Strictly average movie

Boring

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

There are possibly many other silent films that are packed chock-a-block with even more sub-titles than the 1917 Raffles, but I'm glad to say I've not yet encountered them. This one contains nearly three hundred—an average of nearly five titles a minute. True, some of them consist of only a sentence or two, but most of them fill the whole screen. And such titles they are too! They're not the least bit funny, witty or comic. Just dull, wordy, prosaic—and often unnecessary. What's more, the editor makes little attempt to integrate the titles smoothly. Due to George Irving's shockingly bad direction, they jar, jar, jar! Irving also has not a clue in the world how to shoot close-ups so that they relate to the long and medium shots. As usual, Barrymore overdoes the histrionics. A few of the other players, notably Mrs Brundage (and to a lesser extent, Miss Mayo) follow his lead, but the movie is saved by two outstandingly effective performances. Frank Morgan makes an excellent Bunny, and Frederick Perry (who was actually Hornung's choice to play the lead—a choice supported by Scribner, his American publisher) manages to overcome the creaky script to give a sympathetic yet quietly charismatic impression of an astute detective who is nobody's fool. Perry has the requisite presence and assurance. He quietly out-acts Barrymore at every turn.Most of the other players are competent enough. It was good to see Kathryn Adams as Gwendolyn, but Evelyn Brent, who plays her friend, Ethel, virtually disappears from the movie as soon as she's introduced. Aside from the opening ship-board Prologue, production values are minor. The script's settings are otherwise pretty much confined to the stage play.

The Great Profile - John Barrymore - appears in this semi-noirish silent crime meller. While the picture may be dated (as silent movies go), Barrymore is simply spellbinding.This was before drink destroyed his looks and concentration, and he looks simply magnificent - certainly the most handsome silent movie star at a time when a chocolate face was the preeminent criteria for movie stardom.Barrymore is a the only reason viewers may have for seeing this film, but it is reason enough.