Well Deserved Praise

Too many fans seem to be blown away

SERIOUSLY. This is what the crap Hollywood still puts out?

Really Surprised!

Alicia Vikander's is stunning. Her highly intuitive, effortless and evocative acting talent reminds me in some ways of Jennifer Lawrence in "Winter's Bone." Or Frida Hallgren or Helen Sjöholm in "As It Is in Heaven" (Så som i himmelen).I could have imagined the movie going in several different directions –– and I did, and wondered throughout. For a more "feel good" experience, I might have preferred a couple of them. Still, it's an intriguing and thought-provoking little movie and well worth the time and effort. Some pretty big lose ends notwithstanding.Good acting throughout.Bravo!

About music? Or what, exactly.Glam? Music is an art form.To make a film about music, one should respect the subject and performers within the confines of the script.Pretty faces do not music make.Nor does production values film make. Scripting is story, production is canvas,direction is product.Any musician would see, any at all, poor research on behalf of the writer(s).Go for it with gusto next time, practice, practice, practice.Makes perfect.It is with dull merit that I had to include more lines than needed to get this review submitted. So be it. This film does not express what it tried to say, but follies about with faces and drama.

Things like music, poetry, philosophy etc are essential details of this film, but otherwise have nothing to do with its theme.That theme is the corruption of innocence. Which puts it in company with other films like "The Go Between", "Rosetta", "Mouchette" or "Lord of the Flies", but "Pure" is realistic rather than romantic. The director, Lisa Langseth, probably has much in common with Anthony Trollope, who was once described as "compared to Trollope, even Balzac is a romantic".The entire film depends on the performance of Alicia Vikander as Katarina, and that performance is flawless, first as a young girl of passion, through her disillusionment, and, at the very last scene, to her "graduation".And special mention should be made of Per-Eric Winberg's music soundtrack, both his own compositions and those he selected from other composers are first class.

PURE ('Till det som är vackert') is a stunning little film from Sweden written and directed by newcomer Lisa Langseth. It is currently in the 'on demand' section of Eurocinema on television and will likely be released on a USA format DVD soon. The film embraces many subjects - coming of age, the impact of classical music on young minds, affaires de coeur, philosophy, the politics of concert halls, mother daughter relationships scarred by mental illness - and in the end succeeds in dealing with some ethical questions. Katarina (Alicia Vikander, a brilliant, young, fresh 22 year old Swedish actress) lives in poverty with her boyfriend Mattias (Martin Wallström, a handsome, sensitive blue-eyed actor) in an unkempt apartment where Mattias spends his days watching television while Katarina seeks meaning to her grungy life on the streets as a prostitute. Her family is in disarray - her mother Birgitta (Josephine Bauer) is an alcoholic and a mentally ill wasted person - and Katarina is discontent. By chance she hears some Mozart played on the YouTube and has an epiphany moment. She has been a driven, hurt and hopeful soul, but Hearing Mozart somehow changes that. The music draws her to the Gothenburg Symphony Concert Hall where because of some free tickets she and Mattias hear a performance of the Mozart Requiem as conducted by Adam (Samuel Fröler): the experience bores Mattias but transforms Katarina. The concert hall becomes a magnet for Katarina and as she sneaks into the hall for a rehearsal of the Beethoven 3rd she is mistakenly identified by receptionist Nya (Isabella Bauer) as a potential candidate for job in the hall. Katarina's apparent love for music and her openness gain her the position of Concert Hall receptionist: she has escaped her dreary life and is surrounded by classical music. Gradually Katarina meets and becomes friends with Adam who finds her refreshing and in addition to talking about music he introduces her to great literature and philosophy. The bond grows and Katarina and Adam have an affair, a relationship that is transient because Adam is married. When Adam shares with Katarina that the affair must not go on, Katarina is crushed, and because of the fear Adam holds about her omnipresence in the concert hall, he has her fired. The manner in which this abrupt change in Katarina's transformed new life progresses echoes one of the phrases of Kierkegaard the Adam taught her - "Courage is life's only measure' - and the story takes surprising turns and an even more surprising end. Much of the success of the film is due to the extraordinary acting by Alicia Vikander, a young talent who seems wise beyond her years as far as intuitive acting skills. The musical score is attributed to Per-Erik Winberg, though the music throughout the film is Beethoven, Mozart, Bach and Massenet. In addition to the story being well written and directed and performed, there is a secondary message for the audience: the introduction to classical music and to cultural concepts can change lives of young people if they gain exposure. It is a challenge we should attempt of provide. Grady Harp