Rang Rasiya
Rang Rasiya
R | 07 November 2014 (USA)
Rang Rasiya Trailers

A look a the life of 19th century Indian painter Raja Ravi Varma.

Reviews
Artivels

Undescribable Perfection

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Contentar

Best movie of this year hands down!

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ShangLuda

Admirable film.

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Hattie

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

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kaushal agrawal

A great Indian movie reflecting how India restored her historical temple of culture and civilization, gods and goddesses, people and rulers. The movie is filmed a century backwards, and it captures the social elements which has been the main reason why the Indian history has not been fostered by its people so long.The central character, who is an independent painter, gets inspired with Indian goddesses via a lady he meets in a temple. His talent of painting is his life. Being a human, he can not live with his talents spirited away by new technology of cinematography. He quits painting but gets trapped by law for spreading nudity and false image of gods, in words of a famous community leader. Airs get cleared when he explains his intentions behind these paintings which prove to be an unforgettable contribution in bringing back the nation's history and culture.The movie is plotted in Kerala, a south Indian state and it holds a very nice illustration of people and families living there. Visual effects have been successful in rendering the lifestyle those people enjoy. The movie shows how gods in India descended from temples to homes and everywhere, how the third class of society got access to public worshiping. It reflects existence and functioning of social division of 'varnas' which was very prominent in India a century ago.The movie ties up with chronological events like revolts in late 19th century, formation of Indian National Congress, spread of plague etc. It also shows France introducing cinema to India, leading to the formation of Indian film industry by Dada Saheb Phalke, a constant side-role in disguise.Overall, a great movie with almost no flaws, successful in its goal of introducing the viewers to early Indian culture.

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Darshan Rupani

please must watch it.. this movie is bring me near to the Indian tradition... one sentence of Raja Ravi Varma says good about Indian tradition,'India is nation of Kamsutra,' i would like to say that India is first to give Kamsutras crafts.although ran deep's acting is marvelous, and i would like to see Nandana sen as DEVI..And we have to thank you to Ketan Mehta that man is bring it to us, a real tradition to real ARTIST.I don't care who's talking about this movie whatever but i would like to say awesome. And i wish Indian movie should get high over it and should be shown us what we have , what is Hindustani tradition, IT'S TIME.**IF ANYONE LIKE MY THINKING USUALLY SAY IT REVIEW THEN SAY ABOUT IT ON rupanidarshan@gmail.com *** thanks (i give ten vote because its start up)

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bobbysing

Hindi Cinema has never been keen on making enlightening biographies, especially of any talented creative artists born in our part of the world in the last century. In the beginning we made movies on all mythological characters and then the focus shifted on to the life of key historical figures, freedom fighters, rebels and occasionally a sportsman or a business tycoon too as seen in the recent times. But very rarely we have made a film (not documentaries) on any creative artist of our country who had an exceptionally god gifted talent in any particular artistic stream and celebrated his entire life with the blessed art right till the last days.Thankfully, RANG RASIYA is one of those rare and important biographical dramas based on the life of 19th century painter RAJA RAVI VARMA, who was the pioneer artist, painting the divine Indian GODS and GODESSES on his canvas with an exceptional grace and beauty. Directed by Ketan Mehta the period drama stars Randeep Hooda and Nandana Senin the lead but unfortunately remained in the cans for six long years since its completion in 2008.Now where a few blame the internal disputes of the makers as the cause of this long delay in its release, others mention its extremely bold scenes as the key reason for getting stuck in the censors, in order to avoid any communal unrest among the people. Anyway, whatever the reason might be, the sad irony remains that despite being a rare, courageous film made on one of the most famous Indian painters (who earned a world acclaim too), the project could found no takers till recently, when Randeep Hooda became a part of some highly successful films at the box office making a name of his own. Hence where the censors & controversies can be termed as the front side of the coin, the completely business minded & cruel exhibition norms of the industry form its other hidden side, never giving the much needed support to such artistic films since last many decades of our film-history to say the bitter truth.Moving ahead, the film has now reached the theatres and is available for all the lovers of such meaningful or enlightening cinema waiting desperately. But if in case it fails to find a decent number of viewers in the theatres post this prolonged wait, then it will declare we the audience too as a part of this questionable partial system ruining such great attempts made, on a constant basis.Recalling my experience of watching RANG RASIYA, I luckily saw it in a Film festival last year and was simply enthralled by the life experiences of the celebrated painter RAJA RAVI VARMA and the hardships he had to face leading him to the court of law on the charges of spreading vulgarity. Based on the biographical novel by Ranjit Desai the film passionately talks about Varma's obsessive art and the struggle to practice his free artistic expressions depicting the mythological characters creatively. And many would be stunned to know that though his exquisite paintings were getting famous all over the world in that particular era, the artist was arrested in his own country on the charge of obscenity and offending religious & cultural sentiments of the public by painting in an indecent manner.Frankly, RANG RASIYA was an eye opener for me too as I was also not aware of such astonishing facts about one of the greatest Indian painters of my own country. And that is exactly why bio-pics need to be made like an effective means of spreading awareness in the present generation to be precise. Yes, technically it can easily be called an artistically inclined film made with a sincere motive accompanied by a decent cinematography, average soundtrack (which could be much better) and impressive performances by the entire cast led by Randeep Hooda and the gorgeous Nandana Sen.However it's not the technical qualities for which the film is being included here in the list of must watch movies, but it's the informative value of its shocking as well as educative content which essentially needs to be told to our younger generation and not to be slipped under the carpet as some forgettable part of our history. So ignoring all the controversies and unnecessary delay over its release, I would like to recommend watching RANG RASIYA as a must, since its a film which would straight away remind you of a sharp contradictory truth of the recent times related with another legendary artist M. F. Hussain.Putting it more clearly, what we did with M. F. Hussain is nothing new as the same had been done with Raja Ravi Varma too way back in the 19th century. So its only the calendar changing its dates, whereas our thinking patterns still remain the same insulting the creative minds of the nation, giving them awards posthumously and refusing their respected dues in their lifetimes following a shameful pattern.With a hope that the future India would learn this important lesson of giving that 'artistic freedom' to its creators through this brave, thoughtful and honest depiction by Ketan Mehta, do watch this at the earliest and know more about your history with a different perspective.

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Diezel Glax

Rang Rasiya - first of all, Hats off!! to the team for persisting with the final print. It takes courage for the cast, especially Nandana Sen, to deliver content as bold as this. The frontal nudity was handled perfectly and given just the right amount of attention it deserves. Nothing more. Nothing less. Just like Sunny Leone coming to Bollywood, this movie is a very very bold move and am glad that the movie hall full of grown ups handled it maturely. Good to see India progressing!!!Coming back to the movie, too much content to be covered in too short a time. Would have been great if the movie focused on Raja Ravi Verma and his protagonist as the story felt too boring at times.

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