horror when the actors discover some evil, nasty mutant rats... Did I say mutant rats? Lol. Hahaha. Its directed by the one and only one Italian Ed wood, Bruno Mattei. Little gore there is n that too is so badly done, its not even laughable. It has Ottaviano (stunt coordinator for TV series ROME, Vampire in Venice). Massimo Vanni (house by the edge of the lake, the Inglorious bastards@1978). Geretta Geretta (the Rosemary from DEMONS). Her character name is chocolate in this flick n she has one of the worst/ racist dialogue in this flick.

In a post-apocalyptic setting, a gang of nomads enter an abandoned building only to discover it inhabited by rodents with an insatiable appetite for human flesh. What starts out looking like another tired 'new gladiators' instalment soon emerges as a claustrophobic ten little Indian tale where the characters must battle both one another and the omnipresence of vengeful rats on the warpath. The fearless leader Kurt combats challenges from within, as the incessantly irritable Duke persistently tries to undermine his control over the group, all the while Kurt and his fellow actors are pelted with rats by off camera stage crew.Curiously reminiscent of a stage production, the characters will often gather together in shot and deliver their lines in succession before a distant noise startles them into collective panic. The dialogue is stilted but suits the wooden acting, a weakness that can't be attributed to the dubbing. Full frontal nudity earns the film its R rating, briefly assuming the mantle until the infamous sleeping bag scene (ouch). Amid the dissent and panic, one of the characters (earlier defined as the cerebral thinker and oracle of all knowledge) delivers an epitaph that could apply equally to both the deceased characters he laments, and the film itself when he utters the immortal line "they had such a terrible finish". At least it's finished for them; the audience will have to endure.Make-up effects are confronting at times, though they do often fall short of realism, opting instead for shock value as witnessed by the asinine decapitation scene which resembles an accident in a mannequin factory. And as usual, the poor old rats (no doubt selected for their rare thespian talents), end up being kicked, gassed, barbecued, shot and one even knocked out by a beer tankard. At least they have the last laugh.