The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Story: It's very simple but honestly that is fine.

By 1945, Basil Rathbone had grown rather tired of playing the Baker Street sleuth after all the films he had made as Sherlock Holmes. His boredom is in evidence in this film, "Pursuit to Algiers." The plot is a bit meandering and isn't very interesting. The whole thing feels rather drawn out and the dialogue isn't very good. However, it is still Basil Rathbone and Nigel Bruce. The supporting cast - ranging from good to terrible in these films - aren't exactly brilliant to say the least.

Sherlock Holmes plays bodyguard to a European prince in this tenth of the Universal Sherlock Holmes series (twelfth overall). It's often called the least of the bunch and it's easy enough to see why. Almost the entire movie takes place on board a ship at sea yet there is very little creative use made of such a claustrophobic setting. There's not much suspense to be had and the great detective does very little investigating. In fact, despite some interesting red herrings introduced early, the villains of the story are obvious and upfront from the time they first appear on screen. So there's not much in the way of mystery here, save for a twist reveal at the end that really wasn't surprising. Still, it's Rathbone and Bruce doing their thing and that's highly enjoyable to watch even in a lesser Holmes film. Nice support from Martin Kosleck, Rosalind Ivan, Rex Evans, and Marjorie Riordan. A lesser Holmes movie but still very watchable and likable for fans.

While this is contrived and silly at times, the best part of it, for me, was the fact that everyone knows what Holmes is up to and he still manages to come out on top. There are two plots at work here. One has to do with the transporting of stolen emeralds and the other the transporting of royalty. On numerous occasions, Holmes turns the tables on his adversaries. The dangers are everywhere and his head spins like an owls as he peers over his shoulder, through the fog, and through portholes. He sets up a wonderful ruse. The men who are out to squelch his efforts are really interesting: a mute thug who uses sign language, a wiry Peter Lorre type with a foreign accent, and a sort of Sydney Greenstreet wannabe. Watson becomes enamored with a pretty young singer who is carrying around secrets. He even belts out his own version of "Loch Lomond" and he proves to have quite a beautiful voice. Without giving anything away, Holmes keeps his cards close to his vest until the denouement. He suspects no one; he suspects everyone. I think this is a lesser effort, but still a lot of fun.

Pursuit To Algiers involves Sherlock Holmes and Dr. John Watson in a job of security more than detective work. Both are looking to get away to Scotland for a little rest and relaxation, but they get a curious call for help from the Prime Minister of some Balkan country where the king has died. Not by accident as reported, but was assassinated.The Holmes mission is to get the Crown Prince to Algiers where presumably the state security people will take over. Why Algiers is never mentioned.As Basil Rathbone so wisely puts it he dislikes plans made by other people as they have a habit of blowing up in their faces. Rathbone makes his own security arrangements and part of it is making poor Nigel Bruce a decoy in more ways than one. How he succeeds in his mission is quite a good tale.Favorite scenes in this is Nigel Bruce singing Loch Lomond after singer Marjorie Riordan obliges him with a rendition of Flow Gently Sweet Afton. Nigel Bruce does not do bad with it either. The second scene is Rathbone outsmarting one of the three villains on a ship to Algeria. Martin Kosleck who is best known for playing Joseph Goebbels in several wartime films of varying quality plays an assassin skilled with the use of a thrown knife. I love how Rathbone not only foils him, but decommissions Kosleck for the rest of the film.Pursuit To Algiers is not pure Holmes in terms of a faithful recreation of an Arthur Conan Doyle, but Rathbone and Bruce are in good form and back from wartime propaganda films and now doing good mysteries.