Surprisingly incoherent and boring

It is a performances centric movie

Great Film overall

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

First, "Rat" gets extra points for a very original screenplay. The fine acting is what carries this unique comedy, because the only way "Rat" works is if the characters come across as dead serious, which they do. Any decent into slapstick would have been disastrous. Another plus is the unique camera angles giving a rat's point of view. Different reactions of the various family members, to what is obviously a highly unusual situation, fuels this dark comedy. In order for a black comedy to work, it must be outrageous, not mean spirited, and deadly serious, and "Rat succeeds on all counts. I liked this clever and highly original comedy. - MERK

When the father of a Dublin family is transformed into a rat, the family dynamic changes not at all! The daughter is still Daddy's Little Girl, the son -- Pius! -- is piously creepy, his vocation to the priesthood notwithstanding, and the mother alternates (as usual) between wild-eyed outrage and sentimental tears. Writer, director and cast all seem to be making the same movie -- a dissection of some of the more peculiar aspects of the Irish "character" with some of the insight of Huston's/Joyce's THE DEAD -- and even more laughs. Imelda Staunton is devastatingly funny as the mother who views her husband's transformation as just the latest in a series of crosses she's had to bear. Certainly this movie is not for all tastes, and I can imagine that some viewers would be simply baffled. It helps if you DO understand (sort of) why anyone would name their son "Pius." But if you're Irish-American and have mixed feelings (are there any other kind?) about your "heritage," just sit back and enjoy!

When their father Hubert suddenly turns into a rat, his family don't really know how to react, apart from putting him in a cage. When a journalist convinces them to write a book, he moves in and starts to mould their emotions to exploit the situation for fame and fortune.The key to this film is in the imaginative set up and the funny telling rather than the actual plot itself. In terms of plot the film runs out of steam a little towards the end where it seems to realise that plotting hasn't been the main driving force of the film. What does drive the film is that it is laugh out loud funny almost all the way through. If you like the sort of Irish humour and characters then you'll like this a lot. The idea of being turned into a rat isn't really explained but this doesn't really matter.The characters are all excellent, although Postlethwaite is really little more than cameo for most of the film, his part being played rather well by various white rats! Staunton is the strongest character and has captured the hard love of an Irish mother very well – focused on the practicals despite circumstances (a priest is called to the rat and she throws it in the washing machine so his dirty fur won't shame the family, `it's ok, he's on wool' she assures a concerned family member). Her character is hilarious throughout. Kelly (Father Jack) is strong in a small role, but Wilmot's character is less clear but seems to be the one that the plot is riding on. The kids' roles are pretty funny and the support cast of Irish stereotypes all do what they are expected to do.When I watched this movie on TV I had never heard of it and I wonder how many people have actually seen it, it's a shame because this is really funny and worth seeing despite the fact that the actual plot itself is not as strong as the laughs deserve. Overall this is very funny throughout if you like the Father Ted style of slightly exaggerated Irish humour.

I've always found popular Irish comedies like `Waking Ned Devine' to be either overkill on the charm, or like `The Van', to be overkill on the sardonic wit. This film truly nails the balance of charm and sardonic wit, and it also has an energy that I haven't seen since `A Hard Day's Night'. Bob Geldof –formerly of The Boomtown Rats (!) – was the musical consultant, and the score is mixed with bouncy pop songs in the background that seem to recall the joy of that era. The film opens with a fable-like narration letting us know that we're into the kind of Irish story-telling that is of its past (i.e. deliciously wicked!). Personally, I'm grateful to see this kind of story-telling still alive and not reflective of the new generic Ireland that's looking more and more like the USA. There already is a `Babe' and a `Stuart Little', so why make those films over again? This film stands on its own, and it can certainly entertain adults every bit as much as kids. I found it to be one of the funniest films I've seen in years! The key to much of the humour is in its subtlety. One definitely has to have a love of the absurd in its most subtle form (like one of my favourite scenes, when the desperately ill rat is thrown in the washing machine so it will look nice and clean when the priest comes to exorcise it). The cast is magnificent, especially Imelda Staunton whose personality is more rat-like than her husband, but can switch emotional gears faster than her husband can scamper across the floor. And of course, Pete Postlethwaite does actually look like he's `half-way there already' in terms of his physical appearance. I couldn't imagine anyone else in the role. A sweeter rat you've never seen!