Race War: The Remake
Race War: The Remake
| 21 February 2012 (USA)
Race War: The Remake Trailers

What happens when the white man brings their smack into Soda's hood?

Reviews
Afouotos

Although it has its amusing moments, in eneral the plot does not convince.

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Brendon Jones

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

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Teddie Blake

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

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Nicole

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

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Woodyanders

Brutish PCP addled crack dealer Baking Soda (essayed with ferocious gusto by burly behemoth Howard Calvert) joins forces with his goofy gay partner G.E.D. (a delightfully zany portrayal by Jamelle Kent) and fish-like extraterrestrial buddy Kreech (Danny McCarty, who speaks in gibberish and sports a hokey Creature from the Black Lagoon rubber mask) to declare war on evil alien white guys who are selling a lethal form of space rock that transforms addicts into zombies. Writer/director Tom Martino totally let's it all hang out something nutty with a blithely lowbrow sense of puerile humor that gleefully eschews subtlety, proper decorum, and political correctness in the best, most joyfully offensive, and hence often uproarious manner possible: Besides hysterically rude'n'crude jokes about such things as puking, pooping, and masturbation, we also get a delirious array of broadly drawn oddball racial stereotype characters that poke merry kooky fun at everything from Jews to Muslims to Mexicans. Granted, said humor tends to be extremely dumb, crass, and tasteless, but it's still incredibly sidesplitting just the same because of its giddy go-for-broke gonzo brashness and vulgarity. Moreover, Martino displays an inspired feel for the absurd and surreal throughout, with oodles of outrageously over-the-top cartoonish gore, ridiculous action set pieces, occasional use of puppets, a few cheesy video game-style visuals, and one doozy of a surprise twist ending. An absolute wacky hoot.

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